Magazines in the Front: approaches between Belém Nova and Revista de Antropofagia through manifestoes in the 1920s
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Antíteses |
Texto Completo: | https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/36251 |
Resumo: | This article analyzes the approximations between the Belém Nova magazine and the Revista de Antropofagia, from the literary manifestoes published by them in the 1920s. Even when we consider the combative and modernist character of their publications and the presence of authors publishing in both, differences in relation to the perception of the regionality and brasility conveyed by them are key points to better understand the cultural magazines of the period and the modernist movement itself. The relations were thought from the connection of the modernists of São Paulo with those of the Amazon, especially Oswald de Andrade, Raul Bopp, Abguar Bastos and Oswaldo Costa. Understanding the manifestos as instruments of disputes used by the authors and the magazines, one starts from the debate about the Brazilian modernisms, going through the regional disputes over the artistic and aesthetic preponderance, until arriving at the relativization of these regionalism. In addition, observing the presence of authors from the Amazon linked to the Belém Nova magazine and the modernism of the north in the pictures of the Revista de Antropofagia, we start from the hypothesis that the contours of the anthropophagic movement were defined with the presence of ideas and ideas existing among the artists. The Revista de Antropofagia would be the mouthpiece of a movement whose roots extrapolate the regionality of São Paulo, bringing together Brazilian modernity and tradition in an attempt to reconfigure national modernism. |
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Magazines in the Front: approaches between Belém Nova and Revista de Antropofagia through manifestoes in the 1920sRevistas no Front: aproximações entre Belém Nova e Revista de Antropofagia por meio de manifestos na década de 1920ModernismAmazôniaAnthropophagyMagazineManifestHistóriaModernismoAmazôniaAntropofagiaRevista. ManifestoHistóriaThis article analyzes the approximations between the Belém Nova magazine and the Revista de Antropofagia, from the literary manifestoes published by them in the 1920s. Even when we consider the combative and modernist character of their publications and the presence of authors publishing in both, differences in relation to the perception of the regionality and brasility conveyed by them are key points to better understand the cultural magazines of the period and the modernist movement itself. The relations were thought from the connection of the modernists of São Paulo with those of the Amazon, especially Oswald de Andrade, Raul Bopp, Abguar Bastos and Oswaldo Costa. Understanding the manifestos as instruments of disputes used by the authors and the magazines, one starts from the debate about the Brazilian modernisms, going through the regional disputes over the artistic and aesthetic preponderance, until arriving at the relativization of these regionalism. In addition, observing the presence of authors from the Amazon linked to the Belém Nova magazine and the modernism of the north in the pictures of the Revista de Antropofagia, we start from the hypothesis that the contours of the anthropophagic movement were defined with the presence of ideas and ideas existing among the artists. The Revista de Antropofagia would be the mouthpiece of a movement whose roots extrapolate the regionality of São Paulo, bringing together Brazilian modernity and tradition in an attempt to reconfigure national modernism.Este artigo analisa aproximações e vicissitudes entre a revista paraense Belém Nova e a Revista de Antropofagia, paulista, a partir dos manifestos literários veiculados por elas na década de 1920. Mesmo próximas quando consideramos o caráter combativo e modernista de suas publicações e a presença de autores publicando em ambas, diferenças em relação à percepção da regionalidade e brasilidade veiculadas por elas são pontos chave para melhor compreender as revistas culturais do período e o próprio movimento modernista. As relações foram pensadas a partir da ligação dos modernistas de São Paulo com os da Amazônia, especialmente Oswald de Andrade, Raul Bopp, Abguar Bastos e Oswaldo Costa. Compreendendo os manifestos enquanto instrumentos de disputas utilizados pelos autores e pelas revistas, parte-se do debate acerca dos modernismos brasileiros, passando pelas disputas regionais sobre a preponderância artística e estética, até chegar na relativização destas barreiras regionalistas/bairristas. Além disso, constatando a presença de autores da Amazônia ligados à revista Belém Nova e ao modernismo do norte nos quadros da Revista de Antropofagia, partimos da hipótese de que os contornos do movimento antropofágico foram sendo definidos com a presença de ideias e ideários existentes entre os artistas nortistas. A Revista de Antropofagia seria porta-voz de um movimento cujas raízes extrapolam a regionalidade paulista, fazendo a junção da modernidade e da tradição brasileiras na tentativa de reconfiguração do modernismo nacional.Universidade Estadual de Londrina2019-08-09info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/3625110.5433/1984-3356.2019v12n23p166Antíteses; Vol. 12 No. 23 (2019): Revistas Culturales de iberoamérica; 166-195Antíteses; v. 12 n. 23 (2019): Revistas Culturales de iberoamérica; 166-1951984-3356reponame:Antítesesinstname:Universidade Estadual de Londrina (UEL)instacron:UELporhttps://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/36251/25874Copyright (c) 2019 Antítesesinfo:eu-repo/semantics/openAccessFigueiredo, Aldrin Moura deGalvão Júnior, Heraldo Márcio2021-03-26T13:16:50Zoai:ojs.pkp.sfu.ca:article/36251Revistahttps://www.uel.br/revistas/uel/index.php/antitesesPUBhttps://www.uel.br/revistas/uel/index.php/antiteses/oaiantiteses@uel.br||1984-33561984-3356opendoar:2021-03-26T13:16:50Antíteses - Universidade Estadual de Londrina (UEL)false |
