Under the shadow of Saint Teresa of Ávila: Iconography of Saint John of the Cross in the Portuguese Panels in the Church of the Third Order of Carmel of Recife (XVIII Century)
| Autor(a) principal: | |
|---|---|
| Data de Publicação: | 2024 |
| Tipo de documento: | Artigo |
| Idioma: | por |
| Título da fonte: | Pós (Universidade Federal de Minas Gerais. Online) |
| Texto Completo: | https://periodicos.ufmg.br/index.php/revistapos/article/view/46720 |
Resumo: | The paper aims to analyze the iconography of two Portuguese tile panels found in theaccess hall to the sacristy of the church of the Carmelite Third Order of Recife which containrepresentations of Saint John of the Cross. As imported goods from the kingdom, tiles werehigh valued in the market. Therefore, its acquisition in Portuguese America was made bywealthy orders and fraternities, becoming symbolic elements of power inside the salvationeconomy. The fabrication process was made from afar, leaving the ordered to decide onthe theme and place after receiving the commission. Without the interference of theCarmelites Third in the process of construction of the imagetic composition, theiconography of those panels took separate paths from the engravements that served asbase, building new iconography types. Through a comparative method based on the ErwinPanofsky iconology, the article analyses the imagetic theme of those panels, the presenceof Saint John of the cross, and the placing of the tiles in a space of less artistic fruition |
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Under the shadow of Saint Teresa of Ávila: Iconography of Saint John of the Cross in the Portuguese Panels in the Church of the Third Order of Carmel of Recife (XVIII Century)Under the shadow of Saint Teresa of Ávila: Iconography of Saint John of the Cross in the Portuguese Panels in the Church of the Third Order of Carmel of Recife (XVIII Century)Sob a sombra de Santa Teresa d’Ávila: iconografia de São João da Cruz na azulejaria portuguesa na Igreja da Ordem Terceira do Carmo do Recife (Século XVIII)CarmelitasOrdem TerceiraazulejariaiconografiaSão João da CruzOrden Tercera AzulejaríaSan Juan de la Cruz IconografíaCarmelitasCarmelits Third Order Iconography Saint John of the Cross TilesThe paper aims to analyze the iconography of two Portuguese tile panels found in theaccess hall to the sacristy of the church of the Carmelite Third Order of Recife which containrepresentations of Saint John of the Cross. As imported goods from the kingdom, tiles werehigh valued in the market. Therefore, its acquisition in Portuguese America was made bywealthy orders and fraternities, becoming symbolic elements of power inside the salvationeconomy. The fabrication process was made from afar, leaving the ordered to decide onthe theme and place after receiving the commission. Without the interference of theCarmelites Third in the process of construction of the imagetic composition, theiconography of those panels took separate paths from the engravements that served asbase, building new iconography types. Through a comparative method based on the ErwinPanofsky iconology, the article analyses the imagetic theme of those panels, the presenceof Saint John of the cross, and the placing of the tiles in a space of less artistic fruitionEl artículo analiza la iconografía de los dos paneles de azulejos portugueses encontradosen los pasillos de acceso a la sacristía de la Iglesia de la orden tercera Carmelita del Recifelos cuales tienen representaciones de San Juan de la Cruz. Como era una estructuraimportada del reino, el azulejo tenían precios elevados. Generalmente, su adquisición en laAmérica portuguesa era hecha por órdenes y hermandades más ricas, cambiándose enelementos simbólicos del poder en la economía de la salvación. El proceso de fabricaciónera hecho todo a la distancia, los encomendantes de la América definían la temática ytambién eran los responsables por ponerlos en la pared. Sin la interferencia de los terceroscarmelitas en el proceso de construcción de la composición de las imágenes, la iconografíade eses paneles sufrió cambios que los alejó de los grabados que les sirvieran de base,construyendo así diferentes tipos iconográficos. Por medio de un método iconográficocomparativo que he basado en Erwin Panofsky, buscase comprender la temática