Afro rizomas: corpo, noção de pessoa e identidade no Candomblé
Autor(a) principal: | |
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Data de Publicação: | 2016 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFG |
Texto Completo: | http://repositorio.bc.ufg.br/tede/handle/tede/12864 |
Resumo: | The body in Candomble, in its scenic and ritual performances, is asked to dwell friction zones that destabilize and confuse certain aesthetic-ethical-political normative standards. The aim of this study is to map part of this conjuncture of destabilization and displacements from the liturgical - teaching aspects in which the body is inserted in Candomble, in dialogue with some of the conceptual axes, such as aesthetics, composition, person, gender and identity. It seeks to elucidate in which ways the scenic and ritual performances of body in Candomble are only possible if there´s a destabilization of these normative categories, therefore creating an aesthetic - ethics of being in community through social and liturgical means that displaces and unsettles this body. The general theoretical scope rests on the rhizome perspective, epistemological system proposed by Deleuze and Guattari (1995), where there are no pre-established hierarchies or closed dichotomies. The approach so of the body in Candomblé is from a multi conceptual and hybrid reference. It also relies in Deleuze and Guattari (2010), Guattari (1992), Maffesoli (1996) and Santos (2012) to consider aesthetics in Candomble; Segato (2000), Goldman (1984) Butler (2012) and Hall (2011) for identity and notion of person. Theory and method are therefore interdisciplinary, thought from multiplicity and plurality conceptual and analytical, guided by cultural performances perspective. It is expected to show that body in Candomble´s performance builds a scenic act in itself, unique and inventive, as well as is in itself an event. So here, it can be said that in its plurality, body in Candomble affirms itself as revolutionary and subversive. It is a body that resists the present, questioning it from its margins and cracks. |
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Correia, Paulo Petroniliohttp://lattes.cnpq.br/1801687030702050Correia, Paulo PetronilioNascimento, Wanderson Flor doDias, Luciana de OliveiraSilva, Renata de Limahttp://lattes.cnpq.br/3857108027319448Rezende, Marcos Vinícius Buiati2023-05-29T11:10:29Z2023-05-29T11:10:29Z2016-06-03BUIATI, Marcos. Afro rizomas: corpo, noção de pessoa e identidade no Candomblé. 2016. 160 f. Dissertação (Mestrado em Performances Culturais) - Universidade Federal de Goiás, Goiânia, 2016.http://repositorio.bc.ufg.br/tede/handle/tede/12864The body in Candomble, in its scenic and ritual performances, is asked to dwell friction zones that destabilize and confuse certain aesthetic-ethical-political normative standards. The aim of this study is to map part of this conjuncture of destabilization and displacements from the liturgical - teaching aspects in which the body is inserted in Candomble, in dialogue with some of the conceptual axes, such as aesthetics, composition, person, gender and identity. It seeks to elucidate in which ways the scenic and ritual performances of body in Candomble are only possible if there´s a destabilization of these normative categories, therefore creating an aesthetic - ethics of being in community through social and liturgical means that displaces and unsettles this body. The general theoretical scope rests on the rhizome perspective, epistemological system proposed by Deleuze and Guattari (1995), where there are no pre-established hierarchies or closed dichotomies. The approach so of the body in Candomblé is from a multi conceptual and hybrid reference. It also relies in Deleuze and Guattari (2010), Guattari (1992), Maffesoli (1996) and Santos (2012) to consider aesthetics in Candomble; Segato (2000), Goldman (1984) Butler (2012) and Hall (2011) for identity and notion of person. Theory and method are therefore interdisciplinary, thought from multiplicity and plurality conceptual and analytical, guided by cultural performances perspective. It is expected to show that body in Candomble´s performance builds a scenic act in itself, unique and inventive, as well as is in itself an event. So here, it can be said that in its plurality, body in Candomble affirms itself as revolutionary and subversive. It is a body that resists the present, questioning it from its margins and cracks.O corpo no Candomblé, em suas performances cênicas e rituais, é solicitado a habitar zonas de fricção que desestabilizam e confundem certos padrões normativos estético-ético-políticos. O objetivo desse trabalho, é cartografar parte dessa conjuntura de desestabilizações e deslocamentos a partir dos aspectos litúrgico - pedagógicos em que o corpo está inserido no terreiro, em diálogo com alguns eixos conceituais, tais como a estética, a