Análise do processo de produção e pós-produção de sequências realistas em vingadores: guerra infinita.

• Autor(a) principal: Albuquerque, André Barbosa
• Data de Publicação: 2019
• Tipo de documento: Trabalho de conclusão de curso
• Idioma: por
• Título da fonte: Repositório Institucional da Universidade Federal do Ceará (UFC)
• Texto Completo: http://www.repositorio.ufc.br/handle/riufc/45944
• topic: Composição digital; Color grading; Efeitos Visuais

The present work aims to describe the processes and steps used in Avengers: Infinity War for creating photorealistic images from the optic of the visual effects. In the methodology, decoupage was used in the collect of the scenes from the collection of images in specialized sites of visual effects for further visual analysis and technical research for a better understanding of the reader. Also, it was used the exploring steps necessary to achieve the objective of the project without identifying the values which repress the test data. First, it was necessary to understand concepts such as visual effects, digital compositing, color grading, motion capture, artificial atmospheres, previs and postvis. So was made a bibliographical research, as well as specific information collection context of use of the work as which companies participated in the production and post-production of feature film, as well as the software used, which the creative process and the narrative justification used by directors and producers in some of these concepts. This work will be addressed the following contents: Visual effects, digital compositing, color grading, motion capture, artificial atmospheres, previs and postvis and content analysis applied to the film "Avengers: Infinite War" (2018). This work was conducted between August and December of 2018.