ECOPERFORMANCE: Possible Perspectives for the Performing Arts

Detalhes bibliográficos
Autor(a) principal: Pannek, Wolfgang
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: por
Título da fonte: Arte da Cena
Texto Completo: https://revistas.ufg.br/artce/article/view/77363
Resumo: With reference to the International Ecoperformance Film Festival, the article introduces ecoperformance and ecorporality, two concepts coined by Brazilian choreographer Maura Baiocchi and developed in collaboration with German director Wolfgang Pannek within the scope of research in performing arts carried out by Taanteatro Companhia. In addition, the article explores possible contributions of the perspectivism of the German philosopher Friedrich Nietzsche and the Amerindian multi-perspectivism of the Brazilian anthropologist Eduardo Viveiros de Castro to the theorization of ecoperformance as a multi-perspectivist and interspecies performative practice and discusses its role in the process of overcoming the AntropoScene, presented as the dominant paradigm of performing arts in the Anthropocene, towards the SymbioScene, as a performative paradigm of the “Symbiocene”, a concept proposed by the Australian environmental philosopher Glenn Albrecht to designate a hypothetical future era of planet Earth.
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spelling ECOPERFORMANCE: Possible Perspectives for the Performing ArtsECOPERFORMANCE: Perspectivas Possíveis para as Artes PerformativasECOPERFORMANCE: Perspectivas Possíveis para as Artes PerformativasECOPERFORMANCE: Perspectivas Possíveis para as Artes PerformativasWith reference to the International Ecoperformance Film Festival, the article introduces ecoperformance and ecorporality, two concepts coined by Brazilian choreographer Maura Baiocchi and developed in collaboration with German director Wolfgang Pannek within the scope of research in performing arts carried out by Taanteatro Companhia. In addition, the article explores possible contributions of the perspectivism of the German philosopher Friedrich Nietzsche and the Amerindian multi-perspectivism of the Brazilian anthropologist Eduardo Viveiros de Castro to the theorization of ecoperformance as a multi-perspectivist and interspecies performative practice and discusses its role in the process of overcoming the AntropoScene, presented as the dominant paradigm of performing arts in the Anthropocene, towards the SymbioScene, as a performative paradigm of the “Symbiocene”, a concept proposed by the Australian environmental philosopher Glenn Albrecht to designate a hypothetical future era of planet Earth.Com referência ao International Ecoperformance Film Festival, o artigo introduz à ecoperformance e à ecorporalidade, dois conceitos cunhados pela coreógrafa brasileira Maura Baiocchi e desenvolvidos em colaboração com o diretor alemão Wolfgang Pannek no âmbito das investigações em artes performativas realizadas pela Taanteatro Companhia. Além disso, o artigo explora possíveis contribuições do perspectivismo do filósofo alemão Friedrich Nietzsche e do multiperspectivismo ameríndio do antropólogo brasileiro Eduardo Viveiros de Castro para a teorização da ecoperformance enquanto prática performativa multiperspectivista e interespécie e discute seu papel no processo de superação da AntropoCena, apresentada como paradigma dominante das artes performativas no Antropoceno, rumo à SimbioCena, enquanto paradigma performativo do “Simbioceno”, conceito proposto pelo filósofo ambiental australiano Glenn Albrecht para designar uma hipotética era futura do planeta Terra.Universidade Federal de Goiás2023-12-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.ufg.br/artce/article/view/7736310.5216/ac.v9i1.77363Art on Stage Journal; Vol. 9 No. 1 (2023): Ecoperformance and Ecopolitics of the Scene; 035-073Arte de la Escena; Vol. 9 Núm. 1 (2023): Ecoperformance y Ecopolíticas