At the table, in abyss

Detalhes bibliográficos
Autor(a) principal: de Magalhães, Elisa
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Poiésis (Niterói. Online)
Texto Completo: https://periodicos.uff.br/poiesis/article/view/53031
Resumo: From the text À Mesa, by the French writer and poet Francis Ponge and published in a collection of texts by Ponge, and from Derrida's book on the writer, entitled Signéponge = Signsponge, the author develops a poetic text in abyss, over the thing and the object, as alterities, their emergence in and for the word, the subject and the signature, both spectating each other and the thing/object, making relationships with the artists' visual arts works: the duo Andréa Hygino and Lz Coimbra, and their series of prints Prova de Estado, Cildo Meireles – and the works Inmensa and Antes –, and Milton Machado – with his work Diáfora – , whose theme is the table and its unfolding in infinities, abysses and sonorities.
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spelling At the table, in abyssEn la mesa, en abismoÀ Mesa, em abismoFrancis Ponge, table, abyss, thing, objetctFrancis Ponde, mesa, abismo, cosa, objetoFrancis Ponge, mesa, abismo, coisa, objetoFrom the text À Mesa, by the French writer and poet Francis Ponge and published in a collection of texts by Ponge, and from Derrida's book on the writer, entitled Signéponge = Signsponge, the author develops a poetic text in abyss, over the thing and the object, as alterities, their emergence in and for the word, the subject and the signature, both spectating each other and the thing/object, making relationships with the artists' visual arts works: the duo Andréa Hygino and Lz Coimbra, and their series of prints Prova de Estado, Cildo Meireles – and the works Inmensa and Antes –, and Milton Machado – with his work Diáfora – , whose theme is the table and its unfolding in infinities, abysses and sonorities.A partir del texto À Mesa, del escritor y poeta francés Francis Ponge y publicado en una colección de textos de Ponge, y del libro de Derrida sobre el escritor, titulado Signéponge = Signsponge, el autor desarrolla un texto poético en el abismo, sobre la cosa y el objeto, como alteridades, su emergencia en y para la palabra, el sujeto y la firma, ambos espectándose entre sí y con la cosa/objeto, relacionándose con las obras plásticas de los artistas: el dúo Andréa Hygino y Lz Coimbra, y sus serie de estampas Prova de Estado, Cildo Meireles – y las obras Inmensa y Antes –, y Milton Machado –con su obra Diáfora –, cuyo tema es la mesa y su despliegue en infinitos, abismos y sonoridades.A partir do texto À Mesa, do escritor e poeta francês Francis Ponge e publicada numa coletânea de textos de Ponge, e do livro de Derrida sobre o escritor, intitulado Signéponge = Signsponge, o(a) autor(ra) desenvolve um texto poético em abismo, sobre a coisa e o objeto, como alteridades, seu surgimento na e para a palavra, o sujeito e a assinatura, ambos espectrando um ao outro e à coisa/objeto, fazendo relações com trabalhos de artes visuais dos artistas: a dupla Andréa Hygino e Lz Coimbra, e sua série de gravuras Prova de Estado, Cildo Meireles – e os trabalhos Inmensa e Antes –,  e Milton Machado – com seu trabalho Diáfora – , que têm como tema a mesa e seus desdobramentos em infinitos, abismos e sonoridades.Editora do PPGCA-UFF2022-07-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdftext/htmlhttps://periodicos.uff.br/poiesis/article/view/5303110.22409/poiesis.v23i40.53031REVISTA POIÉSIS; Vol. 23 No. 40 (2022): TRANSmission: radical trans imaginaries; 173-185REVISTA POIÉSIS; Vol. 23 Núm. 40 (2022): TRANSmisión: imaginarios trans radicales; 173-185REVISTA POIÉSIS; v. 23 n. 40 (2022): TRANSmissão: imaginários radicais trans; 173-1852177-856610.22409/poiesis.v23i40reponame:Poiésis (Niterói. Online)instname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/poiesis/article/view/53031/32338https://periodicos.uff.br/poiesis/article/view/53031/32339Copyright (c) 2022 Elisa de Magalhãeshttps://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccessde Magalhães, Elisa2022-07-01T10:26:49Zoai:ojs.pkp.sfu.ca:article/53031Revistahttps://periodicos.uff.br/poiesisPUBhttps://periodicos.uff.br/poiesis/oaipoiesis.uff@gmail.com||oliveira@vm.uff.br2177-85661517-5677opendoar:2022-07-01T10:26:49Poiésis (Niterói. Online) - Universidade Federal Fluminense (UFF)false
