The realism between the image technologies and the scopic regimes: photography, cinema and the “imagery turnaround” of the 19th century
Autor(a) principal: | |
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Data de Publicação: | 2011 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Discursos Fotográficos |
Texto Completo: | https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/8671 |
Resumo: | The article begins with a discussion of theoretical and methodological concerning about the relation between scopic regimes and image technologies. Then, it questions the objectivity of the notion of realism and, avoiding technological deterministic approaches, seeks to analyze some historical transformations that deeply affect the scopic regimes in the 19th century and that may help to explain why, in this specific moment, the development of the photography and afterwards, of the cinema became viable, thinkable and desirable. |
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The realism between the image technologies and the scopic regimes: photography, cinema and the “imagery turnaround” of the 19th centuryO realismo entre as tecnologias da imagem e os regimes de visualidade: fotografia, cinema e a “virada imagética” do Século XIXScopic regimesImage technologyPhotographyCinema.Cultura Visual. Tecnologias da Imagem.The article begins with a discussion of theoretical and methodological concerning about the relation between scopic regimes and image technologies. Then, it questions the objectivity of the notion of realism and, avoiding technological deterministic approaches, seeks to analyze some historical transformations that deeply affect the scopic regimes in the 19th century and that may help to explain why, in this specific moment, the development of the photography and afterwards, of the cinema became viable, thinkable and desirable.O artigo começa com uma discussão de cunho teórico metodológico acerca da relação entre regimes de visualidade e tecnologias da imagem. Em seguida, questiona a objetividade da noção de “realismo” e, rechaçando o determinismo tecnológico, procura analisar algumas transformações históricas que afetaram profundamente os regimes de visualidade do século XIX e que podem ajudar a explicar porque, neste momento, tornou-se viável, pensável e desejável o desenvolvimento da fotografia e, posteriormente, do cinema.Universidade Estadual de Londrina2011-12-13info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos parespesquisa teórica e históricaapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/867110.5433/1984-7939.2011v7n11p33Discursos Fotograficos; v. 7 n. 11 (2011); 33-541984-79391808-5652reponame:Discursos Fotográficosinstname:Universidade Estadual de Londrina (UEL)instacron:UELporhttps://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/8671/12062Portugal, Daniel B.info:eu-repo/semantics/openAccess2017-07-20T17:48:38Zoai:ojs.pkp.sfu.ca:article/8671Revistahttps://www.uel.br/revistas/uel/index.php/discursosfotograficosPUBhttps://www.uel.br/revistas/uel/index.php/discursosfotograficos/oairevistadiscursos@uel.br || laudi@uel.br || discursosfoto@uel.br10.5433/1984-79391984-79391808-5652opendoar:2017-07-20T17:48:38Discursos Fotográficos - Universidade Estadual de Londrina (UEL)false |
dc.title.none.fl_str_mv |
The realism between the image technologies and the scopic regimes: photography, cinema and the “imagery turnaround” of the 19th century O realismo entre as tecnologias da imagem e os regimes de visualidade: fotografia, cinema e a “virada imagética” do Século XIX |
title |
The realism between the image technologies and the scopic regimes: photography, cinema and the “imagery turnaround” of the 19th century |
spellingShingle |
The realism between the image technologies and the scopic regimes: photography, cinema and the “imagery turnaround” of the 19th century Portugal, Daniel B. Scopic regimes Image technology Photography Cinema. Cultura Visual. Tecnologias da Imagem. |
title_short |
The realism between the image technologies and the scopic regimes: photography, cinema and the “imagery turnaround” of the 19th century |
title_full |
The realism between the image technologies and the scopic regimes: photography, cinema and the “imagery turnaround” of the 19th century |
title_fullStr |
The realism between the image technologies and the scopic regimes: photography, cinema and the “imagery turnaround” of the 19th century |
title_full_unstemmed |
The realism between the image technologies and the scopic regimes: photography, cinema and the “imagery turnaround” of the 19th century |
title_sort |
The realism between the image technologies and the scopic regimes: photography, cinema and the “imagery turnaround” of the 19th century |
author |
Portugal, Daniel B. |
author_facet |
Portugal, Daniel B. |
author_role |
author |
dc.contributor.author.fl_str_mv |
Portugal, Daniel B. |
dc.subject.por.fl_str_mv |
Scopic regimes Image technology Photography Cinema. Cultura Visual. Tecnologias da Imagem. |
topic |
Scopic regimes Image technology Photography Cinema. Cultura Visual. Tecnologias da Imagem. |
description |
The article begins with a discussion of theoretical and methodological concerning about the relation between scopic regimes and image technologies. Then, it questions the objectivity of the notion of realism and, avoiding technological deterministic approaches, seeks to analyze some historical transformations that deeply affect the scopic regimes in the 19th century and that may help to explain why, in this specific moment, the development of the photography and afterwards, of the cinema became viable, thinkable and desirable. |
publishDate |
2011 |
dc.date.none.fl_str_mv |
2011-12-13 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Avaliado pelos pares pesquisa teórica e histórica |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/8671 10.5433/1984-7939.2011v7n11p33 |
url |
https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/8671 |
identifier_str_mv |
10.5433/1984-7939.2011v7n11p33 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/8671/12062 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
dc.source.none.fl_str_mv |
Discursos Fotograficos; v. 7 n. 11 (2011); 33-54 1984-7939 1808-5652 reponame:Discursos Fotográficos instname:Universidade Estadual de Londrina (UEL) instacron:UEL |
instname_str |
Universidade Estadual de Londrina (UEL) |
instacron_str |
UEL |
institution |
UEL |
reponame_str |
Discursos Fotográficos |
collection |
Discursos Fotográficos |
repository.name.fl_str_mv |
Discursos Fotográficos - Universidade Estadual de Londrina (UEL) |
repository.mail.fl_str_mv |
revistadiscursos@uel.br || laudi@uel.br || discursosfoto@uel.br |
_version_ |
1799315408939909120 |