Modernization Agent: brazilian press by Amilcar de Castro’s hands
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Palíndromo (Online) |
Texto Completo: | https://www.revistas.udesc.br/index.php/palindromo/article/view/15839 |
Resumo: | The search for lifestyles – an integral part of modernity resulting from modernization – was one of the hallmarks of the globalized modernization process in Brazil. The artist’s figure was of central importance in the daily aestheticization movement that associated current aesthetics with lifestyles. From the transformations that occurred in art during the globalization in Brazil, in the 1950s and 1960s, with the new formulations of Concretism and Neoconcretism — based on the various stages and reinterpretations of European constructivism —, We will see how the press was not only influenced by these trends, but was reshaped and shaped by the hands of the artists. The graphic reform made in Jornal do Brasil by the artist Amilcar de Castro, studied here, is an example of this performance. |
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Modernization Agent: brazilian press by Amilcar de Castro’s handsAgent de la Modernisation: la presse brèsilienne dans les mains d’Amilcar de CastroAgente da Modernização: A imprensa brasileira pelas mãos de Amilcar de CastroAmilcar de CastroneoconcretismoJornal do Brasilimprensaarte modernaAmilcar de CastroneoconcretismJornal do Brasilpressmodern artAmilcar de CastroneoconcretismeJornal do Brasilpresseart moderneThe search for lifestyles – an integral part of modernity resulting from modernization – was one of the hallmarks of the globalized modernization process in Brazil. The artist’s figure was of central importance in the daily aestheticization movement that associated current aesthetics with lifestyles. From the transformations that occurred in art during the globalization in Brazil, in the 1950s and 1960s, with the new formulations of Concretism and Neoconcretism — based on the various stages and reinterpretations of European constructivism —, We will see how the press was not only influenced by these trends, but was reshaped and shaped by the hands of the artists. The graphic reform made in Jornal do Brasil by the artist Amilcar de Castro, studied here, is an example of this performance.La recherche de styles de vie - partie intégrante de la modernité, fruit de la modernisation - a été une des marques principales du processus de modernisation mondialisée au Brésil. La figure de l’artiste a alors pris une importance centrale dans l’effort de créer une esthétique du quotidien, qui associait les esthétiques en vigueur aux styles de vie. À partir des transformations dans l’Art découlant de la mondialisation du Brésil, dans les années 1950 et 1960, et par les nouvelles formulations du Concrétisme et du Néoconcrétisme - basés sur les différentes phases et réinterprétations du constructivisme Européen, nous verrons comment la presse n’a pas seulement été influencée par ces tendances, mais com-ment elle a aussi été reformulée et façonnée par les mains des artistes. La réforme graphique réalisée au Journal do Brasil par l’artiste plasticien Amilcar de Castro, étudié ici, en est l’exemple.A busca por estilos de vida – parte integrante da modernidade fruto da modernização – foi uma das marcas do processo de modernização mundializada no Brasil. A figura do artista teve importância central no movimento de estetização do cotidiano que associava as estéticas vigentes aos estilos de vida. A partir das transformações ocorridas na arte durante a mundialização no Brasil, nos anos 1950 e 1960, com as novas formulações do Concretismo e do Neoconcretismo — baseadas nas diversas fases e reinterpretações do construtivismo europeu —, veremos como a imprensa não apenas foi influenciada por essas tendências, como foi reformulada e moldada pelas mãos dos artistas. A reforma gráfica realizadas no Jornal do Brasil pelo artista plástico Amilcar de Castro, estudada aqui, é exemplo dessa atuação.Universidade do Estado de Santa Catarina2020-05-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/1583910.5965/2175234612272020167Palíndromo; Vol. 12 No. 27 (2020): Linha Teoria e História da Arte; 167-183Palíndromo; v. 12 n. 27 (2020): Linha Teoria e História da Arte; 167-1832175-23461984-9532reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/palindromo/article/view/15839/11404Copyright (c) 2020 Palíndromohttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessCorrêa, Clecius Campos2023-04-28T14:23:26Zoai::article/15839Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2023-04-28T14:23:26Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false |