de las imágenes de esos paneles, la presencia de San Juan de la Cruz, así como el asentamientode los azulejos en un espacio con poca fruición artística.O artigo busca analisar a iconografia dois painéis de azulejaria portuguesa encontrados nos corredores de acesso à sacristia da Igreja da Ordem Terceira Carmelita do Recife, os quais possuem representações de São João da Cruz. Por se tratar de um suporte importado do reino, o azulejo possuía um valor de compra alto. Geralmente, sua aquisição na América portuguesa era feita por ordens e irmandades mais abastadas, transformando-se em elemento simbólico de poder dentro da economia da salvação. O processo de fabricação era todo feito à distância, restando aos encomendantes na América definir a temática e assentá-los após o recebimento. Sem a interferência dos terceiros carmelitas no processo de construção da composição imagética, a iconografia desses painéis tomou rumos que os distanciou das gravuras que lhe serviam de base, construindo diferentes tipos iconográficos. Através de um método comparativo embasado pela iconologia de Erwin Panofsky, busca-se compreender a temática imagética destes painéis, a presença de São João da Cruz, assim como o assentamento dos azulejos em um espaço de pouca fruição artística.Universidade Federal de Minas Gerais2024-03-27info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufmg.br/index.php/revistapos/article/view/4672010.35699/2238-2046.2023.46720PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG; Vol. 13 No. 29 (2023): set/dez; 63-90PÓS: Periódico del Programa de Posgrado en Artes de EBA/UFMG; Vol. 13 Núm. 29 (2023): set/dez; 63-90PÓS: Revista do Programa de Pós-graduação em Artes da EBA/UFMG; v. 13 n. 29 (2023): set/dez; 63-902238-20461982-9507reponame:Pós (Universidade Federal de Minas Gerais. Online)instname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/revistapos/article/view/46720/43652Copyright (c) 2023 André Cabral Honorhttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessHonor, André Cabral2024-03-27T14:41:02Zoai:periodicos.ufmg.br:article/46720Revistahttps://periodicos.ufmg.br/index.php/revistaposPUBhttps://periodicos.ufmg.br/index.php/revistapos/oairevistapos.ppga@gmail.com2238-20461982-9507opendoar:2024-03-27T14:41:02Pós (Universidade Federal de Minas Gerais. Online) - Universidade Federal de Minas Gerais (UFMG)false |
| dc.title.none.fl_str_mv |
Under the shadow of Saint Teresa of Ávila: Iconography of Saint John of the Cross in the Portuguese Panels in the Church of the Third Order of Carmel of Recife (XVIII Century) Under the shadow of Saint Teresa of Ávila: Iconography of Saint John of the Cross in the Portuguese Panels in the Church of the Third Order of Carmel of Recife (XVIII Century) Sob a sombra de Santa Teresa d’Ávila: iconografia de São João da Cruz na azulejaria portuguesa na Igreja da Ordem Terceira do Carmo do Recife (Século XVIII) |
| title |
Under the shadow of Saint Teresa of Ávila: Iconography of Saint John of the Cross in the Portuguese Panels in the Church of the Third Order of Carmel of Recife (XVIII Century) |
| spellingShingle |
Under the shadow of Saint Teresa of Ávila: Iconography of Saint John of the Cross in the Portuguese Panels in the Church of the Third Order of Carmel of Recife (XVIII Century) Honor, André Cabral Carmelitas Ordem Terceira azulejaria iconografia São João da Cruz Orden Tercera Azulejaría San Juan de la Cruz Iconografía Carmelitas Carmelits Third Order Iconography Saint John of the Cross Tiles |
| title_short |
Under the shadow of Saint Teresa of Ávila: Iconography of Saint John of the Cross in the Portuguese Panels in the Church of the Third Order of Carmel of Recife (XVIII Century) |
| title_full |
Under the shadow of Saint Teresa of Ávila: Iconography of Saint John of the Cross in the Portuguese Panels in the Church of the Third Order of Carmel of Recife (XVIII Century) |
| title_fullStr |
Under the shadow of Saint Teresa of Ávila: Iconography of Saint John of the Cross in the Portuguese Panels in the Church of the Third Order of Carmel of Recife (XVIII Century) |
| title_full_unstemmed |
Under the shadow of Saint Teresa of Ávila: Iconography of Saint John of the Cross in the Portuguese Panels in the Church of the Third Order of Carmel of Recife (XVIII Century) |
| title_sort |
