The expansion of the Argentine artistic field in the 1930s: Operations and practices within the country's "interior"

Detalhes bibliográficos
Autor(a) principal: Basualdo, Patricia
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: spa
Título da fonte: Antíteses
Texto Completo: https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/44233
Resumo: In the 1930s of the 20th century, two conditions emerged that energized the artistic scene in the province of Buenos Aires. On one hand, the first official museums and art salons began to appear in cities in Buenos Aires. On the other hand, the National Directorate of Fine Arts and the National Museum of Fine Arts initiated artistic outreach programs that reached these and other localities. However, both the artistic development of the cities and the support from national organizations only served to expose the existing evaluations towards the emerging artistic fields in Buenos Aires. Instead of considering their novel formation and the limitations of municipal organizations, some artists and individuals from the capital highlighted the negative qualities inherent in this process. In this article, I aim, firstly, to present the programs promoted by national organizations and analyze the discussions that unfolded around them. Secondly, I outline some of the limitations encountered by provincial artists in integrating themselves into circles of artistic legitimacy and within their own cities, in order to complicate the position occupied by Buenos Aires artists in the context of the formation of local institutions.
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spelling The expansion of the Argentine artistic field in the 1930s: Operations and practices within the country's "interior"La expansión del campo artístico argentino en la década de 1930: Operaciones y prácticas al “interior” del paísA expansão do campo artístico argentino na década de 1930: Operações e práticas no "interior" do país.Historia del arteBuenos AiresInstitucionesHistória da ArteBuenos AiresInstituiçõesHistory of ArtBuenos AiresInstitutionsIn the 1930s of the 20th century, two conditions emerged that energized the artistic scene in the province of Buenos Aires. On one hand, the first official museums and art salons began to appear in cities in Buenos Aires. On the other hand, the National Directorate of Fine Arts and the National Museum of Fine Arts initiated artistic outreach programs that reached these and other localities. However, both the artistic development of the cities and the support from national organizations only served to expose the existing evaluations towards the emerging artistic fields in Buenos Aires. Instead of considering their novel formation and the limitations of municipal organizations, some artists and individuals from the capital highlighted the negative qualities inherent in this process. In this article, I aim, firstly, to present the programs promoted by national organizations and analyze the discussions that unfolded around them. Secondly, I outline some of the limitations encountered by provincial artists in integrating themselves into circles of artistic legitimacy and within their own cities, in order to complicate the position occupied by Buenos Aires artists in the context of the formation of local institutions.En los años treinta del siglo XX se dieron dos condiciones que dinamizaron el campo artístico de la provincia de Buenos Aires. Por un lado, comenzaron a aparecer los primeros museos y salones de arte oficiales en ciudades bonaerenses. Por el otro, la Dirección Nacional de Bellas Artes y el Museo Nacional de Bellas Artes pusieron en marcha programas de difusión artística que llegaron a estas y otras localidades. Sin embargo, tanto el desarrollo artístico de las ciudades, como el apoyo de los organismos nacionales no hicieron más que exponer las valoraciones que existían hacia los incipientes campos artísticos bonaerenses. Algunos artistas y agentes capitalinos, en lugar de tener en cuenta su novel formación y las limitaciones de los organismos municipales, resaltaron las cualidades negativas propias de este proceso. En este artículo me propongo, en primer lugar exponer los programas impulsados desde los organismos nacionales y analizar las discusiones que se desataron en torno a ellos. En segundo lugar, presento algunas de las limitaciones que encontraron los artistas provinciales para insertarse en los círculos de legitimación artísticas y en sus propias ciudades para complejizar el lugar que ocuparon los artistas bonaerenses en el contexto de formación de las instituciones locales.Nos anos trinta do século XX, surgiram duas condições que dinamizaram o campo artístico da província de Buenos Aires. Por um lado, começaram a surgir os primeiros museus e salões de arte oficiais nas cidades de Buenos Aires. Por outro lado, a Direção Nacional de Belas Artes e o Museu Nacional de Belas Artes lançaram programas de difusão artística que alcançaram essas e outras localidades. No entanto, tanto o desenvolvimento artístico das cidades quanto o apoio das instituições nacionais serviram apenas para expor as avaliações existentes em relação aos incipientes campos artísticos de Buenos Aires. Alguns artistas e agentes da capital, em vez de considerarem sua formação inicial e as limitações das instituições municipais, destacaram as qualidades negativas inerentes a esse processo. Neste artigo, pretendo, em primeiro lugar, expor os programas promovidos pelas instituições nacionais e analisar as discussões que surgiram em torno deles. Em segundo lugar, apresento algumas das limitações enfrentadas pelos artistas provinciais ao tentarem se inserir nos círculos de