O beijo no asfalto: melodrama na adaptação cinematográfica da obra de Nelson Rodrigues
Autor(a) principal: | |
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Data de Publicação: | 2017 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFG |
Texto Completo: | http://repositorio.bc.ufg.br/tede/handle/tede/6948 |
Resumo: | The melodrama is popularly known as a genre that takes the viewers to tears, composed by great sentimentalism and exaggerated actors. Despite this popular idea has a real root, the melodrama characterizes itself mainly by the complex relationship with the public. This relationship of communication with viewers was determinant and strategic for the development of melodrama, as well as your upgrade and migration to other narrative forms. The first part of this research proposes a historic rescue of melodrama while genre, from its emergence in the theater during the 18TH century until their update by the cinema. The second part analyzes the relationship between melodrama, film and reception, from the studies on the cultural performances, it being understood that the viewer participates actively in the process of reception during a film session. Recognizing that updating the melodrama has kept a poetic communication full of emotion and with a strong educative and regulatory function. In the third part, one examines the film O Beijo no Asfalto, by Bruno Barreto, adapted from the eponymous dramaturgical text O Beijo no Asfalto, by Nelson Rodrigues. Searching elements that characterizes the melodramatic imagination, as well as, to point characteristics from melodrama reverberated in this film. |
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Nogueira, Lisandro Magalhãeshttp://lattes.cnpq.br/6994570742767643Nogueira , Lisandro MagalhãesChristino, DanielSouza , Jamesson Buarque dehttp://lattes.cnpq.br/3297666216486394Pinheiro, Pablo Marquinho Pessoa2017-03-20T12:55:27Z2017-03-02PINHEIRO, P. M. P. O beijo no asfalto: melodrama na adaptação cinematográfica da obra de Nelson Rodrigues. 2017. 97 f. Dissertação (Mestrado em Performance Cultural) - Universidade Federal de Goiás, Goiânia, 2017.http://repositorio.bc.ufg.br/tede/handle/tede/6948The melodrama is popularly known as a genre that takes the viewers to tears, composed by great sentimentalism and exaggerated actors. Despite this popular idea has a real root, the melodrama characterizes itself mainly by the complex relationship with the public. This relationship of communication with viewers was determinant and strategic for the development of melodrama, as well as your upgrade and migration to other narrative forms. The first part of this research proposes a historic rescue of melodrama while genre, from its emergence in the theater during the 18TH century until their update by the cinema. The second part analyzes the relationship between melodrama, film and reception, from the studies on the cultural performances, it being understood that the viewer participates actively in the process of reception during a film session. Recognizing that updating the melodrama has kept a poetic communication full of emotion and with a strong educative and regulatory function. In the third part, one examines the film O Beijo no Asfalto, by Bruno Barreto, adapted from the eponymous dramaturgical text O Beijo no Asfalto, by Nelson Rodrigues. Searching elements that characterizes the melodramatic imagination, as well as, to point characteristics from melodrama reverberated in this film.O melodrama é conhecido popularmente como um gênero que leva os espectadores às lágrimas, composto de exaltação do sentimentalismo e performances afetadas de seus atores. Apesar dessa ideia popular ter uma raiz verdadeira, o melodrama caracteriza-se principalmente pela complexa relação com o público. Essa relação de comunicação com os espectadores foi determinante e estratégica para o desenvolvimento do melodrama, bem como sua atualização e migração para outras formas narrativas. A primeira parte desta pesquisa propõe um resgate histórico do melodrama enquanto gênero, do seu surgimento no teatro durante o século XVIII até sua atualização junto ao cinema. A segunda parte analisa a relação entre melodrama, cinema e recepção, a partir dos estudos sobre as performances culturais, entendendo que o espectador participa de forma ativa no processo de recepção durante uma sessão cinematográfica. Dessa forma, reconhecendo que a atualização do melodrama manteve uma comunicação poética carregada de emoção e com uma forte função educadora e reguladora.A terceira parte analisa o filme O Beijo no Asfalto, de Bruno Barreto, adaptado a partir do texto dramatúrgico homônimo, escrito por Nelson Rodrigues, buscando nesse filme elementos que caracterizam a imaginação melodramática, assim como, apontar características do melodrama reverberadas nessa obra.Submitted by Cássia Santos (cassia.bcufg@gmail.com) on 2017-03-16T11:02:30Z No. of bitstreams: 2 Dissertação - Pablo Marquinho Pessoa Pinheiro - 2017.pdf: 1643991 bytes, checksum: 784f3b6f34d096172e949667705a9573 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2017-03-20T12:55:27Z (GMT) No. of bitstreams: 2 Dissertação - Pablo Marquinho Pessoa Pinheiro - 2017.pdf: 1643991 bytes, checksum: 784f3b6f34d096172e949667705a9573 