composição, a noção de pessoa, o gênero e a identidade. Busca-se demonstrar como as performances cênicas e rituais deste corpo no terreiro só são possíveis a partir de uma desestabilização dessas categorias normativas, criando-se portanto uma estética - ética de convivência social e litúrgica que o desloca e o desestabiliza. O escopo teórico geral apoia-se na perspectiva do rizoma, sistema epistemológico proposto por Deleuze e Guattari (1995), onde não há hierarquias pré-estabelecidas, nem dicotomias fechadas. Aborda-se então o corpo no Candomblé a partir de uma referência multi conceitual e híbrida. Apoia-se também em Deleuze e Guattari (2010), Guattari (1992), Maffesoli (1996) e Santos (2012) para pensar a estética no terreiro; Segato (2000), Goldman (1984) Butler (2012) e Hall (2011) para as noções de identidade e pessoa. Teoria e método são portanto interdisciplinares, pensados a partir da multiplicidade e pluralidade conceitual e analítica pautados na perspectiva das performances culturais. Espera-se mostrar que o corpo em performance no terreiro constrói um ato cênico em si, único e inventivo, e é, em si, um acontecimento. Assim, em sua pluralidade, o corpo no terreiro afirma-se como revolucionário em si, subversivo em si. É um corpo que resiste ao presente, interrogando-o a partir de suas margens e fissuras.Submitted by Marlene Santos (marlene.bc.ufg@gmail.com) on 2023-05-26T19:39:31Z No. of bitstreams: 2 Dissertação - Marcos Vinícius Buiati Rezende - 2016.pdf: 2638663 bytes, checksum: d9695c27906717717807acdae7c717e7 (MD5) license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2023-05-29T11:10:29Z (GMT) No. of bitstreams: 2 Dissertação - Marcos Vinícius Buiati Rezende - 2016.pdf: 2638663 bytes, checksum: d9695c27906717717807acdae7c717e7 (MD5) license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5)Made available in DSpace on 2023-05-29T11:10:29Z (GMT). No. of bitstreams: 2 Dissertação - Marcos Vinícius Buiati Rezende - 2016.pdf: 2638663 bytes, checksum: d9695c27906717717807acdae7c717e7 (MD5) license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5) Previous issue date: 2016-06-03Fundação de Amparo à Pesquisa do Estado de GoiásporUniversidade Federal de GoiásPrograma de Pós-graduação em Performances Culturais (EMAC)UFGBrasilEscola de Música e Artes Cênicas - EMAC (RMG)Attribution-NonCommercial-NoDerivatives 4.0 Internationalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessRizomaCorpoNoção de pessoaIdentidadeCandombléRhizomeBodyNotion of personIdentityLINGUISTICA, LETRAS E ARTES::ARTES::TEATROAfro rizomas: corpo, noção de pessoa e identidade no CandombléAfro rhizome: body, notion of person and identity in Candombleinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis815005005005005803reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGLICENSElicense.txtlicense.txttext/plain; charset=utf-81748http://repositorio.bc.ufg.br/tede/bitstreams/e5aa6ab7-6c39-4c50-8aed-6848e373ec6c/download8a4605be74aa9ea9d79846c1fba20a33MD51CC-LICENSElicense_rdflicense_rdfapplication/rdf+xml; charset=utf-8805http://repositorio.bc.ufg.br/tede/bitstreams/d2ab4ee0-4fa8-40f4-882c-c9553dfe4209/download4460e5956bc1d1639be9ae6146a50347MD52ORIGINALDissertação - Marcos Vinícius Buiati Rezende - 2016.pdfDissertação - Marcos Vinícius Buiati Rezende - 2016.pdfapplication/pdf2638663http://repositorio.bc.ufg.br/tede/bitstreams/36bb6bc5-d017-486e-ab4e-4b6cb8920b05/downloadd9695c27906717717807acdae7c717e7MD53tede/128642023-05-29 08:10:29.66http://creativecommons.org/licenses/by-nc-nd/4.0/Attribution-NonCommercial-NoDerivatives 4.0 Internationalopen.accessoai:repositorio.bc.ufg.br:tede/12864http://repositorio.bc.ufg.br/tedeRepositório InstitucionalPUBhttp://repositorio.bc.ufg.br/oai/requesttasesdissertacoes.bc@ufg.bropendoar:2023-05-29T11:10:29Repositório Institucional da UFG - Universidade Federal de Goiás (UFG)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 |
dc.title.pt_BR.fl_str_mv |
Afro rizomas: corpo, noção de pessoa e identidade no Candomblé |
dc.title.alternative.eng.fl_str_mv |
Afro rhizome: body, notion of person and identity in Candomble |
title |
Afro rizomas: corpo, noção de pessoa e identidade no Candomblé |
spellingShingle |
Afro rizomas: corpo, noção de pessoa e identidade no Candomblé Rezende, Marcos Vinícius Buiati Rizoma Corpo Noção de pessoa Identidade Candomblé Rhizome Body Notion of person Identity LINGUISTICA, LETRAS E ARTES::ARTES::TEATRO |
title_short |
Afro rizomas: corpo, noção de pessoa e identidade no Candomblé |
title_full |
Afro rizomas: corpo, noção de pessoa e identidade no Candomblé |
title_fullStr |
Afro rizomas: corpo, noção de pessoa e identidade no Candomblé |
title_full_unstemmed |
Afro rizomas: corpo, noção de pessoa e identidade no Candomblé |
title_sort |
Afro rizomas: corpo, noção de pessoa e identidade no Candomblé |
author |
Rezende, Marcos Vinícius Buiati |
author_facet |
