Negras vozes femininas – travessias: um defeito de cor, de Ana Maria Gonçalves e a lírica de Luedji Luna
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Outros Autores: | |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da UERJ |
Texto Completo: | http://www.bdtd.uerj.br/handle/1/20272 |
Resumo: | The research aims, through Comparative Literary Studies, to identify similarities and differences between approaches and themes related to the black female in the diaspora present in the productions of artists Ana Maria Gonçalves (2006) and Luedji Luna (2017 and 2020) to point out possible contributions to black female (re)existences in Brazilian literature. The lyrics of the songs composed by Luedji Luna (2017 and 2020) present historical aspects of black women's writings. Ancestry, identity, and motherhood are striking features of her compositions. The novel Um defeito de cor (2006), written by Ana Maria Gonçalves, is narrated in the first person by its protagonist - Kehinde/Luíza - who lived through the diaspora and slavery, but who managed to transgress the subordinate and subjugated condition in a colonialist-patriarchal society in a haughty way, through serendipity and resistance. The guiding axis of our study concentrates on the question: how can the texts produced by Luedji Luna and Ana Maria Gonçalves contribute to the black female (re)existence in our literature? As the theoretical basis of this work, although not exclusively, we use the authors: Conceição Evaristo (2013) - to think about the concept of escrevivências; Aimeé Bolaños (2010) - to discuss diaspora; Grada Kilomba (2019) - to study about colonialism and black female resistance; Achille Mbembe (2018) - to deal with the concept of necropolitics; Denys Cuche (1999) - to deal with identity and culture; Lélia González (1988) and Audre Lorde (2019) - to think about black women's experiences. The analyzed corpus is composed by the novel Um defeito de cor (2006), by Ana Maria Gonçalves, and the poetic lyrics: "Acalanto"; "Asas"; "Cabô"; "Iodo + Now fragile"; "Saudação malungo" and "Um corpo no mundo", present in the album Um corpo no mundo (2017) and "Ain't I a Woman"; "Banho de folhas", "I Ain't Got No" and "Uanga", present in the album Bom mesmo é estar debaixo d'água (2020). The texts selected here as research objects dialog mimetically with the historical context to which they refer and with each other, from the perspective of the protagonism of black women, the African diaspora, and culture. Literary creations that go beyond representation, aimed at (re)existences as ways to expand readings and debates, and produce new constructions of meaning in the social and literary scopes - expected previous results. |
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Lima, Norma Sueli Rosahttp://lattes.cnpq.br/9454267569832156Carreira, Shirley de Souza Gomeshttp://lattes.cnpq.br/7147623689731561Santiago, Ana Ritahttp://lattes.cnpq.br/5740979275215388http://lattes.cnpq.br/1404292241214363Carvalho, Isabelle Linsisabellelins@yahoo.com.br2023-09-05T18:58:26Z2023-02-15CARVALHO, Isabelle Lins. Negras vozes femininas – travessias: um defeito de cor, de Ana Maria Gonçalves e a lírica de Luedji Luna. 2023. 142 f. Dissertação (Mestrado em Letras e Linguística) – Faculdade de Formação de Professores, Universidade do Estado do Rio de Janeiro), São Gonçalo, 2023.http://www.bdtd.uerj.br/handle/1/20272The research aims, through Comparative Literary Studies, to identify similarities and differences between approaches and themes related to the black female in the diaspora present in the productions of artists Ana Maria Gonçalves (2006) and Luedji Luna (2017 and 2020) to point out possible contributions to black female (re)existences in Brazilian literature. The lyrics of the songs composed by Luedji Luna (2017 and 2020) present historical aspects of black women's writings. Ancestry, identity, and motherhood are striking features of her compositions. The novel Um defeito de cor (2006), written by Ana Maria Gonçalves, is narrated in the first person by its protagonist - Kehinde/Luíza - who lived through the diaspora and slavery, but who managed to transgress the subordinate and subjugated condition in a colonialist-patriarchal society in a haughty way, through