Carmo Bernardes: uma leitura pelos labirintos de Jurubatuba
Autor(a) principal: | |
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Data de Publicação: | 2006 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFG |
Texto Completo: | http://repositorio.bc.ufg.br/tede/handle/tede/12853 |
Resumo: | The disregard for the development of the novel in Goiás, and also the prejudice of some “critics” when they affirm that this genre was, when in its origins in Goiás, little elaborated, more tending to the regionalist theme, gives rise to the classic discussion of the categories past x present, part x whole, singular x plural and particular x universal. In this work, the work Jurubatuba, by Carmo Bernardes, is the subject of study in order to verify how literary criticism has always pointed to the condition of the regionalist writer as the driving force of the narrative genre and his vocation inseparable from a personal experience in the big city. In this way, it is not intended, in this dissertation, just to capture regionalism as a kind of struggle between the periphery and the center or, even, an affirmation between the local and the global writer, contesting the prevailing hegemonic hierarchy in the economic, geographical, historical and cultural sense. literary. Rather, the objective is to change the point of view of the work as a suggestion so that the whole can be observed in a broader way and, therefore, accepting a certain distance in relation to the text itself in order to be able to better see the totality of the composition. , compare the recurrent forms, the similarities and dissimilarities with other forms and, thus, have the chance to understand the particularity of the specific motif that one wants to see. To do so, it uses the structural approach, which provides the opportunity for the analysis/theory relationship, privileging history and memory, that is, Goiás reality and psychological traits of the protagonist in Jurubatuba. In this way, the Carmobernardian novel becomes a border-space, articulator of a moment that divides space and time, creating an ambivalence between commonplaces doubly inscribed in the place of probation and the place of integrity and the enunciation and enunciation. The work transmigrates to the universal if one thinks of the historicity of its most ecumenical symbol: man, who is made up among the labyrinths of memory. Hence, two dimensions immediately impose themselves: memory and identity. These dimensions are representations present in the social imaginary and, as such, it must be assumed that, in order to relate to the real world, each culture constructs representations of it based on social practices. Therefore, the study brings to light the relevance of literature as an instrument for preserving memory and its contribution to understanding the artistic, historical, human and literary universe. |
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Carvalho, Maria Luíza Ferreira Laboissiére dehttp://lattes.cnpq.br/5786758414157909Carvalho, Maria Luíza Ferreira Laboissiére deRamos, Marilúcia MendesVicentini, Albertinahttp://lattes.cnpq.br/3876425808967700Barcelos, Lorena Bernardes2023-05-23T10:40:38Z2023-05-23T10:40:38Z2006-11-09BARCELOS, L. B. Carmo Bernardes: uma leitura pelos labirintos de Jurubatuba. 2006. 93 f. Dissertação (Mestrado em Letras e Linguística) - Universidade Federal de Goiás, Goiânia, 2006.http://repositorio.bc.ufg.br/tede/handle/tede/12853The disregard for the development of the novel in Goiás, and also the prejudice of some “critics” when they affirm that this genre was, when in its origins in Goiás, little elaborated, more tending to the regionalist theme, gives rise to the classic discussion of the categories past x present, part x whole, singular x plural and particular x universal. In this work, the work Jurubatuba, by Carmo Bernardes, is the subject of study in order to verify how literary criticism has always pointed to the condition of the regionalist writer as the driving force of the narrative genre and his vocation inseparable from a personal experience in the big city. In this way, it is not intended, in this dissertation, just to capture regionalism as a kind of struggle between the periphery and the center or, even, an affirmation between the local and the global writer, contesting the prevailing hegemonic hierarchy in the economic, geographical, historical and cultural sense. literary. Rather, the objective is to change the point of view of the work as a suggestion so that the whole can