Under the shadow of Saint Teresa of Ávila: Iconography of Saint John of the Cross in the Portuguese Panels in the Church of the Third Order of Carmel of Recife (XVIII Century) |
| author |
Honor, André Cabral |
| author_facet |
Honor, André Cabral |
| author_role |
author |
| dc.contributor.author.fl_str_mv |
Honor, André Cabral |
| dc.subject.por.fl_str_mv |
Carmelitas Ordem Terceira azulejaria iconografia São João da Cruz Orden Tercera Azulejaría San Juan de la Cruz Iconografía Carmelitas Carmelits Third Order Iconography Saint John of the Cross Tiles |
| topic |
Carmelitas Ordem Terceira azulejaria iconografia São João da Cruz Orden Tercera Azulejaría San Juan de la Cruz Iconografía Carmelitas Carmelits Third Order Iconography Saint John of the Cross Tiles |
| description |
The paper aims to analyze the iconography of two Portuguese tile panels found in theaccess hall to the sacristy of the church of the Carmelite Third Order of Recife which containrepresentations of Saint John of the Cross. As imported goods from the kingdom, tiles werehigh valued in the market. Therefore, its acquisition in Portuguese America was made bywealthy orders and fraternities, becoming symbolic elements of power inside the salvationeconomy. The fabrication process was made from afar, leaving the ordered to decide onthe theme and place after receiving the commission. Without the interference of theCarmelites Third in the process of construction of the imagetic composition, theiconography of those panels took separate paths from the engravements that served asbase, building new iconography types. Through a comparative method based on the ErwinPanofsky iconology, the article analyses the imagetic theme of those panels, the presenceof Saint John of the cross, and the placing of the tiles in a space of less artistic fruition |
| publishDate |
2024 |
| dc.date.none.fl_str_mv |
2024-03-27 |
| dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
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article |
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publishedVersion |
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https://periodicos.ufmg.br/index.php/revistapos/article/view/46720 10.35699/2238-2046.2023.46720 |
| url |
https://periodicos.ufmg.br/index.php/revistapos/article/view/46720 |
| identifier_str_mv |
10.35699/2238-2046.2023.46720 |
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por |
| language |
por |
| dc.relation.none.fl_str_mv |
https://periodicos.ufmg.br/index.php/revistapos/article/view/46720/43652 |
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Copyright (c) 2023 André Cabral Honor https://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
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Copyright (c) 2023 André Cabral Honor https://creativecommons.org/licenses/by-nc/4.0 |
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openAccess |
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application/pdf |
| dc.publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais |
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Universidade Federal de Minas Gerais |
| dc.source.none.fl_str_mv |
PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG; Vol. 13 No. 29 (2023): set/dez; 63-90 PÓS: Periódico del Programa de Posgrado en Artes de EBA/UFMG; Vol. 13 Núm. 29 (2023): set/dez; 63-90 PÓS: Revista do Programa de Pós-graduação em Artes da EBA/UFMG; v. 13 n. 29 (2023): set/dez; 63-90 2238-2046 1982-9507 reponame:Pós (Universidade Federal de Minas Gerais. Online) instname:Universidade Federal de Minas Gerais (UFMG) instacron:UFMG |
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Universidade Federal de Minas Gerais (UFMG) |
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UFMG |
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UFMG |
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Pós (Universidade Federal de Minas Gerais. Online) |
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Pós (Universidade Federal de Minas Gerais. Online) |
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Pós (Universidade Federal de Minas Gerais. Online) - Universidade Federal de Minas Gerais (UFMG) |
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revistapos.ppga@gmail.com |
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1797049080071847936 |