Staging the Act of Painting in Courbet: L’Atelier du Peintre
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista Letras Raras |
Texto Completo: | https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1203 |
Resumo: | DOI: https://dx.doi.org/10.35572/rlr.v9i3.1827 This paper aims to discuss intermedial references in Courbet: L'Atelier du peintre [Courbet: The Painter's Studio], a work published by Marianne Nahon, under the light of intermedial studies. With text and illustrations by the artist Charles Matton, the book is configured as a complex intermedial object composed by all the three categories proposed by Irina Rajewsky: media combination, medial transposition and intermidial references, which happens to be the main focus of this study. The theoretical framework also relies on the studies of Walter Moser about the relations between arts and their medialities. Our goal is to identify these references – especially regarding painting and theater – in order to evaluate their role, through narrative descriptions, in the process of construction of literary tableaux vivants that centrally stage the act of painting. |
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Staging the Act of Painting in Courbet: L’Atelier du PeintreA encenação do ato de pintar em Courbet: L’Atelier du peintreGustave CourbetMarianne NahonPinturaTeatroQuadro vivoGustave CourbetMarianne NahonPictureTheaterTableau vivantDOI: https://dx.doi.org/10.35572/rlr.v9i3.1827 This paper aims to discuss intermedial references in Courbet: L'Atelier du peintre [Courbet: The Painter's Studio], a work published by Marianne Nahon, under the light of intermedial studies. With text and illustrations by the artist Charles Matton, the book is configured as a complex intermedial object composed by all the three categories proposed by Irina Rajewsky: media combination, medial transposition and intermidial references, which happens to be the main focus of this study. The theoretical framework also relies on the studies of Walter Moser about the relations between arts and their medialities. Our goal is to identify these references – especially regarding painting and theater – in order to evaluate their role, through narrative descriptions, in the process of construction of literary tableaux vivants that centrally stage the act of painting.DOI: https://dx.doi.org/10.35572/rlr.v9i3.1827 O presente artigo analisa, sob uma perspectiva dos estudos da intermidialidade, as referências intermidiáticas presentes em Courbet: L'Atelier du peintre [Courbet: O ateliê do pintor], trabalho realizado por Marianne Nahon. O livro, constituído de um texto e ilustrações do artista Charles Matton, configura-se como um objeto complexo que envolve tanto a transposição, quanto a combinação de mídias e as referências intermidiáticas, como definidas por Irina Rajewsky, e que serão o foco principal desta reflexão. O referencial teórico é também constituído pelos estudos de Walter Moser a respeito das relações entre as artes e a ênfase em sua midialidade. Nosso objetivo é identificar essas referências – em especial à pintura e ao teatro – e avaliar em que medida elas participam, por meio de descrições narrativizadas, do processo de formação de tableaux vivants, quadros vivos literários que colocam em cena o ato de pintar.Editora Universitaria da UFCG2023-09-26info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtigo avaliado pelos paresapplication/pdfapplication/pdfhttps://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1203Revista Letras Raras; Vol. 9 No. 3 (2020): Intermidialidade e referências intermidiáticas; Port. 58-71 / Eng. 58-72Revista Letras Raras; Vol. 9 Núm. 3 (2020): Intermidialidade e referências intermidiáticas; Port. 58-71 / Eng. 58-72Revista Letras Raras; Vol. 9 No 3 (2020): Intermidialidade e referências intermidiáticas; Port. 58-71 / Eng. 58-72Revista Letras Raras; v. 9 n. 3 (2020): Intermidialidade e referências intermidiáticas; Port. 58-71 / Eng. 58-722317-2347reponame:Revista Letras Rarasinstname:Universidade Federal de Campina Grande (UFCG)instacron:UFCGporhttps://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1203/1059https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1203/1060© 2023 Revista Letras Rarashttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessArbex, Márcia Lago, Izabela Baptista do 2024-01-05T00:10:18Zoai:ojs2.revistas.editora.ufcg.edu.br:article/1203Revistahttps://revistas.editora.ufcg.edu.br/index.php/RLRPUBhttps://revistas.editora.ufcg.edu.br/index.php/RLR/oai||letrasrarasufcg@gmail.com2317-23472317-2347opendoar:2024-01-05T00:10:18Revista Letras Raras - Universidade Federal de Campina Grande (UFCG)false |