be observed in a broader way and, therefore, accepting a certain distance in relation to the text itself in order to be able to better see the totality of the composition. , compare the recurrent forms, the similarities and dissimilarities with other forms and, thus, have the chance to understand the particularity of the specific motif that one wants to see. To do so, it uses the structural approach, which provides the opportunity for the analysis/theory relationship, privileging history and memory, that is, Goiás reality and psychological traits of the protagonist in Jurubatuba. In this way, the Carmobernardian novel becomes a border-space, articulator of a moment that divides space and time, creating an ambivalence between commonplaces doubly inscribed in the place of probation and the place of integrity and the enunciation and enunciation. The work transmigrates to the universal if one thinks of the historicity of its most ecumenical symbol: man, who is made up among the labyrinths of memory. Hence, two dimensions immediately impose themselves: memory and identity. These dimensions are representations present in the social imaginary and, as such, it must be assumed that, in order to relate to the real world, each culture constructs representations of it based on social practices. Therefore, the study brings to light the relevance of literature as an instrument for preserving memory and its contribution to understanding the artistic, historical, human and literary universe.O descaso pelo desenvolvimento do romance em Goiás, e também o preconceito de alguns “críticos” ao afirmarem que este gênero se mostrava, quando em suas origens no chão goiano, pouco elaborado, mais tendente à temática regionalista, faz suscitar a clássica discussão das categorias passado x presente, parte x todo, singular x plural e particular x universal. Neste trabalho, a obra Jurubatuba, de Carmo Bernardes, é alvo de estudo para que se possa verificar como a crítica literária sempre apontou a condição do escritor regionalista como mola propulsora do gênero narrativo e sua vocação indissociável de uma experiência pessoal na cidade grande. Dessa forma, não se pretende, nesta dissertação, apenas captar o regionalismo como espécie de luta entre periferia e centro ou, ainda, uma afirmação entre o escritor local e o global, contestando a hierarquia hegemônica vigente tanto no sentido econômico quanto geográfico, histórico e literário. Antes, o que se objetiva é mudar o ponto de vista sobre a obra como uma sugestão para que se possa observar de maneira ampliada o conjunto e, portanto, aceitando-se certo distanciamento com relação ao próprio texto para poder ver melhor a totalidade da composição, comparar as formas recorrentes, as semelhanças e dessemelhanças com outras formas e, assim, ter-se a chance de compreender a particularidade do motivo específico que se quer ver. Para tanto, vale-se da abordagem estrutural, o que oportuniza a relação análise/teoria, privilegiando a história e a memória, ou seja, realidade goiana e traços psicológicos do protagonista em Jurubatuba. Deste modo, o romance carmobernardiano transforma-se em espaço-fronteira, articulador de um momento que divide espaço e tempo, criando uma ambivalência entre os lugares-comus duplamente inscritos no lugar de provação e o lugar da integridade e o enunciado e a enunciação. A obra transmigra-se para o universal se se pensar na historicidade de seu símbolo mais ecumênico: o homem, que se perfaz entre os labirintos da memória. Daí, duas dimensões de imediato se impõem: memória e identidade. Essas dimensões são representações presentes no imaginário social e como tal deve-se supor que, para se relacionar com o mundo real, cada cultura constrói, a partir das práticas sociais, representações deste. Por isso, o estudo traz à tona a relevância da literatura como instrumento de preservação da memória e sua contribuição para a compreensão do universo artístico, histórico, humano e literário.Submitted by Marlene Santos (marlene.bc.ufg@gmail.com) on 2023-05-22T19:53:40Z No. of bitstreams: 2 Dissertação - Lorena Bernardes Barcelos - 2006.pdf: 21772416 bytes, checksum: bb6dfe8b5c457beac4f6320975c3a3e4 (MD5) license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2023-05-23T10:40:38Z (GMT) No. of bitstreams: 2 Dissertação - Lorena Bernardes Barcelos - 2006.pdf: 21772416 bytes, checksum: bb6dfe8b5c457beac4f6320975c3a3e4 (MD5) license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5)Made available in DSpace on 2023-05-23T10:40:38Z (GMT). No. of bitstreams: 2 Dissertação - Lorena Bernardes Barcelos - 2006.pdf: 21772416 bytes, checksum: bb6dfe8b5c457beac4f6320975c3a3e4 (MD5) license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5) Previous issue date: 2006-11-09OutroporUniversidade Federal de GoiásPrograma de Pós-graduação em Letras e Linguística (FL)UFGBrasilFaculdade de Letras - FL (RMG)Attribution-NonCommercial-NoDerivatives 4.0 Internationalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessLiteratura em GoiásRomance regionalistaRegionalismo goianoHistória e memóriaMemória e identidadeLiteratura e memóriaLiterature in GoiásRegionalist romanceGoiás regionalismHistory and memoryMemory and identityLiterature and memoryLINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIACarmo Bernardes: uma leitura pelos labirintos de JurubatubaCarmo Bernardes: a reading through the labyrinths of Jurubatubainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis69500500500500187665reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGLICENSElicense.txtlicense.txttext/plain; charset=utf-81748http://repositorio.bc.ufg.br/tede/bitstreams/80a39a1d-305c-4789-a686-97a595241790/download8a4605be74aa9ea9d79846c1fba20a33MD51CC-LICENSElicense_rdflicense_rdfapplication/rdf+xml; charset=utf-8805http://repositorio.bc.ufg.br/tede/bitstreams/5449b1fe-1b8a-4507-a8d5-d889f7f328f5/download4460e5956bc1d1639be9ae6146a50347MD52ORIGINALDissertação - Lorena Bernardes Barcelos - 2006.pdfDissertação - Lorena Bernardes Barcelos - 2006.pdfapplication/pdf21772416http://repositorio.bc.ufg.br/tede/bitstreams/450de980-cb8c-46ef-a420-4558760317ca/downloadbb6dfe8b5c457beac4f6320975c3a3e4MD53tede/128532023-05-23 07:40:38.375http://creativecommons.org/licenses/by-nc-nd/4.0/Attribution-NonCommercial-NoDerivatives 4.0 Internationalopen.accessoai:repositorio.bc.ufg.br:tede/12853http://repositorio.bc.ufg.br/tedeRepositório InstitucionalPUBhttp://repositorio.bc.ufg.br/oai/requesttasesdissertacoes.bc@ufg.bropendoar:2023-05-23T10:40:38Repositório Institucional da UFG - Universidade Federal de Goiás (UFG)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 |
dc.title.pt_BR.fl_str_mv |
Carmo Bernardes: uma leitura pelos labirintos de Jurubatuba |
dc.title.alternative.eng.fl_str_mv |
Carmo Bernardes: a reading through the labyrinths of Jurubatuba |
title |
Carmo Bernardes: uma leitura pelos labirintos de Jurubatuba |
spellingShingle |
Carmo Bernardes: uma leitura pelos labirintos de Jurubatuba Barcelos, Lorena Bernardes Literatura em Goiás Romance regionalista Regionalismo goiano História e memória Memória e identidade Literatura e memória Literature in Goiás Regionalist romance Goiás regionalism History and memory Memory and identity Literature and memory LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIA |
title_short |
Carmo Bernardes: uma leitura pelos labirintos de Jurubatuba |
title_full |
Carmo Bernardes: uma leitura pelos labirintos de Jurubatuba |
title_fullStr |
Carmo Bernardes: uma leitura pelos labirintos de Jurubatuba |
title_full_unstemmed |
Carmo Bernardes: uma leitura pelos labirintos de Jurubatuba |
title_sort |
Carmo Bernardes: uma leitura pelos labirintos de Jurubatuba |
author |
Barcelos, Lorena Bernardes |
author_facet |
Barcelos, Lorena Bernardes |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Carvalho, Maria Luíza Ferreira Laboissiére de |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/5786758414157909 |
dc.contributor.referee1.fl_str_mv |
Carvalho, Maria Luíza Ferreira Laboissiére de |
dc.contributor.referee2.fl_str_mv |
Ramos, Marilúcia Mendes |
dc.contributor.referee3.fl_str_mv |
Vicentini, Albertina |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/3876425808967700 |
dc.contributor.author.fl_str_mv |
Barcelos, Lorena Bernardes |
contributor_str_mv |
Carvalho, Maria Luíza Ferreira Laboissiére de Carvalho, Maria Luíza Ferreira Laboissiére de Ramos, Marilúcia Mendes Vicentini, Albertina |
dc.subject.por.fl_str_mv |
Literatura em Goiás Romance regionalista Regionalismo goiano História e memória Memória e identidade Literatura e memória |
topic |
Literatura em Goiás Romance regionalista Regionalismo goiano História e memória Memória e identidade Literatura e memória Literature in Goiás Regionalist romance Goiás regionalism History and memory Memory and identity Literature and memory LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIA |
dc.subject.eng.fl_str_mv |
Literature in Goiás Regionalist romance Goiás regionalism History and memory Memory and identity Literature and memory |
