Performances em Hamlet: textualidades, teatralidades e liminaridades
Autor(a) principal: | |
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Data de Publicação: | 2015 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFG |
Texto Completo: | http://repositorio.bc.ufg.br/tede/handle/tede/5950 |
Resumo: | This dissertation is the result of a diverse literature and aims to analyze multiple aspects in the tragedy Hamlet, Prince of Denmark (1600-1601), the Englishman William Shakespeare (1564-1616), as a performative text. To do so, it establishes relationships between this tragedy and some issues discussed on performance studies, specifically theatricality, liminality and textuality. Hamlet’s story is first related to the concept of theatricality as state from the Russian playwright and theater director Nicolas Evreinov (1879-1953), as well as establishes dialogues with the notion of liminality discussed by folklorist and ethnographer Arnold van Gennep German (1873-1957), also with ideas of the Russian thinker Mikhail Bakhtin (1895-1975) about the performance of language, among other notions about performing and human performance practices. Hamlet, the text, appears on the threshold between completeness and movement, between textuality and theatricality, between readings and cultures. It is described and further analyzed Hamlet assembly in Moscow Art Theatre (MAT), one of the famous readings and rewrites the Shakespearean tragedy. A scenic production, which features dialogues and confrontations between text and scene, between Aesthetics, between readings of the tragedy, which express themselves through the collisions between the directors of this performances, the actors and the spectators. Finally comes to aspects of reception of Hamlet. |
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Reinato, Eduardo Joséhttp://lattes.cnpq.br/9142540932437553Reinato, Eduardo Joséhttp://lattes.cnpq.br/9142540932437553O'Shea, José Roberto BastoJunior, Roberto Abdalahttp://lattes.cnpq.br/5274146545017252Barros , Edlúcia Robélia Oliveira de2016-08-17T19:17:41Z2015-12-03BARROS, Edlúcia Robélia Oliveira de. Performances em Hamlet: textualidades, teatralidades e liminaridades. 2015.123 f. Dissertação (Mestrado em Performance Cultural) - Universidade Federal de Goiás, Goiânia, 2015.http://repositorio.bc.ufg.br/tede/handle/tede/5950This dissertation is the result of a diverse literature and aims to analyze multiple aspects in the tragedy Hamlet, Prince of Denmark (1600-1601), the Englishman William Shakespeare (1564-1616), as a performative text. To do so, it establishes relationships between this tragedy and some issues discussed on performance studies, specifically theatricality, liminality and textuality. Hamlet’s story is first related to the concept of theatricality as state from the Russian playwright and theater director Nicolas Evreinov (1879-1953), as well as establishes dialogues with the notion of liminality discussed by folklorist and ethnographer Arnold van Gennep German (1873-1957), also with ideas of the Russian thinker Mikhail Bakhtin (1895-1975) about the performance of language, among other notions about performing and human performance practices. Hamlet, the text, appears on the threshold between completeness and movement, between textuality and theatricality, between readings and cultures. It is described and further analyzed Hamlet assembly in Moscow Art Theatre (MAT), one of the famous readings and rewrites the Shakespearean tragedy. A scenic production, which features dialogues and confrontations between text and scene, between Aesthetics, between readings of the tragedy, which express themselves through the collisions between the directors of this performances, the actors and the spectators. Finally comes to aspects of reception of Hamlet.Essa dissertação é resultante de uma pesquisa bibliográfica diversa e tem por objetivo analisar em múltiplos aspectos a tragédia Hamlet, Príncipe da Dinamarca (1600-1601), do inglês William Shakespeare (1564-1616), como um texto performativo. Para tanto, estabelece relações entre essa tragédia e algumas questões discutidas pelos estudos da performance, especificamente a teatralidade, a liminaridade e a textualidade. A história de Hamlet é relacionada principalmente ao conceito de teatralidade do dramaturgo e diretor teatral russo Nicolas Evreinov (1879-1953), bem como dialoga com a noção de liminaridade discutida pelo folclorista e etnógrafo germânico Arnold van Gennep (1873-1957), e com as ideias do pensador russo Mikhail Bakhtin (1895-1975) acerca da performance da linguagem, dentre outras noções acerca das práticas performáticas e performativas humanas. Hamlet, o texto, é apresentado no limiar, entre a completude e o movimento, entre a textualidade e a teatralidade, entre leituras e culturas. É descrita e analisada ainda a montagem de Hamlet no Teatro de Arte de Moscou (TAM), uma das famosas leituras e reescritas da tragédia shakespeariana. Uma produção cênica que apresenta o diálogo e o embate entre texto e cena, entre estéticas, entre leituras da tragédia que se expressam através das performances do encenador, do ator e do espectador. Finalmente, trata de aspectos da recepção de Hamlet.Submitted by Cláudia Bueno (claudiamoura18@gmail.com) on 2016-08-17T19:15:20Z No. of bitstreams: 2 Dissertação - Edlúcia Robélia Oliveira de Barros - 2016.pdf: 4103005 bytes, checksum: 2af3328007974598a93b1627ae8a18ab (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Approved for entry into archive by Cláudia Bueno (claudiamoura18@gmail.com) on 2016-08-17T19:17:41Z (GMT) No. of bitstreams: 2 Dissertação - Edlúcia Robélia Oliveira de Barros - 2016.pdf: 4103005 bytes, checksum: 2af3328007974598a93b1627ae8a18ab (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2016-08-17T19:17:41Z (GMT). No. of bitstreams: 2 Dissertação - Edlúcia Robélia