Copyright in transmedia narratives: the instrumentalization of copyright in contracts
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Scientia Iuris (Online) |
Texto Completo: | https://ojs.uel.br/revistas/uel/index.php/iuris/article/view/44717 |
Resumo: | The theme of this article is to analyze how copyright can be secured and instrumentalized in transmedia narratives. Therefore, the research problem that this work seeks to answer is to verify if contracts are valid means for the instrumentalization of Copyright in works constructed through transmedia narratives. A transmedia narrative is essentially characterized by telling a narrative through the use of various media, with diversified content adapted to each type of support. These contents form an amalgam and complement each other, giving rise to a new way of building narratives. Through the study carried out, the initial hypothesis was confirmed, since the author is free to dispose of and negotiate the exclusive rights of economic exploitation of the work. The author, by himself or by some entity that represents him, can negotiate the scope of the assignment or the authorization of the use of the patrimonial rights that belong to him, such as the purpose of the assignment, its terms and cost. In a transmedia narrative, the contractual instrument must be detailed and expressly bring all forms of use of the work. The approach method used was the hypothetical-deductive and the monographic procedure. |
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Copyright in transmedia narratives: the instrumentalization of copyright in contractsDireitos autorais em narrativas transmidiáticas: a instrumentalização do direito do autor nos contratosDireitos Autorais. Narrativa transmídia. Convergência Midiática. Contratos.Copyright. Transmedia storytelling. Contracts. Media Convergence.The theme of this article is to analyze how copyright can be secured and instrumentalized in transmedia narratives. Therefore, the research problem that this work seeks to answer is to verify if contracts are valid means for the instrumentalization of Copyright in works constructed through transmedia narratives. A transmedia narrative is essentially characterized by telling a narrative through the use of various media, with diversified content adapted to each type of support. These contents form an amalgam and complement each other, giving rise to a new way of building narratives. Through the study carried out, the initial hypothesis was confirmed, since the author is free to dispose of and negotiate the exclusive rights of economic exploitation of the work. The author, by himself or by some entity that represents him, can negotiate the scope of the assignment or the authorization of the use of the patrimonial rights that belong to him, such as the purpose of the assignment, its terms and cost. In a transmedia narrative, the contractual instrument must be detailed and expressly bring all forms of use of the work. The approach method used was the hypothetical-deductive and the monographic procedure.Neste artigo pretende-se responder ao problema de pesquisa analisando como os Direitos Autorais podem ser assegurados e instrumentalizados em narrativas transmidiáticas. Logo, resume-se o problema de pesquisa em verificar se os contratos são meios válidos para a instrumentalização dos Direitos Autorais em obras construídas por meio de narrativas transmidiáticas. Uma narrativa transmídia é caracterizada pela utilização de várias mídias, com conteúdos diversificados e adaptados para cada tipo de suporte, que formam um amálgama e se complementam mutuamente dando origem a uma nova forma de construir narrativas. Pelo estudo realizado, confirmou-se a hipótese inicial, visto que o autor é livre para dispor e negociar os direitos que lhes são exclusivos de exploração econômica da obra. O autor, por ele mesmo ou por alguma entidade que o represente, pode negociar a abrangência da cessão ou autorização do uso dos direitos patrimoniais que lhe cabem, tais como a finalidade, prazos e qual a onerosidade. Em uma narrativa transmídia é preciso que o instrumento contratual seja minucioso e traga de forma expressa todas as formas de utilização da obra. O método de abordagem utilizado foi o hipotético-dedutivo e o de procedimento monográfico.Universidade Estadual de Londrina2023-03-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtigo avaliado pelos Paresapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/iuris/article/view/4471710.5433/2178-8189.2023v27n1p62Scientia Iuris; v. 27 n. 1 (2023); 62-772178-81891415-6490reponame:Scientia Iuris (Online)instname:Universidade Estadual de Londrina (UEL)instacron:UELporhttps://ojs.uel.br/revistas/uel/index.php/iuris/article/view/44717/48836Copyright (c) 2023 Scientia Iurishttps://creativecommons.org/licenses/by/4.0/deed.pt_BRinfo:eu-repo/semantics/openAccessSiteneski do Amaral, JordanaOro Boff, Salete2023-04-28T14:09:35Zoai:ojs.pkp.sfu.ca:article/44717Revistahttps://www.uel.br/revistas/uel/index.php/iurisPUBhttps://www.uel.br/revistas/uel/index.php/iuris/oairevistamdireito@uel.br2178-81891415-6490opendoar:2023-04-28T14:09:35Scientia Iuris (Online) - Universidade Estadual de Londrina (UEL)false |