dc.title.none.fl_str_mv |
Magazines in the Front: approaches between Belém Nova and Revista de Antropofagia through manifestoes in the 1920s Revistas no Front: aproximações entre Belém Nova e Revista de Antropofagia por meio de manifestos na década de 1920 |
title |
Magazines in the Front: approaches between Belém Nova and Revista de Antropofagia through manifestoes in the 1920s |
spellingShingle |
Magazines in the Front: approaches between Belém Nova and Revista de Antropofagia through manifestoes in the 1920s Figueiredo, Aldrin Moura de Modernism Amazônia Anthropophagy Magazine Manifest História Modernismo Amazônia Antropofagia Revista. Manifesto História |
title_short |
Magazines in the Front: approaches between Belém Nova and Revista de Antropofagia through manifestoes in the 1920s |
title_full |
Magazines in the Front: approaches between Belém Nova and Revista de Antropofagia through manifestoes in the 1920s |
title_fullStr |
Magazines in the Front: approaches between Belém Nova and Revista de Antropofagia through manifestoes in the 1920s |
title_full_unstemmed |
Magazines in the Front: approaches between Belém Nova and Revista de Antropofagia through manifestoes in the 1920s |
title_sort |
Magazines in the Front: approaches between Belém Nova and Revista de Antropofagia through manifestoes in the 1920s |
author |
Figueiredo, Aldrin Moura de |
author_facet |
Figueiredo, Aldrin Moura de Galvão Júnior, Heraldo Márcio |
author_role |
author |
author2 |
Galvão Júnior, Heraldo Márcio |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Figueiredo, Aldrin Moura de Galvão Júnior, Heraldo Márcio |
dc.subject.por.fl_str_mv |
Modernism Amazônia Anthropophagy Magazine Manifest História Modernismo Amazônia Antropofagia Revista. Manifesto História |
topic |
Modernism Amazônia Anthropophagy Magazine Manifest História Modernismo Amazônia Antropofagia Revista. Manifesto História |
description |
This article analyzes the approximations between the Belém Nova magazine and the Revista de Antropofagia, from the literary manifestoes published by them in the 1920s. Even when we consider the combative and modernist character of their publications and the presence of authors publishing in both, differences in relation to the perception of the regionality and brasility conveyed by them are key points to better understand the cultural magazines of the period and the modernist movement itself. The relations were thought from the connection of the modernists of São Paulo with those of the Amazon, especially Oswald de Andrade, Raul Bopp, Abguar Bastos and Oswaldo Costa. Understanding the manifestos as instruments of disputes used by the authors and the magazines, one starts from the debate about the Brazilian modernisms, going through the regional disputes over the artistic and aesthetic preponderance, until arriving at the relativization of these regionalism. In addition, observing the presence of authors from the Amazon linked to the Belém Nova magazine and the modernism of the north in the pictures of the Revista de Antropofagia, we start from the hypothesis that the contours of the anthropophagic movement were defined with the presence of ideas and ideas existing among the artists. The Revista de Antropofagia would be the mouthpiece of a movement whose roots extrapolate the regionality of São Paulo, bringing together Brazilian modernity and tradition in an attempt to reconfigure national modernism. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-08-09 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/36251 10.5433/1984-3356.2019v12n23p166 |
url |
https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/36251 |
identifier_str_mv |
10.5433/1984-3356.2019v12n23p166 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/36251/25874 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2019 Antíteses info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2019 Antíteses |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
dc.source.none.fl_str_mv |
Antíteses; Vol. 12 No. 23 (2019): Revistas Culturales de iberoamérica; 166-195 Antíteses; v. 12 n. 23 (2019): Revistas Culturales de iberoamérica; 166-195 1984-3356 reponame:Antíteses instname:Universidade Estadual de Londrina (UEL) instacron:UEL |
instname_str |
Universidade Estadual de Londrina (UEL) |
instacron_str |
UEL |
institution |
UEL |
reponame_str |
Antíteses |
collection |
Antíteses |
repository.name.fl_str_mv |
Antíteses - Universidade Estadual de Londrina (UEL) |
repository.mail.fl_str_mv |
antiteses@uel.br|| |
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1797069048429674496 |