Images of urbanity and the African city-synthesis in Orestia, by Pier Paolo Pasolini
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista Maracanan (Online) |
Texto Completo: | https://www.e-publicacoes.uerj.br/maracanan/article/view/47699 |
Resumo: | The text analyzes historically the presentation of African cities in the film Appunti per un'Orestiade Africana (1969), by filmmaker Pier Paolo Pasolini (PPP), which proposes a historical-mythical interpretation of late 1960's Africa through the Aeschylus’s The Oresteia. PPP uses the play to interpret the historical transformations of Africa at that time, portraying urban environments as “neocapitalist”, but identifying too in these the signs of archaic culture that showed the resistance of what he called the “Third World” subproletarian culture. We analyze the tropes and icons used as ethnographic keys of interpreting the "other" in the PPP’s film and texts. Using iconology and narratology we address the following questions: What is the uniqueness of urbans landscapes presented by PPP? What were and where were the tropes mobilized by the filmmaker? What is the way of seeing/thinking African and Italian otherness of the late 1960s? |
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Images of urbanity and the African city-synthesis in Orestia, by Pier Paolo PasoliniImagens da urbanidade e a cidade-síntese africana na Oréstia, de Pier Paolo PasoliniPier Paolo Pasolinihistory of visual culture of citiesFilm and History.Pier Paolo PasoliniHistória da Cultura Visual das CidadesCinema e HistóriaThe text analyzes historically the presentation of African cities in the film Appunti per un'Orestiade Africana (1969), by filmmaker Pier Paolo Pasolini (PPP), which proposes a historical-mythical interpretation of late 1960's Africa through the Aeschylus’s The Oresteia. PPP uses the play to interpret the historical transformations of Africa at that time, portraying urban environments as “neocapitalist”, but identifying too in these the signs of archaic culture that showed the resistance of what he called the “Third World” subproletarian culture. We analyze the tropes and icons used as ethnographic keys of interpreting the "other" in the PPP’s film and texts. Using iconology and narratology we address the following questions: What is the uniqueness of urbans landscapes presented by PPP? What were and where were the tropes mobilized by the filmmaker? What is the way of seeing/thinking African and Italian otherness of the late 1960s?O texto analisa historicamente a apresentação das cidades africanas no filme Appunti per un’Orestiade Africana (1969), realizado por Pier Paolo Pasolini (PPP), o qual propõe uma interpretação histórico-mítico da África do final dos anos 1960 por meio da Oréstia de Ésquilo. PPP usa a peça para interpretar as transformações históricas da África de então, retratando ambientes urbanos como “neocapitalistas”, mas identificando tanto nestes os sinais de cultura arcaica que mostravam a resistência de que chamava de cultura subproletária do “Terceiro Mundo”. Analisamos os tropos e ícones usados como chaves etnográficas de interpretação do “outro” no filme e em textos de PPP. Usando da iconologia e da narratologia tratamos das seguintes perguntas: Qual a singularidade das paisagens urbanas apresentados por PPP? Quais eram e de onde provêm os tropos mobilizados pelo cineasta? Qual a forma de ver/pensar a alteridade africana e a italiana do final dos anos 1960?Universidade do Estado do Rio de Janeiro2020-05-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtigo avaliado pelos paresapplication/pdfhttps://www.e-publicacoes.uerj.br/maracanan/article/view/4769910.12957/revmar.2020.47699Revista Maracanan; n. 24 (2020): A cidade e suas imagens; 446-4742359-00921807-989Xreponame:Revista Maracanan (Online)instname:Universidade do Estado do Rio de Janeiro (UERJ)instacron:UERJporhttps://www.e-publicacoes.uerj.br/maracanan/article/view/47699/33874Copyright (c) 2020 Revista Maracananinfo:eu-repo/semantics/openAccessSantiago Júnior, Francisco Das Chagas Fernandes2020-09-30T22:20:31Zoai:ojs.www.e-publicacoes.uerj.br:article/47699Revistahttp://www.e-publicacoes.uerj.br/index.php/maracananPUBhttps://www.e-publicacoes.uerj.br/index.php/maracanan/oairevista.maracanan@gmail.com||revista.maracanan@gmail.com2359-00921807-989Xopendoar:2020-09-30T22:20:31Revista Maracanan (Online) - Universidade do Estado do Rio de Janeiro (UERJ)false |