dc.title.none.fl_str_mv At the table, in abyss
En la mesa, en abismo
À Mesa, em abismo
title At the table, in abyss
spellingShingle At the table, in abyss
de Magalhães, Elisa
Francis Ponge, table, abyss, thing, objetct
Francis Ponde, mesa, abismo, cosa, objeto
Francis Ponge, mesa, abismo, coisa, objeto
title_short At the table, in abyss
title_full At the table, in abyss
title_fullStr At the table, in abyss
title_full_unstemmed At the table, in abyss
title_sort At the table, in abyss
author de Magalhães, Elisa
author_facet de Magalhães, Elisa
author_role author
dc.contributor.author.fl_str_mv de Magalhães, Elisa
dc.subject.por.fl_str_mv Francis Ponge, table, abyss, thing, objetct
Francis Ponde, mesa, abismo, cosa, objeto
Francis Ponge, mesa, abismo, coisa, objeto
topic Francis Ponge, table, abyss, thing, objetct
Francis Ponde, mesa, abismo, cosa, objeto
Francis Ponge, mesa, abismo, coisa, objeto
description From the text À Mesa, by the French writer and poet Francis Ponge and published in a collection of texts by Ponge, and from Derrida's book on the writer, entitled Signéponge = Signsponge, the author develops a poetic text in abyss, over the thing and the object, as alterities, their emergence in and for the word, the subject and the signature, both spectating each other and the thing/object, making relationships with the artists' visual arts works: the duo Andréa Hygino and Lz Coimbra, and their series of prints Prova de Estado, Cildo Meireles – and the works Inmensa and Antes –, and Milton Machado – with his work Diáfora – , whose theme is the table and its unfolding in infinities, abysses and sonorities.
publishDate 2022
dc.date.none.fl_str_mv 2022-07-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Avaliado pelos pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.uff.br/poiesis/article/view/53031
10.22409/poiesis.v23i40.53031
url https://periodicos.uff.br/poiesis/article/view/53031
identifier_str_mv 10.22409/poiesis.v23i40.53031
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.uff.br/poiesis/article/view/53031/32338
https://periodicos.uff.br/poiesis/article/view/53031/32339
dc.rights.driver.fl_str_mv Copyright (c) 2022 Elisa de Magalhães
https://creativecommons.org/licenses/by-nc-nd/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Elisa de Magalhães
https://creativecommons.org/licenses/by-nc-nd/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
text/html
dc.publisher.none.fl_str_mv Editora do PPGCA-UFF
publisher.none.fl_str_mv Editora do PPGCA-UFF
dc.source.none.fl_str_mv REVISTA POIÉSIS; Vol. 23 No. 40 (2022): TRANSmission: radical trans imaginaries; 173-185
REVISTA POIÉSIS; Vol. 23 Núm. 40 (2022): TRANSmisión: imaginarios trans radicales; 173-185
REVISTA POIÉSIS; v. 23 n. 40 (2022): TRANSmissão: imaginários radicais trans; 173-185
2177-8566
10.22409/poiesis.v23i40
reponame:Poiésis (Niterói. Online)
instname:Universidade Federal Fluminense (UFF)
instacron:UFF
instname_str Universidade Federal Fluminense (UFF)
instacron_str UFF
institution UFF
reponame_str Poiésis (Niterói. Online)
collection Poiésis (Niterói. Online)
repository.name.fl_str_mv Poiésis (Niterói. Online) - Universidade Federal Fluminense (UFF)
repository.mail.fl_str_mv poiesis.uff@gmail.com||oliveira@vm.uff.br
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