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2017-03-20T12:55:27Z (GMT). No. of bitstreams: 2 Dissertação - Pablo Marquinho Pessoa Pinheiro - 2017.pdf: 1643991 bytes, checksum: 784f3b6f34d096172e949667705a9573 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2017-03-02application/pdfporUniversidade Federal de GoiásPrograma de Pós-graduação em Performance Cultural (EMAC)UFGBrasilEscola de Música e Artes Cênicas - EMAC (RG)http://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessMelodramaCinemaRecepçãoPerformanceMelodramaFilmReceptionPerformanceARTES::ARTES DO VIDEOO beijo no asfalto: melodrama na adaptação cinematográfica da obra de Nelson RodriguesO beijo no asfalto: melodrama in the film adaptation of Nelson Rodriguesinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis630093844374387306600600600-1800367251745901470-385538896394981058reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGLICENSElicense.txtlicense.txttext/plain; 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dc.title.por.fl_str_mv |
O beijo no asfalto: melodrama na adaptação cinematográfica da obra de Nelson Rodrigues |
dc.title.alternative.eng.fl_str_mv |
O beijo no asfalto: melodrama in the film adaptation of Nelson Rodrigues |
title |
O beijo no asfalto: melodrama na adaptação cinematográfica da obra de Nelson Rodrigues |
spellingShingle |
O beijo no asfalto: melodrama na adaptação cinematográfica da obra de Nelson Rodrigues Pinheiro, Pablo Marquinho Pessoa Melodrama Cinema Recepção Performance Melodrama Film Reception Performance ARTES::ARTES DO VIDEO |
title_short |
O beijo no asfalto: melodrama na adaptação cinematográfica da obra de Nelson Rodrigues |
title_full |
O beijo no asfalto: melodrama na adaptação cinematográfica da obra de Nelson Rodrigues |
title_fullStr |
O beijo no asfalto: melodrama na adaptação cinematográfica da obra de Nelson Rodrigues |
title_full_unstemmed |
O beijo no asfalto: melodrama na adaptação cinematográfica da obra de Nelson Rodrigues |
title_sort |
O beijo no asfalto: melodrama na adaptação cinematográfica da obra de Nelson Rodrigues |
author |
Pinheiro, Pablo Marquinho Pessoa |
author_facet |
Pinheiro, Pablo Marquinho Pessoa |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Nogueira, Lisandro Magalhães |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/6994570742767643 |
dc.contributor.referee1.fl_str_mv |
Nogueira , Lisandro Magalhães |
dc.contributor.referee2.fl_str_mv |
Christino, Daniel |
dc.contributor.referee3.fl_str_mv |
Souza , Jamesson Buarque de |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/3297666216486394 |
dc.contributor.author.fl_str_mv |
Pinheiro, Pablo Marquinho Pessoa |
contributor_str_mv |
Nogueira, Lisandro Magalhães Nogueira , Lisandro Magalhães Christino, Daniel Souza , Jamesson Buarque de |
dc.subject.por.fl_str_mv |
Melodrama Cinema Recepção Performance |
topic |
Melodrama Cinema Recepção Performance Melodrama Film Reception Performance ARTES::ARTES DO VIDEO |
dc.subject.eng.fl_str_mv |
Melodrama Film Reception Performance |
dc.subject.cnpq.fl_str_mv |
ARTES::ARTES DO VIDEO |
description |
The melodrama is popularly known as a genre that takes the viewers to tears, composed by great sentimentalism and exaggerated actors. Despite this popular idea has a real root, the melodrama characterizes itself mainly by the complex relationship with the public. This relationship of communication with viewers was determinant and strategic for the development of melodrama, as well as your upgrade and migration to other narrative forms. The first part of this research proposes a historic rescue of melodrama while genre, from its emergence in the theater during the 18TH century until their update by the cinema. The second part analyzes the relationship between melodrama, film and reception, from the studies on the cultural performances, it being understood that the viewer participates actively in the process of reception during a film session. Recognizing that updating the melodrama has kept a poetic communication full of emotion and with a strong educative and regulatory function. In the third part, one examines the film O Beijo no Asfalto, by Bruno Barreto, adapted from the eponymous dramaturgical text O Beijo no Asfalto, by Nelson Rodrigues. Searching elements that characterizes the melodramatic imagination, as well as, to point characteristics from melodrama reverberated in this film. |
publishDate |
2017 |
dc.date.accessioned.fl_str_mv |
2017-03-20T12:55:27Z |
dc.date.issued.fl_str_mv |
2017-03-02 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
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publishedVersion |
dc.identifier.citation.fl_str_mv |
PINHEIRO, P. M. P. O beijo no asfalto: melodrama na adaptação cinematográfica da obra de Nelson Rodrigues. 2017. 97 f. Dissertação (Mestrado em Performance Cultural) - Universidade Federal de Goiás, Goiânia, 2017. |
dc.identifier.uri.fl_str_mv |
http://repositorio.bc.ufg.br/tede/handle/tede/6948 |
identifier_str_mv |
PINHEIRO, P. M. P. O beijo no asfalto: melodrama na adaptação cinematográfica da obra de Nelson Rodrigues. 2017. 97 f. Dissertação (Mestrado em Performance Cultural) - Universidade Federal de Goiás, Goiânia, 2017. |
url |
http://repositorio.bc.ufg.br/tede/handle/tede/6948 |
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