Narrate and reinvent the history through images: Glauber Rocha and his film discourse of the 1960s

Detalhes bibliográficos
Autor(a) principal: Bueno, Rodrigo Poreli Moura
Data de Publicação: 2014
Tipo de documento: Artigo
Idioma: por
Título da fonte: Antíteses
Texto Completo: https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/13835
Resumo: The aim of this paper is to make some considerations about the connections between History and Cinema, realizing that this art film came to be seen as a cultural artifact that has its own history and a social context that surrounds it. We analyze briefly the Brazilian film movement, from the 1960s, known as "New Cinema", in which we will work its mains social and cultural aspects, pointing to the main artist of the movement that is the filmmaker Glauber Rocha. About this author, we emphasize some of its aesthetic and political influences that have contributed so much to its peculiar view of history and society, as for your art making.
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spelling Narrate and reinvent the history through images: Glauber Rocha and his film discourse of the 1960sNarrar e reinventar a história por meio das imagens: Glauber Rocha e o seu discurso fílmico dos anos de 1960HistoriographyHistory of BrazilBrazilian cultureFilm languageGlauber RochaHistoriografiaHistória do BrasilCultura brasileiraLinguagem cinematográficaGlauber RochaThe aim of this paper is to make some considerations about the connections between History and Cinema, realizing that this art film came to be seen as a cultural artifact that has its own history and a social context that surrounds it. We analyze briefly the Brazilian film movement, from the 1960s, known as "New Cinema", in which we will work its mains social and cultural aspects, pointing to the main artist of the movement that is the filmmaker Glauber Rocha. About this author, we emphasize some of its aesthetic and political influences that have contributed so much to its peculiar view of history and society, as for your art making.O objetivo deste artigo é fazer algumas considerações acerca das conexões entre História e Cinema, percebendo que esta arte fílmica passou a ser vista como um artefato cultural que possui sua própria história e um contexto social que o envolve. Analisaremos, brevemente, o movimento cinematográfico brasileiro, dos anos de 1960, conhecido como “Cinema Novo”, no qual trabalharemos os seus principais aspectos sociais e culturais, apontando para o artista principal do movimento que é o cineasta Glauber Rocha. A respeito deste autor, enfatizaremos algumas de suas influências estéticas e políticas que contribuíram tanto para a sua peculiar visão de história e sociedade, como para o seu fazer artístico.Universidade Estadual de Londrina2014-11-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/1383510.5433/1984-3356.2014v7n14p492Antíteses; Vol. 7 No. 14 (2014): Histórias e Antropologias dos Patrimônios Culturais; 492-515Antíteses; v. 7 n. 14 (2014): Histórias e Antropologias dos Patrimônios Culturais; 492-5151984-3356reponame:Antítesesinstname:Universidade Estadual de Londrina (UEL)instacron:UELporhttps://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/13835/15621Copyright (c) 2014 Antíteseshttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessBueno, Rodrigo Poreli Moura2022-11-03T17:41:31Zoai:ojs.pkp.sfu.ca:article/13835Revistahttps://www.uel.br/revistas/uel/index.php/antitesesPUBhttps://www.uel.br/revistas/uel/index.php/antiteses/oaiantiteses@uel.br||1984-33561984-3356opendoar:2022-11-03T17:41:31Antíteses - Universidade Estadual de Londrina (UEL)false
dc.title.none.fl_str_mv Narrate and reinvent the history through images: Glauber Rocha and his film discourse of the 1960s
Narrar e reinventar a história por meio das imagens: Glauber Rocha e o seu discurso fílmico dos anos de 1960
title Narrate and reinvent the history through images: Glauber Rocha and his film discourse of the 1960s
spellingShingle Narrate and reinvent the history through images: Glauber Rocha and his film discourse of the 1960s
Bueno, Rodrigo Poreli Moura
Historiography
History of Brazil
Brazilian culture
Film language
Glauber Rocha
Historiografia
História do Brasil
Cultura brasileira
Linguagem cinematográfica
Glauber Rocha
title_short Narrate and reinvent the history through images: Glauber Rocha and his film discourse of the 1960s
title_full Narrate and reinvent the history through images: Glauber Rocha and his film discourse of the 1960s
title_fullStr Narrate and reinvent the history through images: Glauber Rocha and his film discourse of the 1960s
title_full_unstemmed Narrate and reinvent the history through images: Glauber Rocha and his film discourse of the 1960s
title_sort Narrate and reinvent the history through images: Glauber Rocha and his film discourse of the 1960s
author Bueno, Rodrigo Poreli Moura
author_facet Bueno, Rodrigo Poreli Moura
author_role author
dc.contributor.author.fl_str_mv Bueno, Rodrigo Poreli Moura
dc.subject.por.fl_str_mv Historiography
History of Brazil
Brazilian culture
Film language
Glauber Rocha
Historiografia
História do Brasil
Cultura brasileira
Linguagem cinematográfica
Glauber Rocha
topic Historiography
History of Brazil
Brazilian culture
Film language
Glauber Rocha
Historiografia
História do Brasil
Cultura brasileira
Linguagem cinematográfica
Glauber Rocha
description The aim of this paper is to make some considerations about the connections between History and Cinema, realizing that this art film came to be seen as a cultural artifact that has its own history and a social context that surrounds it. We analyze briefly the Brazilian film movement, from the 1960s, known as "New Cinema", in which we will work its mains social and cultural aspects, pointing to the main artist of the movement that is the filmmaker Glauber Rocha. About this author, we emphasize some of its aesthetic and political influences that have contributed so much to its peculiar view of history and society, as for your art making.
publishDate 2014
dc.date.none.fl_str_mv 2014-11-19
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/13835
10.5433/1984-3356.2014v7n14p492
url https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/13835
identifier_str_mv 10.5433/1984-3356.2014v7n14p492
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/13835/15621
dc.rights.driver.fl_str_mv Copyright (c) 2014 Antíteses
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2014 Antíteses
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Estadual de Londrina
publisher.none.fl_str_mv Universidade Estadual de Londrina
dc.source.none.fl_str_mv Antíteses; Vol. 7 No. 14 (2014): Histórias e Antropologias dos Patrimônios Culturais; 492-515
Antíteses; v. 7 n. 14 (2014): Histórias e Antropologias dos Patrimônios Culturais; 492-515
1984-3356
reponame:Antíteses
instname:Universidade Estadual de Londrina (UEL)
instacron:UEL
instname_str Universidade Estadual de Londrina (UEL)
instacron_str UEL
institution UEL
reponame_str Antíteses
collection Antíteses
repository.name.fl_str_mv Antíteses - Universidade Estadual de Londrina (UEL)
repository.mail.fl_str_mv antiteses@uel.br||
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