serendipity and resistance. The guiding axis of our study concentrates on the question: how can the texts produced by Luedji Luna and Ana Maria Gonçalves contribute to the black female (re)existence in our literature? As the theoretical basis of this work, although not exclusively, we use the authors: Conceição Evaristo (2013) - to think about the concept of escrevivências; Aimeé Bolaños (2010) - to discuss diaspora; Grada Kilomba (2019) - to study about colonialism and black female resistance; Achille Mbembe (2018) - to deal with the concept of necropolitics; Denys Cuche (1999) - to deal with identity and culture; Lélia González (1988) and Audre Lorde (2019) - to think about black women's experiences. The analyzed corpus is composed by the novel Um defeito de cor (2006), by Ana Maria Gonçalves, and the poetic lyrics: "Acalanto"; "Asas"; "Cabô"; "Iodo + Now fragile"; "Saudação malungo" and "Um corpo no mundo", present in the album Um corpo no mundo (2017) and "Ain't I a Woman"; "Banho de folhas", "I Ain't Got No" and "Uanga", present in the album Bom mesmo é estar debaixo d'água (2020). The texts selected here as research objects dialog mimetically with the historical context to which they refer and with each other, from the perspective of the protagonism of black women, the African diaspora, and culture. Literary creations that go beyond representation, aimed at (re)existences as ways to expand readings and debates, and produce new constructions of meaning in the social and literary scopes - expected previous results.A pesquisa objetiva, por meio dos Estudos Literários Comparados, identificar semelhanças e diferenças entre abordagens e temáticas relacionadas ao feminino negro em diáspora presente nas produções das artistas Ana Maria Gonçalves (2006) e Luedji Luna (2017 e 2020) a fim de assinalar possíveis contribuições com as (re)existências femininas negras na literatura brasileira. A lírica das canções compostas por Luedji Luna (2017 e 2020) apresenta aspectos históricos de escrevivências das mulheres negras. Ancestralidade, identidade e maternidade são traços marcantes de suas composições. O romance Um defeito de cor (2006), escrito por Ana Maria Gonçalves, é obra narrada em primeira pessoa por sua protagonista – Kehinde/ Luíza – que viveu a diáspora e a escravização, mas que conseguiu transgredir a condição de subalterna e de subjugada em uma sociedade colonialista-patriarcal de modo altivo, por meio de serendipidade e resistência. O eixo norteador de nosso estudo concentra-se na questão: como os textos produzidos por Luedji Luna e Ana Maria Gonçalves podem contribuir com as (re)existências femininas negras em nossa literatura? Como base teórica deste trabalho, embora não exclusivamente, utilizamos as autoras e autores: Conceição Evaristo (2013) – para pensarmos o conceito de escrevivências; Aimeé Bolaños (2010) – para discutirmos diáspora; Grada Kilomba (2019) – para estudarmos sobre colonialismo e resistência feminina negra; Achille Mbembe (2018) – para tratarmos do conceito de necropolítica; Denys Cuche (1999) – a fim de tratarmos identidade e cultura; Lélia González (1988) e Audre Lorde (2019) – para pensarmos vivências das mulheres negras. O corpus analisado é composto pelo romance Um defeito de cor (2006), de Ana Maria Gonçalves, e pelas letras poéticas: “Acalanto”; “Asas”; “Cabô”; “Iodo + Now frágil”; “Saudação malungo” e “Um corpo no mundo”, presentes no álbum Um corpo no mundo (2017) e “Ain’t I a Woman”; “Banho de folhas”, “I Ain’t Got No” e “Uanga”, presentes no álbum Bom mesmo é estar debaixo d´água (2020). Os textos aqui selecionados como objeto de pesquisa dialogam mimeticamente com o contexto histórico aos quais se referem e entre si, na perspectiva do protagonismo das mulheres negras, à diáspora africana, à cultura. Criações literárias que vão além da representatividade, miram (re)existências como caminhos para ampliar leituras e debates, produzir novas construções de significados nos âmbitos social e literário – resultados prévios esperados.Submitted by Laís Miranda CEH/D (lais.miranda@uerj.br) on 2023-09-05T18:58:26Z No. of bitstreams: 1 Dissertação - Isabelle Lins Carvalho - 2023 - Completa.pdf: 1166269 bytes, checksum: 54e6727a51f3319c21571b472143ce48 (MD5)Made available in DSpace