de la Escena; 035-073Arte da Cena (Art on Stage); v. 9 n. 1 (2023): Ecoperformance e Ecopolíticas da Cena; 035-0732358-6060reponame:Arte da Cenainstname:Universidade Federal de Goiás (UFG)instacron:UFGporhttps://revistas.ufg.br/artce/article/view/77363/40493Copyright (c) 2023 Wolfgang Pannekhttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessPannek, Wolfgang2023-12-13T02:59:02Zoai:ojs.revistas.ufg.br:article/77363Revistahttps://www.revistas.ufg.br/artce/PUBhttps://www.revistas.ufg.br/artce/oaiartedacena@gmail.com||2358-60602358-6060opendoar:2023-12-13T02:59:02Arte da Cena - Universidade Federal de Goiás (UFG)false
dc.title.none.fl_str_mv ECOPERFORMANCE: Possible Perspectives for the Performing Arts
ECOPERFORMANCE: Perspectivas Possíveis para as Artes Performativas
ECOPERFORMANCE: Perspectivas Possíveis para as Artes Performativas
ECOPERFORMANCE: Perspectivas Possíveis para as Artes Performativas
title ECOPERFORMANCE: Possible Perspectives for the Performing Arts
spellingShingle ECOPERFORMANCE: Possible Perspectives for the Performing Arts
Pannek, Wolfgang
title_short ECOPERFORMANCE: Possible Perspectives for the Performing Arts
title_full ECOPERFORMANCE: Possible Perspectives for the Performing Arts
title_fullStr ECOPERFORMANCE: Possible Perspectives for the Performing Arts
title_full_unstemmed ECOPERFORMANCE: Possible Perspectives for the Performing Arts
title_sort ECOPERFORMANCE: Possible Perspectives for the Performing Arts
author Pannek, Wolfgang
author_facet Pannek, Wolfgang
author_role author
dc.contributor.author.fl_str_mv Pannek, Wolfgang
description With reference to the International Ecoperformance Film Festival, the article introduces ecoperformance and ecorporality, two concepts coined by Brazilian choreographer Maura Baiocchi and developed in collaboration with German director Wolfgang Pannek within the scope of research in performing arts carried out by Taanteatro Companhia. In addition, the article explores possible contributions of the perspectivism of the German philosopher Friedrich Nietzsche and the Amerindian multi-perspectivism of the Brazilian anthropologist Eduardo Viveiros de Castro to the theorization of ecoperformance as a multi-perspectivist and interspecies performative practice and discusses its role in the process of overcoming the AntropoScene, presented as the dominant paradigm of performing arts in the Anthropocene, towards the SymbioScene, as a performative paradigm of the “Symbiocene”, a concept proposed by the Australian environmental philosopher Glenn Albrecht to designate a hypothetical future era of planet Earth.
publishDate 2023
dc.date.none.fl_str_mv 2023-12-10
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.ufg.br/artce/article/view/77363
10.5216/ac.v9i1.77363
url https://revistas.ufg.br/artce/article/view/77363
identifier_str_mv 10.5216/ac.v9i1.77363
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.ufg.br/artce/article/view/77363/40493
dc.rights.driver.fl_str_mv Copyright (c) 2023 Wolfgang Pannek
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Wolfgang Pannek
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Goiás
publisher.none.fl_str_mv Universidade Federal de Goiás
dc.source.none.fl_str_mv Art on Stage Journal; Vol. 9 No. 1 (2023): Ecoperformance and Ecopolitics of the Scene; 035-073
Arte de la Escena; Vol. 9 Núm. 1 (2023): Ecoperformance y Ecopolíticas de la Escena; 035-073
Arte da Cena (Art on Stage); v. 9 n. 1 (2023): Ecoperformance e Ecopolíticas da Cena; 035-073
2358-6060
reponame:Arte da Cena
instname:Universidade Federal de Goiás (UFG)
instacron:UFG
instname_str Universidade Federal de Goiás (UFG)
instacron_str UFG
institution UFG
reponame_str Arte da Cena
collection Arte da Cena
repository.name.fl_str_mv Arte da Cena - Universidade Federal de Goiás (UFG)
repository.mail.fl_str_mv artedacena@gmail.com||
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