dc.subject.cnpq.fl_str_mv |
LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIA |
description |
The disregard for the development of the novel in Goiás, and also the prejudice of some “critics” when they affirm that this genre was, when in its origins in Goiás, little elaborated, more tending to the regionalist theme, gives rise to the classic discussion of the categories past x present, part x whole, singular x plural and particular x universal. In this work, the work Jurubatuba, by Carmo Bernardes, is the subject of study in order to verify how literary criticism has always pointed to the condition of the regionalist writer as the driving force of the narrative genre and his vocation inseparable from a personal experience in the big city. In this way, it is not intended, in this dissertation, just to capture regionalism as a kind of struggle between the periphery and the center or, even, an affirmation between the local and the global writer, contesting the prevailing hegemonic hierarchy in the economic, geographical, historical and cultural sense. literary. Rather, the objective is to change the point of view of the work as a suggestion so that the whole can be observed in a broader way and, therefore, accepting a certain distance in relation to the text itself in order to be able to better see the totality of the composition. , compare the recurrent forms, the similarities and dissimilarities with other forms and, thus, have the chance to understand the particularity of the specific motif that one wants to see. To do so, it uses the structural approach, which provides the opportunity for the analysis/theory relationship, privileging history and memory, that is, Goiás reality and psychological traits of the protagonist in Jurubatuba. In this way, the Carmobernardian novel becomes a border-space, articulator of a moment that divides space and time, creating an ambivalence between commonplaces doubly inscribed in the place of probation and the place of integrity and the enunciation and enunciation. The work transmigrates to the universal if one thinks of the historicity of its most ecumenical symbol: man, who is made up among the labyrinths of memory. Hence, two dimensions immediately impose themselves: memory and identity. These dimensions are representations present in the social imaginary and, as such, it must be assumed that, in order to relate to the real world, each culture constructs representations of it based on social practices. Therefore, the study brings to light the relevance of literature as an instrument for preserving memory and its contribution to understanding the artistic, historical, human and literary universe. |
publishDate |
2006 |
dc.date.issued.fl_str_mv |
2006-11-09 |
dc.date.accessioned.fl_str_mv |
2023-05-23T10:40:38Z |
dc.date.available.fl_str_mv |
2023-05-23T10:40:38Z |
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info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
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masterThesis |
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publishedVersion |
dc.identifier.citation.fl_str_mv |
BARCELOS, L. B. Carmo Bernardes: uma leitura pelos labirintos de Jurubatuba. 2006. 93 f. Dissertação (Mestrado em Letras e Linguística) - Universidade Federal de Goiás, Goiânia, 2006. |
dc.identifier.uri.fl_str_mv |
http://repositorio.bc.ufg.br/tede/handle/tede/12853 |
identifier_str_mv |
BARCELOS, L. B. Carmo Bernardes: uma leitura pelos labirintos de Jurubatuba. 2006. 93 f. Dissertação (Mestrado em Letras e Linguística) - Universidade Federal de Goiás, Goiânia, 2006. |
url |
http://repositorio.bc.ufg.br/tede/handle/tede/12853 |
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por |
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por |
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Attribution-NonCommercial-NoDerivatives 4.0 International http://creativecommons.org/licenses/by-nc-nd/4.0/ |
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openAccess |
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Universidade Federal de Goiás |
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Programa de Pós-graduação em Letras e Linguística (FL) |
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UFG |
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Brasil |
dc.publisher.department.fl_str_mv |
Faculdade de Letras - FL (RMG) |
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Universidade Federal de Goiás |
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