on 2023-09-05T18:58:26Z (GMT). No. of bitstreams: 1 Dissertação - Isabelle Lins Carvalho - 2023 - Completa.pdf: 1166269 bytes, checksum: 54e6727a51f3319c21571b472143ce48 (MD5) Previous issue date: 2023-02-15application/pdfporUniversidade do Estado do Rio de JaneiroPrograma de Pós-Graduação em Letras e LinguísticaUERJBrasilCentro de Educação e Humanidades::Faculdade de Formação de ProfessoresBlack female (re)existenceEscrevivênciasAfrican diasporaComparative literature(Re)existência feminina negraEscrevivênciasDiáspora africanaLiteratura comparadaLINGUISTICA, LETRAS E ARTESNegras vozes femininas – travessias: um defeito de cor, de Ana Maria Gonçalves e a lírica de Luedji LunaBlack female voices – crossings: um defeito de cor, by Ana Maria Gonçalves and the lyric by Luedji Lunainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da UERJinstname:Universidade do Estado do Rio de Janeiro (UERJ)instacron:UERJORIGINALDissertação - Isabelle Lins Carvalho - 2023 - Completa.pdfDissertação - Isabelle Lins Carvalho - 2023 - Completa.pdfapplication/pdf1166269http://www.bdtd.uerj.br/bitstream/1/20272/2/Disserta%C3%A7%C3%A3o+-+Isabelle+Lins+Carvalho+-+2023+-+Completa.pdf54e6727a51f3319c21571b472143ce48MD52LICENSElicense.txtlicense.txttext/plain; charset=utf-82123http://www.bdtd.uerj.br/bitstream/1/20272/1/license.txte5502652da718045d7fcd832b79fca29MD511/202722024-02-27 16:05:12.288oai:www.bdtd.uerj.br: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Biblioteca Digital de Teses e Dissertaçõeshttp://www.bdtd.uerj.br/PUBhttps://www.bdtd.uerj.br:8443/oai/requestbdtd.suporte@uerj.bropendoar:29032024-02-27T19:05:12Biblioteca Digital de Teses e Dissertações da UERJ - Universidade do Estado do Rio de Janeiro (UERJ)false |
dc.title.por.fl_str_mv |
Negras vozes femininas – travessias: um defeito de cor, de Ana Maria Gonçalves e a lírica de Luedji Luna |
dc.title.alternative.eng.fl_str_mv |
Black female voices – crossings: um defeito de cor, by Ana Maria Gonçalves and the lyric by Luedji Luna |
title |
Negras vozes femininas – travessias: um defeito de cor, de Ana Maria Gonçalves e a lírica de Luedji Luna |
spellingShingle |
Negras vozes femininas – travessias: um defeito de cor, de Ana Maria Gonçalves e a lírica de Luedji Luna Carvalho, Isabelle Lins Black female (re)existence Escrevivências African diaspora Comparative literature (Re)existência feminina negra Escrevivências Diáspora africana Literatura comparada LINGUISTICA, LETRAS E ARTES |
title_short |
Negras vozes femininas – travessias: um defeito de cor, de Ana Maria Gonçalves e a lírica de Luedji Luna |
title_full |
Negras vozes femininas – travessias: um defeito de cor, de Ana Maria Gonçalves e a lírica de Luedji Luna |
title_fullStr |
Negras vozes femininas – travessias: um defeito de cor, de Ana Maria Gonçalves e a lírica de Luedji Luna |
title_full_unstemmed |
Negras vozes femininas – travessias: um defeito de cor, de Ana Maria Gonçalves e a lírica de Luedji Luna |
title_sort |
Negras vozes femininas – travessias: um defeito de cor, de Ana Maria Gonçalves e a lírica de Luedji Luna |
author |
Carvalho, Isabelle Lins |
author_facet |
Carvalho, Isabelle Lins isabellelins@yahoo.com.br |
author_role |
author |
author2 |
isabellelins@yahoo.com.br |
author2_role |
author |
dc.contributor.advisor1.fl_str_mv |
Lima, Norma Sueli Rosa |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/9454267569832156 |
dc.contributor.referee1.fl_str_mv |
Carreira, Shirley de Souza Gomes |
dc.contributor.referee1Lattes.fl_str_mv |
http://lattes.cnpq.br/7147623689731561 |
dc.contributor.referee2.fl_str_mv |
Santiago, Ana Rita |
dc.contributor.referee2Lattes.fl_str_mv |
http://lattes.cnpq.br/5740979275215388 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/1404292241214363 |
dc.contributor.author.fl_str_mv |
Carvalho, Isabelle Lins isabellelins@yahoo.com.br |
contributor_str_mv |
Lima, Norma Sueli Rosa Carreira, Shirley de Souza Gomes Santiago, Ana Rita |
dc.subject.eng.fl_str_mv |
Black female (re)existence Escrevivências African diaspora Comparative literature |
topic |
Black female (re)existence Escrevivências African diaspora Comparative literature (Re)existência feminina negra Escrevivências Diáspora africana Literatura comparada LINGUISTICA, LETRAS E ARTES |
dc.subject.por.fl_str_mv |
