HOW WOULD YOU WISH THE WORLD TO BE?
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Data de Publicação: | 2018 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Pós (Universidade Federal de Minas Gerais. Online) |
Texto Completo: | https://periodicos.ufmg.br/index.php/revistapos/article/view/15627 |
Resumo: | This text is based on a speech by Mario Biagini in Italy and it was decided to leave it in the register of oral. The speech was made in the context of an event held in "Mechrí: Laboratorio di filosofia e cultura" in Milan. The Greek term mechri, used by Biagini in the opening of this text, is an adverb meaning "up to" or "heretofore "Mechri may refer to a suspension in the flow of discourse, so that new perspectives can be initiated and inaugurated (from here onwards). The text also refers in one of its passages to "performative practices of the encounter" and to "active cultural competence", suggesting a possible approximation between current Open Program practices and the conception of "Active culture" proposed by Jerzy Grotowski in the period known as Parateatral. |
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Pós (Universidade Federal de Minas Gerais. Online) |
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HOW WOULD YOU WISH THE WORLD TO BE?COMO VOCÊ DESEJARIA QUE FOSSE O MUNDO?Mario BiaginiOpen ProgramParateatralMario BiaginiOpen ProgramParateatralThis text is based on a speech by Mario Biagini in Italy and it was decided to leave it in the register of oral. The speech was made in the context of an event held in "Mechrí: Laboratorio di filosofia e cultura" in Milan. The Greek term mechri, used by Biagini in the opening of this text, is an adverb meaning "up to" or "heretofore "Mechri may refer to a suspension in the flow of discourse, so that new perspectives can be initiated and inaugurated (from here onwards). The text also refers in one of its passages to "performative practices of the encounter" and to "active cultural competence", suggesting a possible approximation between current Open Program practices and the conception of "Active culture" proposed by Jerzy Grotowski in the period known as Parateatral.Este texto é baseado em uma fala de Mario Biagini na Itália e optou-se por deixá-lo no registro da oralidade. A fala foi realizada no contexto de um evento realizado em «Mechrí: Laboratorio di filosofia e cultura», em Milão. O termo grego mechrí, utilizado por Biagini na abertura desse texto, é um advérbio que quer dizer “até" ou “até aqui”. O termo nomeia também este laboratório que reúne intelectuais de várias áreas e onde Biagini foi convidado a falar. Mechrí pode se referir a uma suspensão no fluir do discurso, para que possa se iniciar e inaugurar (a partir “daqui”) novas perspectivas para os caminhos do conhecimento e da formação. O texto também se refere “em uma de suas passagens” a "práticas performativas do encontro” e à "competência cultural ativa”, sugerindo uma aproximação possível entre as práticas atuais do Open Program e a concepção de “cultura ativa” proposta por Jerzy Grotowski no período conhecido como Parateatral.Universidade Federal de Minas Gerais2018-05-27info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufmg.br/index.php/revistapos/article/view/15627PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG; V.8, N.15: may.2018 - oct.2018; 373-377PÓS: Periódico del Programa de Posgrado en Artes de EBA/UFMG; V.8, N.15: may.2018 - oct.2018; 373-377PÓS: Revista do Programa de Pós-graduação em Artes da EBA/UFMG; V.8, N.15: mai.2018 - out.2018; 373-3772238-20461982-9507reponame:Pós (Universidade Federal de Minas Gerais. Online)instname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/revistapos/article/view/15627/12504Biagini, MarioTavares , Luciáhinfo:eu-repo/semantics/openAccess2020-07-23T22:29:52Zoai:periodicos.ufmg.br:article/15627Revistahttps://periodicos.ufmg.br/index.php/revistaposPUBhttps://periodicos.ufmg.br/index.php/revistapos/oairevistapos.ppga@gmail.com2238-20461982-9507opendoar:2020-07-23T22:29:52Pós (Universidade Federal de Minas Gerais. Online) - Universidade Federal de Minas Gerais (UFMG)false |
dc.title.none.fl_str_mv |
HOW WOULD YOU WISH THE WORLD TO BE? COMO VOCÊ DESEJARIA QUE FOSSE O MUNDO? |
title |
HOW WOULD YOU WISH THE WORLD TO BE? |
spellingShingle |
HOW WOULD YOU WISH THE WORLD TO BE? Biagini, Mario Mario Biagini Open Program Parateatral Mario Biagini Open Program Parateatral |
title_short |
HOW WOULD YOU WISH THE WORLD TO BE? |
title_full |
HOW WOULD YOU WISH THE WORLD TO BE? |
title_fullStr |
HOW WOULD YOU WISH THE WORLD TO BE? |
title_full_unstemmed |
HOW WOULD YOU WISH THE WORLD TO BE? |
title_sort |
HOW WOULD YOU WISH THE WORLD TO BE? |
author |
Biagini, Mario |
author_facet |
Biagini, Mario Tavares , Luciáh |
author_role |
author |
author2 |
Tavares , Luciáh |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Biagini, Mario Tavares , Luciáh |
dc.subject.por.fl_str_mv |
Mario Biagini Open Program Parateatral Mario Biagini Open Program Parateatral |
topic |
Mario Biagini Open Program Parateatral Mario Biagini Open Program Parateatral |
description |
This text is based on a speech by Mario Biagini in Italy and it was decided to leave it in the register of oral. The speech was made in the context of an event held in "Mechrí: Laboratorio di filosofia e cultura" in Milan. The Greek term mechri, used by Biagini in the opening of this text, is an adverb meaning "up to" or "heretofore "Mechri may refer to a suspension in the flow of discourse, so that new perspectives can be initiated and inaugurated (from here onwards). The text also refers in one of its passages to "performative practices of the encounter" and to "active cultural competence", suggesting a possible approximation between current Open Program practices and the conception of "Active culture" proposed by Jerzy Grotowski in the period known as Parateatral. |
publishDate |
2018 |
dc.date.none.fl_str_mv |
2018-05-27 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufmg.br/index.php/revistapos/article/view/15627 |
url |
https://periodicos.ufmg.br/index.php/revistapos/article/view/15627 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufmg.br/index.php/revistapos/article/view/15627/12504 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais |
publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais |
dc.source.none.fl_str_mv |
PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG; V.8, N.15: may.2018 - oct.2018; 373-377 PÓS: Periódico del Programa de Posgrado en Artes de EBA/UFMG; V.8, N.15: may.2018 - oct.2018; 373-377 PÓS: Revista do Programa de Pós-graduação em Artes da EBA/UFMG; V.8, N.15: mai.2018 - out.2018; 373-377 2238-2046 1982-9507 reponame:Pós (Universidade Federal de Minas Gerais. Online) instname:Universidade Federal de Minas Gerais (UFMG) instacron:UFMG |
instname_str |
Universidade Federal de Minas Gerais (UFMG) |
instacron_str |
UFMG |
institution |
UFMG |
reponame_str |
Pós (Universidade Federal de Minas Gerais. Online) |
collection |
Pós (Universidade Federal de Minas Gerais. Online) |
repository.name.fl_str_mv |
Pós (Universidade Federal de Minas Gerais. Online) - Universidade Federal de Minas Gerais (UFMG) |
repository.mail.fl_str_mv |
revistapos.ppga@gmail.com |
_version_ |
1797049080922243072 |