dc.title.none.fl_str_mv |
Staging the Act of Painting in Courbet: L’Atelier du Peintre A encenação do ato de pintar em Courbet: L’Atelier du peintre |
title |
Staging the Act of Painting in Courbet: L’Atelier du Peintre |
spellingShingle |
Staging the Act of Painting in Courbet: L’Atelier du Peintre Arbex, Márcia Gustave Courbet Marianne Nahon Pintura Teatro Quadro vivo Gustave Courbet Marianne Nahon Picture Theater Tableau vivant |
title_short |
Staging the Act of Painting in Courbet: L’Atelier du Peintre |
title_full |
Staging the Act of Painting in Courbet: L’Atelier du Peintre |
title_fullStr |
Staging the Act of Painting in Courbet: L’Atelier du Peintre |
title_full_unstemmed |
Staging the Act of Painting in Courbet: L’Atelier du Peintre |
title_sort |
Staging the Act of Painting in Courbet: L’Atelier du Peintre |
author |
Arbex, Márcia |
author_facet |
Arbex, Márcia Lago, Izabela Baptista do |
author_role |
author |
author2 |
Lago, Izabela Baptista do |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Arbex, Márcia Lago, Izabela Baptista do |
dc.subject.por.fl_str_mv |
Gustave Courbet Marianne Nahon Pintura Teatro Quadro vivo Gustave Courbet Marianne Nahon Picture Theater Tableau vivant |
topic |
Gustave Courbet Marianne Nahon Pintura Teatro Quadro vivo Gustave Courbet Marianne Nahon Picture Theater Tableau vivant |
description |
DOI: https://dx.doi.org/10.35572/rlr.v9i3.1827 This paper aims to discuss intermedial references in Courbet: L'Atelier du peintre [Courbet: The Painter's Studio], a work published by Marianne Nahon, under the light of intermedial studies. With text and illustrations by the artist Charles Matton, the book is configured as a complex intermedial object composed by all the three categories proposed by Irina Rajewsky: media combination, medial transposition and intermidial references, which happens to be the main focus of this study. The theoretical framework also relies on the studies of Walter Moser about the relations between arts and their medialities. Our goal is to identify these references – especially regarding painting and theater – in order to evaluate their role, through narrative descriptions, in the process of construction of literary tableaux vivants that centrally stage the act of painting. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-09-26 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artigo avaliado pelos pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1203 |
url |
https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1203 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1203/1059 https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1203/1060 |
dc.rights.driver.fl_str_mv |
© 2023 Revista Letras Raras https://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
© 2023 Revista Letras Raras https://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf application/pdf |
dc.publisher.none.fl_str_mv |
Editora Universitaria da UFCG |
publisher.none.fl_str_mv |
Editora Universitaria da UFCG |
dc.source.none.fl_str_mv |
Revista Letras Raras; Vol. 9 No. 3 (2020): Intermidialidade e referências intermidiáticas; Port. 58-71 / Eng. 58-72 Revista Letras Raras; Vol. 9 Núm. 3 (2020): Intermidialidade e referências intermidiáticas; Port. 58-71 / Eng. 58-72 Revista Letras Raras; Vol. 9 No 3 (2020): Intermidialidade e referências intermidiáticas; Port. 58-71 / Eng. 58-72 Revista Letras Raras; v. 9 n. 3 (2020): Intermidialidade e referências intermidiáticas; Port. 58-71 / Eng. 58-72 2317-2347 reponame:Revista Letras Raras instname:Universidade Federal de Campina Grande (UFCG) instacron:UFCG |
instname_str |
Universidade Federal de Campina Grande (UFCG) |
instacron_str |
UFCG |
institution |
UFCG |
reponame_str |
Revista Letras Raras |
collection |
Revista Letras Raras |
repository.name.fl_str_mv |
Revista Letras Raras - Universidade Federal de Campina Grande (UFCG) |
repository.mail.fl_str_mv |
||letrasrarasufcg@gmail.com |
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