legitimação artística e em suas próprias cidades, a fim de complicar o papel desempenhado pelos artistas de Buenos Aires no contexto da formação das instituições locais.Universidade Estadual de Londrina2023-09-18info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionInvestigación históricaapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/4423310.5433/1984-3356.2023v16n31p252-552Antíteses; Vol. 16 No. 31 (2023): "Forests' histories and forests in stories and memories: dialogues between past, present and future"; 252-552Antíteses; v. 16 n. 31 (2023): "Histórias das florestas e florestas nas estórias e memórias: diálogos entre passado, presente e futuro"; 252-5521984-3356reponame:Antítesesinstname:Universidade Estadual de Londrina (UEL)instacron:UELspahttps://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/44233/49371Copyright (c) 2023 Antíteseshttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessBasualdo, Patricia2023-10-10T14:46:51Zoai:ojs.pkp.sfu.ca:article/44233Revistahttps://www.uel.br/revistas/uel/index.php/antitesesPUBhttps://www.uel.br/revistas/uel/index.php/antiteses/oaiantiteses@uel.br||1984-33561984-3356opendoar:2023-10-10T14:46:51Antíteses - Universidade Estadual de Londrina (UEL)false
dc.title.none.fl_str_mv The expansion of the Argentine artistic field in the 1930s: Operations and practices within the country's "interior"
La expansión del campo artístico argentino en la década de 1930: Operaciones y prácticas al “interior” del país
A expansão do campo artístico argentino na década de 1930: Operações e práticas no "interior" do país.
title The expansion of the Argentine artistic field in the 1930s: Operations and practices within the country's "interior"
spellingShingle The expansion of the Argentine artistic field in the 1930s: Operations and practices within the country's "interior"
Basualdo, Patricia
Historia del arte
Buenos Aires
Instituciones
História da Arte
Buenos Aires
Instituições
History of Art
Buenos Aires
Institutions
title_short The expansion of the Argentine artistic field in the 1930s: Operations and practices within the country's "interior"
title_full The expansion of the Argentine artistic field in the 1930s: Operations and practices within the country's "interior"
title_fullStr The expansion of the Argentine artistic field in the 1930s: Operations and practices within the country's "interior"
title_full_unstemmed The expansion of the Argentine artistic field in the 1930s: Operations and practices within the country's "interior"
title_sort The expansion of the Argentine artistic field in the 1930s: Operations and practices within the country's "interior"
author Basualdo, Patricia
author_facet Basualdo, Patricia
author_role author
dc.contributor.author.fl_str_mv Basualdo, Patricia
dc.subject.por.fl_str_mv Historia del arte
Buenos Aires
Instituciones
História da Arte
Buenos Aires
Instituições
History of Art
Buenos Aires
Institutions
topic Historia del arte
Buenos Aires
Instituciones
História da Arte
Buenos Aires
Instituições
History of Art
Buenos Aires
Institutions
description In the 1930s of the 20th century, two conditions emerged that energized the artistic scene in the province of Buenos Aires. On one hand, the first official museums and art salons began to appear in cities in Buenos Aires. On the other hand, the National Directorate of Fine Arts and the National Museum of Fine Arts initiated artistic outreach programs that reached these and other localities. However, both the artistic development of the cities and the support from national organizations only served to expose the existing evaluations towards the emerging artistic fields in Buenos Aires. Instead of considering their novel formation and the limitations of municipal organizations, some artists and individuals from the capital highlighted the negative qualities inherent in this process. In this article, I aim, firstly, to present the programs promoted by national organizations and analyze the discussions that unfolded around them. Secondly, I outline some of the limitations encountered by provincial artists in integrating themselves into circles of artistic legitimacy and within their own cities, in order to complicate the position occupied by Buenos Aires artists in the context of the formation of local institutions.
publishDate 2023
dc.date.none.fl_str_mv 2023-09-18
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Investigación histórica
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/44233
10.5433/1984-3356.2023v16n31p252-552
url https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/44233
identifier_str_mv 10.5433/1984-3356.2023v16n31p252-552
dc.language.iso.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/44233/49371
dc.rights.driver.fl_str_mv Copyright (c) 2023 Antíteses
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Antíteses
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Estadual de Londrina
publisher.none.fl_str_mv Universidade Estadual de Londrina
dc.source.none.fl_str_mv Antíteses; Vol. 16 No. 31 (2023): "Forests' histories and forests in stories and memories: dialogues between past, present and future"; 252-552
Antíteses; v. 16 n. 31 (2023): "Histórias das florestas e florestas nas estórias e memórias: diálogos entre passado, presente e futuro"; 252-552
1984-3356
reponame:Antíteses
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instname_str Universidade Estadual de Londrina (UEL)
instacron_str UEL
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reponame_str Antíteses
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repository.name.fl_str_mv Antíteses - Universidade Estadual de Londrina (UEL)
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