dc.title.none.fl_str_mv |
Images of urbanity and the African city-synthesis in Orestia, by Pier Paolo Pasolini Imagens da urbanidade e a cidade-síntese africana na Oréstia, de Pier Paolo Pasolini |
title |
Images of urbanity and the African city-synthesis in Orestia, by Pier Paolo Pasolini |
spellingShingle |
Images of urbanity and the African city-synthesis in Orestia, by Pier Paolo Pasolini Santiago Júnior, Francisco Das Chagas Fernandes Pier Paolo Pasolini history of visual culture of cities Film and History. Pier Paolo Pasolini História da Cultura Visual das Cidades Cinema e História |
title_short |
Images of urbanity and the African city-synthesis in Orestia, by Pier Paolo Pasolini |
title_full |
Images of urbanity and the African city-synthesis in Orestia, by Pier Paolo Pasolini |
title_fullStr |
Images of urbanity and the African city-synthesis in Orestia, by Pier Paolo Pasolini |
title_full_unstemmed |
Images of urbanity and the African city-synthesis in Orestia, by Pier Paolo Pasolini |
title_sort |
Images of urbanity and the African city-synthesis in Orestia, by Pier Paolo Pasolini |
author |
Santiago Júnior, Francisco Das Chagas Fernandes |
author_facet |
Santiago Júnior, Francisco Das Chagas Fernandes |
author_role |
author |
dc.contributor.author.fl_str_mv |
Santiago Júnior, Francisco Das Chagas Fernandes |
dc.subject.por.fl_str_mv |
Pier Paolo Pasolini history of visual culture of cities Film and History. Pier Paolo Pasolini História da Cultura Visual das Cidades Cinema e História |
topic |
Pier Paolo Pasolini history of visual culture of cities Film and History. Pier Paolo Pasolini História da Cultura Visual das Cidades Cinema e História |
description |
The text analyzes historically the presentation of African cities in the film Appunti per un'Orestiade Africana (1969), by filmmaker Pier Paolo Pasolini (PPP), which proposes a historical-mythical interpretation of late 1960's Africa through the Aeschylus’s The Oresteia. PPP uses the play to interpret the historical transformations of Africa at that time, portraying urban environments as “neocapitalist”, but identifying too in these the signs of archaic culture that showed the resistance of what he called the “Third World” subproletarian culture. We analyze the tropes and icons used as ethnographic keys of interpreting the "other" in the PPP’s film and texts. Using iconology and narratology we address the following questions: What is the uniqueness of urbans landscapes presented by PPP? What were and where were the tropes mobilized by the filmmaker? What is the way of seeing/thinking African and Italian otherness of the late 1960s? |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-05-31 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artigo avaliado pelos pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.e-publicacoes.uerj.br/maracanan/article/view/47699 10.12957/revmar.2020.47699 |
url |
https://www.e-publicacoes.uerj.br/maracanan/article/view/47699 |
identifier_str_mv |
10.12957/revmar.2020.47699 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.e-publicacoes.uerj.br/maracanan/article/view/47699/33874 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Revista Maracanan info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Revista Maracanan |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Estado do Rio de Janeiro |
publisher.none.fl_str_mv |
Universidade do Estado do Rio de Janeiro |
dc.source.none.fl_str_mv |
Revista Maracanan; n. 24 (2020): A cidade e suas imagens; 446-474 2359-0092 1807-989X reponame:Revista Maracanan (Online) instname:Universidade do Estado do Rio de Janeiro (UERJ) instacron:UERJ |
instname_str |
Universidade do Estado do Rio de Janeiro (UERJ) |
instacron_str |
UERJ |
institution |
UERJ |
reponame_str |
Revista Maracanan (Online) |
collection |
Revista Maracanan (Online) |
repository.name.fl_str_mv |
Revista Maracanan (Online) - Universidade do Estado do Rio de Janeiro (UERJ) |
repository.mail.fl_str_mv |
revista.maracanan@gmail.com||revista.maracanan@gmail.com |
_version_ |
1799317570398978048 |