dc.title.none.fl_str_mv |
Modernization Agent: brazilian press by Amilcar de Castro’s hands Agent de la Modernisation: la presse brèsilienne dans les mains d’Amilcar de Castro Agente da Modernização: A imprensa brasileira pelas mãos de Amilcar de Castro |
title |
Modernization Agent: brazilian press by Amilcar de Castro’s hands |
spellingShingle |
Modernization Agent: brazilian press by Amilcar de Castro’s hands Corrêa, Clecius Campos Amilcar de Castro neoconcretismo Jornal do Brasil imprensa arte moderna Amilcar de Castro neoconcretism Jornal do Brasil press modern art Amilcar de Castro neoconcretisme Jornal do Brasil presse art moderne |
title_short |
Modernization Agent: brazilian press by Amilcar de Castro’s hands |
title_full |
Modernization Agent: brazilian press by Amilcar de Castro’s hands |
title_fullStr |
Modernization Agent: brazilian press by Amilcar de Castro’s hands |
title_full_unstemmed |
Modernization Agent: brazilian press by Amilcar de Castro’s hands |
title_sort |
Modernization Agent: brazilian press by Amilcar de Castro’s hands |
author |
Corrêa, Clecius Campos |
author_facet |
Corrêa, Clecius Campos |
author_role |
author |
dc.contributor.author.fl_str_mv |
Corrêa, Clecius Campos |
dc.subject.por.fl_str_mv |
Amilcar de Castro neoconcretismo Jornal do Brasil imprensa arte moderna Amilcar de Castro neoconcretism Jornal do Brasil press modern art Amilcar de Castro neoconcretisme Jornal do Brasil presse art moderne |
topic |
Amilcar de Castro neoconcretismo Jornal do Brasil imprensa arte moderna Amilcar de Castro neoconcretism Jornal do Brasil press modern art Amilcar de Castro neoconcretisme Jornal do Brasil presse art moderne |
description |
The search for lifestyles – an integral part of modernity resulting from modernization – was one of the hallmarks of the globalized modernization process in Brazil. The artist’s figure was of central importance in the daily aestheticization movement that associated current aesthetics with lifestyles. From the transformations that occurred in art during the globalization in Brazil, in the 1950s and 1960s, with the new formulations of Concretism and Neoconcretism — based on the various stages and reinterpretations of European constructivism —, We will see how the press was not only influenced by these trends, but was reshaped and shaped by the hands of the artists. The graphic reform made in Jornal do Brasil by the artist Amilcar de Castro, studied here, is an example of this performance. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-05-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.udesc.br/index.php/palindromo/article/view/15839 10.5965/2175234612272020167 |
url |
https://www.revistas.udesc.br/index.php/palindromo/article/view/15839 |
identifier_str_mv |
10.5965/2175234612272020167 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.udesc.br/index.php/palindromo/article/view/15839/11404 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Palíndromo http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Palíndromo http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
dc.source.none.fl_str_mv |
Palíndromo; Vol. 12 No. 27 (2020): Linha Teoria e História da Arte; 167-183 Palíndromo; v. 12 n. 27 (2020): Linha Teoria e História da Arte; 167-183 2175-2346 1984-9532 reponame:Palíndromo (Online) instname:Universidade do Estado de Santa Catarina (UDESC) instacron:UDESC |
instname_str |
Universidade do Estado de Santa Catarina (UDESC) |
instacron_str |
UDESC |
institution |
UDESC |
reponame_str |
Palíndromo (Online) |
collection |
Palíndromo (Online) |
repository.name.fl_str_mv |
Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC) |
repository.mail.fl_str_mv |
palindromorevista@gmail.com || revistapalindromo@udesc.br |
_version_ |
1797041812783759360 |