dc.title.none.fl_str_mv |
Copyright in transmedia narratives: the instrumentalization of copyright in contracts Direitos autorais em narrativas transmidiáticas: a instrumentalização do direito do autor nos contratos |
title |
Copyright in transmedia narratives: the instrumentalization of copyright in contracts |
spellingShingle |
Copyright in transmedia narratives: the instrumentalization of copyright in contracts Siteneski do Amaral, Jordana Direitos Autorais. Narrativa transmídia. Convergência Midiática. Contratos. Copyright. Transmedia storytelling. Contracts. Media Convergence. |
title_short |
Copyright in transmedia narratives: the instrumentalization of copyright in contracts |
title_full |
Copyright in transmedia narratives: the instrumentalization of copyright in contracts |
title_fullStr |
Copyright in transmedia narratives: the instrumentalization of copyright in contracts |
title_full_unstemmed |
Copyright in transmedia narratives: the instrumentalization of copyright in contracts |
title_sort |
Copyright in transmedia narratives: the instrumentalization of copyright in contracts |
author |
Siteneski do Amaral, Jordana |
author_facet |
Siteneski do Amaral, Jordana Oro Boff, Salete |
author_role |
author |
author2 |
Oro Boff, Salete |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Siteneski do Amaral, Jordana Oro Boff, Salete |
dc.subject.por.fl_str_mv |
Direitos Autorais. Narrativa transmídia. Convergência Midiática. Contratos. Copyright. Transmedia storytelling. Contracts. Media Convergence. |
topic |
Direitos Autorais. Narrativa transmídia. Convergência Midiática. Contratos. Copyright. Transmedia storytelling. Contracts. Media Convergence. |
description |
The theme of this article is to analyze how copyright can be secured and instrumentalized in transmedia narratives. Therefore, the research problem that this work seeks to answer is to verify if contracts are valid means for the instrumentalization of Copyright in works constructed through transmedia narratives. A transmedia narrative is essentially characterized by telling a narrative through the use of various media, with diversified content adapted to each type of support. These contents form an amalgam and complement each other, giving rise to a new way of building narratives. Through the study carried out, the initial hypothesis was confirmed, since the author is free to dispose of and negotiate the exclusive rights of economic exploitation of the work. The author, by himself or by some entity that represents him, can negotiate the scope of the assignment or the authorization of the use of the patrimonial rights that belong to him, such as the purpose of the assignment, its terms and cost. In a transmedia narrative, the contractual instrument must be detailed and expressly bring all forms of use of the work. The approach method used was the hypothetical-deductive and the monographic procedure. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-03-29 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artigo avaliado pelos Pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/iuris/article/view/44717 10.5433/2178-8189.2023v27n1p62 |
url |
https://ojs.uel.br/revistas/uel/index.php/iuris/article/view/44717 |
identifier_str_mv |
10.5433/2178-8189.2023v27n1p62 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/iuris/article/view/44717/48836 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 Scientia Iuris https://creativecommons.org/licenses/by/4.0/deed.pt_BR info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 Scientia Iuris https://creativecommons.org/licenses/by/4.0/deed.pt_BR |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
dc.source.none.fl_str_mv |
Scientia Iuris; v. 27 n. 1 (2023); 62-77 2178-8189 1415-6490 reponame:Scientia Iuris (Online) instname:Universidade Estadual de Londrina (UEL) instacron:UEL |
instname_str |
Universidade Estadual de Londrina (UEL) |
instacron_str |
UEL |
institution |
UEL |
reponame_str |
Scientia Iuris (Online) |
collection |
Scientia Iuris (Online) |
repository.name.fl_str_mv |
Scientia Iuris (Online) - Universidade Estadual de Londrina (UEL) |
repository.mail.fl_str_mv |
revistamdireito@uel.br |
_version_ |
1799306016239648768 |