Oliveira de Barros - 2016.pdf: 4103005 bytes, checksum: 2af3328007974598a93b1627ae8a18ab (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2015-12-03Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfporUniversidade Federal de GoiásPrograma de Pós-graduação em Performance Cultural (EMAC)UFGBrasilEscola de Música e Artes Cênicas - EMAC (RG)http://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessHamletPerformanceTeatralidadesTextualidadesLiminaridadesHamletPerformanceTheatricalitiesTextualitiesLiminalitiesARTES::TEATROPerformances em Hamlet: textualidades, teatralidades e liminaridadesPerformances in Hamlet: textualities, theatricalities and liminalitiesinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis630093844374387306600600600600-1800367251745901470-65068885184758611342075167498588264571reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGLICENSElicense.txtlicense.txttext/plain; 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dc.title.por.fl_str_mv |
Performances em Hamlet: textualidades, teatralidades e liminaridades |
dc.title.alternative.eng.fl_str_mv |
Performances in Hamlet: textualities, theatricalities and liminalities |
title |
Performances em Hamlet: textualidades, teatralidades e liminaridades |
spellingShingle |
Performances em Hamlet: textualidades, teatralidades e liminaridades Barros , Edlúcia Robélia Oliveira de Hamlet Performance Teatralidades Textualidades Liminaridades Hamlet Performance Theatricalities Textualities Liminalities ARTES::TEATRO |
title_short |
Performances em Hamlet: textualidades, teatralidades e liminaridades |
title_full |
Performances em Hamlet: textualidades, teatralidades e liminaridades |
title_fullStr |
Performances em Hamlet: textualidades, teatralidades e liminaridades |
title_full_unstemmed |
Performances em Hamlet: textualidades, teatralidades e liminaridades |
title_sort |
Performances em Hamlet: textualidades, teatralidades e liminaridades |
author |
Barros , Edlúcia Robélia Oliveira de |
author_facet |
Barros , Edlúcia Robélia Oliveira de |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Reinato, Eduardo José |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/9142540932437553 |
dc.contributor.referee1.fl_str_mv |
Reinato, Eduardo José |
dc.contributor.referee1Lattes.fl_str_mv |
http://lattes.cnpq.br/9142540932437553 |
dc.contributor.referee2.fl_str_mv |
O'Shea, José Roberto Basto |
dc.contributor.referee3.fl_str_mv |
Junior, Roberto Abdala |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/5274146545017252 |
dc.contributor.author.fl_str_mv |
Barros , Edlúcia Robélia Oliveira de |
contributor_str_mv |
Reinato, Eduardo José Reinato, Eduardo José O'Shea, José Roberto Basto Junior, Roberto Abdala |
dc.subject.por.fl_str_mv |
Hamlet Performance Teatralidades Textualidades Liminaridades |
topic |
Hamlet Performance Teatralidades Textualidades Liminaridades Hamlet Performance Theatricalities Textualities Liminalities ARTES::TEATRO |
dc.subject.eng.fl_str_mv |
Hamlet Performance Theatricalities Textualities Liminalities |
dc.subject.cnpq.fl_str_mv |
ARTES::TEATRO |
description |
This dissertation is the result of a diverse literature and aims to analyze multiple aspects in the tragedy Hamlet, Prince of Denmark (1600-1601), the Englishman William Shakespeare (1564-1616), as a performative text. To do so, it establishes relationships between this tragedy and some issues discussed on performance studies, specifically theatricality, liminality and textuality. Hamlet’s story is first related to the concept of theatricality as state from the Russian playwright and theater director Nicolas Evreinov (1879-1953), as well as establishes dialogues with the notion of liminality discussed by folklorist and ethnographer Arnold van Gennep German (1873-1957), also with ideas of the Russian thinker Mikhail Bakhtin (1895-1975) about the performance of language, among other notions about performing and human performance practices. Hamlet, the text, appears on the threshold between completeness and movement, between textuality and theatricality, between readings and cultures. It is described and further analyzed Hamlet assembly in Moscow Art Theatre (MAT), one of the famous readings and rewrites the Shakespearean tragedy. A scenic production, which features dialogues and confrontations between text and scene, between Aesthetics, between readings of the tragedy, which express themselves through the collisions between the directors of this performances, the actors and the spectators. Finally comes to aspects of reception of Hamlet. |
publishDate |
2015 |
dc.date.issued.fl_str_mv |
2015-12-03 |
dc.date.accessioned.fl_str_mv |
2016-08-17T19:17:41Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
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masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
BARROS, Edlúcia Robélia Oliveira de. Performances em Hamlet: textualidades, teatralidades e liminaridades. 2015.123 f. Dissertação (Mestrado em Performance Cultural) - Universidade Federal de Goiás, Goiânia, 2015. |
dc.identifier.uri.fl_str_mv |
http://repositorio.bc.ufg.br/tede/handle/tede/5950 |
identifier_str_mv |
BARROS, Edlúcia Robélia Oliveira de. Performances em Hamlet: textualidades, teatralidades e liminaridades. 2015.123 f. Dissertação (Mestrado em Performance Cultural) - Universidade Federal de Goiás, Goiânia, 2015. |
url |
http://repositorio.bc.ufg.br/tede/handle/tede/5950 |
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Universidade Federal de Goiás |
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UFG |
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Brasil |
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Escola de Música e Artes Cênicas - EMAC (RG) |
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Universidade Federal de Goiás |
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