“Para além do bustiê” – performances da contraviolência na obra bandido (1976-1977) de Ney Matogrosso

• Autor(a) principal: Silva, Robson Pereira da
• Data de Publicação: 2016
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Repositório Institucional da UFG
• Texto Completo: http://repositorio.bc.ufg.br/tede/handle/tede/6052
• topic: Ney Matogrosso; Performance; Erotismo; Contraviolência; Marginalidade e ditadura militar brasileira; Performance; Eroticism; Counter-violence; The brazilian military dictatorship and marginality; CIENCIAS HUMANAS::HISTORIA

Ney Matogrosso during the military regime, especially in the 1970s, performed it marginal individuals who helped in the process of "symbolic production" in their performances (phonograms, cover, liner notes, music Show Video); conventionally an aesthetic of subversion. However, his work was not disconnected from the reality of their time. So here, it’s analyzed in dialogue with the productions that have agreed to submit the incorporation of marginal figures. Thus, the main objective of this research is to understand the cultural context in the 1970s the structure of feeling based on the counter-violence that exhibited with marginal performativity in artistic productions between 1964-1979. For this, here it’s envisaged the overview of clashes of representations engendered from the 1970s, when appeared the division internal and differences in the art of segments connected to the left, where social, political and cultural dilemmas reached art.