HOW WOULD YOU WISH THE WORLD TO BE?

Detalhes bibliográficos
Autor(a) principal: Biagini, Mario
Data de Publicação: 2018
Outros Autores: Tavares , Luciáh
Tipo de documento: Artigo
Idioma: por
Título da fonte: Pós (Universidade Federal de Minas Gerais. Online)
Texto Completo: https://periodicos.ufmg.br/index.php/revistapos/article/view/15627
Resumo: This text is based on a speech by Mario Biagini in Italy and it was decided to leave it in the register of oral. The speech was made in the context of an event held in "Mechrí: Laboratorio di filosofia e cultura" in Milan. The Greek term mechri, used by Biagini in the opening of this text, is an adverb meaning "up to" or "heretofore "Mechri may refer to a suspension in the flow of discourse, so that new perspectives can be initiated and inaugurated (from here onwards). The text also refers in one of its passages to "performative practices of the encounter" and to "active cultural competence", suggesting a possible approximation between current Open Program practices and the conception of "Active culture" proposed by Jerzy Grotowski in the period known as Parateatral.
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spelling HOW WOULD YOU WISH THE WORLD TO BE?COMO VOCÊ DESEJARIA QUE FOSSE O MUNDO?Mario BiaginiOpen ProgramParateatralMario BiaginiOpen ProgramParateatralThis text is based on a speech by Mario Biagini in Italy and it was decided to leave it in the register of oral. The speech was made in the context of an event held in "Mechrí: Laboratorio di filosofia e cultura" in Milan. The Greek term mechri, used by Biagini in the opening of this text, is an adverb meaning "up to" or "heretofore "Mechri may refer to a suspension in the flow of discourse, so that new perspectives can be initiated and inaugurated (from here onwards). The text also refers in one of its passages to "performative practices of the encounter" and to "active cultural competence", suggesting a possible approximation between current Open Program practices and the conception of "Active culture" proposed by Jerzy Grotowski in the period known as Parateatral.Este texto é baseado em uma fala de Mario Biagini na Itália e optou-se por deixá-lo no registro da oralidade. A fala foi realizada no contexto de um evento realizado em «Mechrí: Laboratorio di filosofia e cultura», em Milão. O termo grego mechrí, utilizado por Biagini na abertura desse texto, é um advérbio que quer dizer “até" ou “até aqui”. O termo nomeia também este laboratório que reúne intelectuais de várias áreas e onde Biagini foi convidado a falar. Mechrí pode se referir a uma suspensão no fluir do discurso, para que possa se iniciar e inaugurar (a partir “daqui”) novas perspectivas para os caminhos do conhecimento e da formação. O texto também se refere “em uma de suas passagens” a "práticas performativas do encontro” e à "competência cultural ativa”, sugerindo uma aproximação possível entre as práticas atuais do Open Program e a concepção de “cultura ativa” proposta por Jerzy Grotowski no período conhecido como Parateatral.Universidade Federal de Minas Gerais2018-05-27info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufmg.br/index.php/revistapos/article/view/15627PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG; V.8, N.15: may.2018 - oct.2018; 373-377PÓS: Periódico del Programa de Posgrado en Artes de EBA/UFMG; V.8, N.15: may.2018 - oct.2018; 373-377PÓS: Revista do Programa de Pós-graduação em Artes da EBA/UFMG; V.8, N.15: mai.2018 - out.2018; 373-3772238-20461982-9507reponame:Pós (Universidade Federal de Minas Gerais. Online)instname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/revistapos/article/view/15627/12504Biagini, MarioTavares , Luciáhinfo:eu-repo/semantics/openAccess2020-07-23T22:29:52Zoai:periodicos.ufmg.br:article/15627Revistahttps://periodicos.ufmg.br/index.php/revistaposPUBhttps://periodicos.ufmg.br/index.php/revistapos/oairevistapos.ppga@gmail.com2238-20461982-9507opendoar:2020-07-23T22:29:52Pós (Universidade Federal de Minas Gerais. Online) - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv HOW WOULD YOU WISH THE WORLD TO BE?
COMO VOCÊ DESEJARIA QUE FOSSE O MUNDO?
title HOW WOULD YOU WISH THE WORLD TO BE?
spellingShingle HOW WOULD YOU WISH THE WORLD TO BE?
Biagini, Mario
Mario Biagini
Open Program
Parateatral
Mario Biagini
Open Program
Parateatral
title_short HOW WOULD YOU WISH THE WORLD TO BE?
title_full HOW WOULD YOU WISH THE WORLD TO BE?
title_fullStr HOW WOULD YOU WISH THE WORLD TO BE?
title_full_unstemmed HOW WOULD YOU WISH THE WORLD TO BE?
title_sort HOW WOULD YOU WISH THE WORLD TO BE?
author Biagini, Mario
author_facet Biagini, Mario
Tavares , Luciáh
author_role author
author2 Tavares , Luciáh
author2_role author
dc.contributor.author.fl_str_mv Biagini, Mario
Tavares , Luciáh
dc.subject.por.fl_str_mv Mario Biagini
Open Program
Parateatral
Mario Biagini
Open Program
Parateatral
topic Mario Biagini
Open Program
Parateatral
Mario Biagini
Open Program
Parateatral
description This text is based on a speech by Mario Biagini in Italy and it was decided to leave it in the register of oral. The speech was made in the context of an event held in "Mechrí: Laboratorio di filosofia e cultura" in Milan. The Greek term mechri, used by Biagini in the opening of this text, is an adverb meaning "up to" or "heretofore "Mechri may refer to a suspension in the flow of discourse, so that new perspectives can be initiated and inaugurated (from here onwards). The text also refers in one of its passages to "performative practices of the encounter" and to "active cultural competence", suggesting a possible approximation between current Open Program practices and the conception of "Active culture" proposed by Jerzy Grotowski in the period known as Parateatral.
publishDate 2018
dc.date.none.fl_str_mv 2018-05-27
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/revistapos/article/view/15627
url https://periodicos.ufmg.br/index.php/revistapos/article/view/15627
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/revistapos/article/view/15627/12504
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais
publisher.none.fl_str_mv Universidade Federal de Minas Gerais
dc.source.none.fl_str_mv PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG; V.8, N.15: may.2018 - oct.2018; 373-377
PÓS: Periódico del Programa de Posgrado en Artes de EBA/UFMG; V.8, N.15: may.2018 - oct.2018; 373-377
PÓS: Revista do Programa de Pós-graduação em Artes da EBA/UFMG; V.8, N.15: mai.2018 - out.2018; 373-377
2238-2046
1982-9507
reponame:Pós (Universidade Federal de Minas Gerais. Online)
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Pós (Universidade Federal de Minas Gerais. Online)
collection Pós (Universidade Federal de Minas Gerais. Online)
repository.name.fl_str_mv Pós (Universidade Federal de Minas Gerais. Online) - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv revistapos.ppga@gmail.com
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