Rezende, Marcos Vinícius Buiati |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Correia, Paulo Petronilio |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/1801687030702050 |
dc.contributor.referee1.fl_str_mv |
Correia, Paulo Petronilio |
dc.contributor.referee2.fl_str_mv |
Nascimento, Wanderson Flor do |
dc.contributor.referee3.fl_str_mv |
Dias, Luciana de Oliveira |
dc.contributor.referee4.fl_str_mv |
Silva, Renata de Lima |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/3857108027319448 |
dc.contributor.author.fl_str_mv |
Rezende, Marcos Vinícius Buiati |
contributor_str_mv |
Correia, Paulo Petronilio Correia, Paulo Petronilio Nascimento, Wanderson Flor do Dias, Luciana de Oliveira Silva, Renata de Lima |
dc.subject.por.fl_str_mv |
Rizoma Corpo Noção de pessoa Identidade Candomblé |
topic |
Rizoma Corpo Noção de pessoa Identidade Candomblé Rhizome Body Notion of person Identity LINGUISTICA, LETRAS E ARTES::ARTES::TEATRO |
dc.subject.eng.fl_str_mv |
Rhizome Body Notion of person Identity |
dc.subject.cnpq.fl_str_mv |
LINGUISTICA, LETRAS E ARTES::ARTES::TEATRO |
description |
The body in Candomble, in its scenic and ritual performances, is asked to dwell friction zones that destabilize and confuse certain aesthetic-ethical-political normative standards. The aim of this study is to map part of this conjuncture of destabilization and displacements from the liturgical - teaching aspects in which the body is inserted in Candomble, in dialogue with some of the conceptual axes, such as aesthetics, composition, person, gender and identity. It seeks to elucidate in which ways the scenic and ritual performances of body in Candomble are only possible if there´s a destabilization of these normative categories, therefore creating an aesthetic - ethics of being in community through social and liturgical means that displaces and unsettles this body. The general theoretical scope rests on the rhizome perspective, epistemological system proposed by Deleuze and Guattari (1995), where there are no pre-established hierarchies or closed dichotomies. The approach so of the body in Candomblé is from a multi conceptual and hybrid reference. It also relies in Deleuze and Guattari (2010), Guattari (1992), Maffesoli (1996) and Santos (2012) to consider aesthetics in Candomble; Segato (2000), Goldman (1984) Butler (2012) and Hall (2011) for identity and notion of person. Theory and method are therefore interdisciplinary, thought from multiplicity and plurality conceptual and analytical, guided by cultural performances perspective. It is expected to show that body in Candomble´s performance builds a scenic act in itself, unique and inventive, as well as is in itself an event. So here, it can be said that in its plurality, body in Candomble affirms itself as revolutionary and subversive. It is a body that resists the present, questioning it from its margins and cracks. |
publishDate |
2016 |
dc.date.issued.fl_str_mv |
2016-06-03 |
dc.date.accessioned.fl_str_mv |
2023-05-29T11:10:29Z |
dc.date.available.fl_str_mv |
2023-05-29T11:10:29Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
BUIATI, Marcos. Afro rizomas: corpo, noção de pessoa e identidade no Candomblé. 2016. 160 f. Dissertação (Mestrado em Performances Culturais) - Universidade Federal de Goiás, Goiânia, 2016. |
dc.identifier.uri.fl_str_mv |
http://repositorio.bc.ufg.br/tede/handle/tede/12864 |
identifier_str_mv |
BUIATI, Marcos. Afro rizomas: corpo, noção de pessoa e identidade no Candomblé. 2016. 160 f. Dissertação (Mestrado em Performances Culturais) - Universidade Federal de Goiás, Goiânia, 2016. |
url |
http://repositorio.bc.ufg.br/tede/handle/tede/12864 |
dc.language.iso.fl_str_mv |
por |
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por |
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81 |
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500 500 500 500 |
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5 |
dc.relation.cnpq.fl_str_mv |
80 |
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3 |
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Attribution-NonCommercial-NoDerivatives 4.0 International http://creativecommons.org/licenses/by-nc-nd/4.0/ info:eu-repo/semantics/openAccess |
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Attribution-NonCommercial-NoDerivatives 4.0 International http://creativecommons.org/licenses/by-nc-nd/4.0/ |
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openAccess |
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Universidade Federal de Goiás |
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UFG |
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Brasil |
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Escola de Música e Artes Cênicas - EMAC (RMG) |
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Universidade Federal de Goiás |
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