(Re)existência feminina negra Escrevivências Diáspora africana Literatura comparada |
dc.subject.cnpq.fl_str_mv |
LINGUISTICA, LETRAS E ARTES |
description |
The research aims, through Comparative Literary Studies, to identify similarities and differences between approaches and themes related to the black female in the diaspora present in the productions of artists Ana Maria Gonçalves (2006) and Luedji Luna (2017 and 2020) to point out possible contributions to black female (re)existences in Brazilian literature. The lyrics of the songs composed by Luedji Luna (2017 and 2020) present historical aspects of black women's writings. Ancestry, identity, and motherhood are striking features of her compositions. The novel Um defeito de cor (2006), written by Ana Maria Gonçalves, is narrated in the first person by its protagonist - Kehinde/Luíza - who lived through the diaspora and slavery, but who managed to transgress the subordinate and subjugated condition in a colonialist-patriarchal society in a haughty way, through serendipity and resistance. The guiding axis of our study concentrates on the question: how can the texts produced by Luedji Luna and Ana Maria Gonçalves contribute to the black female (re)existence in our literature? As the theoretical basis of this work, although not exclusively, we use the authors: Conceição Evaristo (2013) - to think about the concept of escrevivências; Aimeé Bolaños (2010) - to discuss diaspora; Grada Kilomba (2019) - to study about colonialism and black female resistance; Achille Mbembe (2018) - to deal with the concept of necropolitics; Denys Cuche (1999) - to deal with identity and culture; Lélia González (1988) and Audre Lorde (2019) - to think about black women's experiences. The analyzed corpus is composed by the novel Um defeito de cor (2006), by Ana Maria Gonçalves, and the poetic lyrics: "Acalanto"; "Asas"; "Cabô"; "Iodo + Now fragile"; "Saudação malungo" and "Um corpo no mundo", present in the album Um corpo no mundo (2017) and "Ain't I a Woman"; "Banho de folhas", "I Ain't Got No" and "Uanga", present in the album Bom mesmo é estar debaixo d'água (2020). The texts selected here as research objects dialog mimetically with the historical context to which they refer and with each other, from the perspective of the protagonism of black women, the African diaspora, and culture. Literary creations that go beyond representation, aimed at (re)existences as ways to expand readings and debates, and produce new constructions of meaning in the social and literary scopes - expected previous results. |
publishDate |
2023 |
dc.date.accessioned.fl_str_mv |
2023-09-05T18:58:26Z |
dc.date.issued.fl_str_mv |
2023-02-15 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
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masterThesis |
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publishedVersion |
dc.identifier.citation.fl_str_mv |
CARVALHO, Isabelle Lins. Negras vozes femininas – travessias: um defeito de cor, de Ana Maria Gonçalves e a lírica de Luedji Luna. 2023. 142 f. Dissertação (Mestrado em Letras e Linguística) – Faculdade de Formação de Professores, Universidade do Estado do Rio de Janeiro), São Gonçalo, 2023. |
dc.identifier.uri.fl_str_mv |
http://www.bdtd.uerj.br/handle/1/20272 |
identifier_str_mv |
CARVALHO, Isabelle Lins. Negras vozes femininas – travessias: um defeito de cor, de Ana Maria Gonçalves e a lírica de Luedji Luna. 2023. 142 f. Dissertação (Mestrado em Letras e Linguística) – Faculdade de Formação de Professores, Universidade do Estado do Rio de Janeiro), São Gonçalo, 2023. |
url |
http://www.bdtd.uerj.br/handle/1/20272 |
dc.language.iso.fl_str_mv |
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por |
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Universidade do Estado do Rio de Janeiro |
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Programa de Pós-Graduação em Letras e Linguística |
dc.publisher.initials.fl_str_mv |
UERJ |
dc.publisher.country.fl_str_mv |
Brasil |
dc.publisher.department.fl_str_mv |
Centro de Educação e Humanidades::Faculdade de Formação de Professores |
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Universidade do Estado do Rio de Janeiro |
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