Brazilian Taiko: the construction of Japanese drums in the Kaito family workshop, in Taubaté (SP)

Detalhes bibliográficos
Autor(a) principal: Rodrigues, Flávio
Data de Publicação: 2023
Outros Autores: Reily, Suzel Ana
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/47638
Resumo: Mass Japanese immigration to Brazil, which began in the 20th century, brought with it a rich arsenal of customs and cultural manifestations, many of them passed on to Brazilian descendants. Thus, numerous ethnic artistic groups were able to flourish in the country, including taiko ensembles, percussive groups of traditional drums that became popular among Japanese-Brazilian communities. To meet this demand, drums began to be built in Brazil, seeking to adapt Japanese techniques to the new reality. This article addresses, based on on-site observation and interviews, the process of building Brazilian taiko in the Kaito family workshop, in Taubaté, a city of the countryside of the state of São Paulo. By describing the stages of construction of two different drums, we were able to understand how the taiko maker adapted the Japanese tradition to the Brazilian reality, using local raw materials, as well as national processes and machinery, and giving these taiko drums their own Brazilian characteristics and identity.
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spelling Brazilian Taiko: the construction of Japanese drums in the Kaito family workshop, in Taubaté (SP)Taiko a la brasileña: la construcción de tambores japoneses en el taller de la familia Kaito en Taubaté (SP)Taiko à brasileira: a construção dos tambores japoneses na oficina da família Kaito, em Taubaté (SP)TaikoJapanese-Brazilian MusicOrganologyLutheryTaikoMúsica nipo-brasileiraOrganologiaLuteriaTaikoMusica japonesa-brasileñaOrganologíaLuteríaMass Japanese immigration to Brazil, which began in the 20th century, brought with it a rich arsenal of customs and cultural manifestations, many of them passed on to Brazilian descendants. Thus, numerous ethnic artistic groups were able to flourish in the country, including taiko ensembles, percussive groups of traditional drums that became popular among Japanese-Brazilian communities. To meet this demand, drums began to be built in Brazil, seeking to adapt Japanese techniques to the new reality. This article addresses, based on on-site observation and interviews, the process of building Brazilian taiko in the Kaito family workshop, in Taubaté, a city of the countryside of the state of São Paulo. By describing the stages of construction of two different drums, we were able to understand how the taiko maker adapted the Japanese tradition to the Brazilian reality, using local raw materials, as well as national processes and machinery, and giving these taiko drums their own Brazilian characteristics and identity.La inmigración masiva de japoneses a Brasil, que comenzó en el siglo XX, trajo consigo un rico arsenal de costumbres y manifestaciones culturales, muchas de las cuales se han transmitido a sus descendientes brasileños. Como resultado, en el país pudieron florecer innumerables grupos artísticos de carácter étnico, entre ellos los conjuntos de taiko, grupos de tambores tradicionales de percusión que enamoraron a las comunidades nipo-brasileñas. Para satisfacer esta demanda, se empezaron a construir tambores en Brasil en un intento de adaptar las técnicas japonesas a la nueva realidad. Basándose en la observación in situ y en entrevistas, este artículo examina el proceso de construcción del taiko brasileño en el taller de la familia Kaito, en Taubaté, en el interior del estado de São Paulo. Al describir las etapas de construcción de dos tambores diferentes, fue posible comprender cómo el luthier viabilizaba el taiko y lo adaptaba a las materias primas brasileñas, creando instrumentos con procesos y maquinarias nacionales, dando a estos taiko brasileños características e identidad propias.A imigração japonesa em massa ao Brasil, iniciada no séc. XX, trouxe consigo um rico arsenal de costumes e manifestações culturais, muitos deles passados aos descendentes brasileiros. Assim, inúmeros grupos artísticos de caráter étnico puderam florescer no país, entre eles os conjuntos de taiko, grupos percussivos de tambores tradicionais que caíram no gosto das comunidades nipo-brasileiras. Para suprir tal demanda, os tambores passaram a ser construídos no Brasil, buscando adaptar técnicas japonesas à nova realidade. Esse artigo aborda, a partir da observação in loco e entrevistas, o processo de construção dos taiko brasileiros na oficina da família Kaito, em Taubaté, no interior do estado de São Paulo. Descrevendo as etapas da construção de dois diferentes tambores, foi possível entender como o luthier viabilizou e adaptou os taiko às matérias-primas brasileiras, criando instrumentos a partir de processos e maquinários nacionais, dando a esses taiko brasileiros características e identidade próprias.Universidade Federal de Minas Gerais (UFMG)2023-12-08info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/othertext/htmltext/xmlapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/4763810.35699/2317-6377.2023.47638Per Musi; Vol. 24 (2023): General Topics; 1-25Per Musi; Vol. 24 (2023): General Topics; 1-25Per Musi; v. 24 (2023): General Topics; 1-252317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/47638/39673https://periodicos.ufmg.br/index.php/permusi/article/view/47638/39674https://periodicos.ufmg.br/index.php/permusi/article/view/47638/39675Copyright (c) 2023 Per Musihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessRodrigues, FlávioReily, Suzel Ana2024-02-06T17:17:37Zoai:periodicos.ufmg.br:article/47638Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2024-02-06T17:17:37Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Brazilian Taiko: the construction of Japanese drums in the Kaito family workshop, in Taubaté (SP)
Taiko a la brasileña: la construcción de tambores japoneses en el taller de la familia Kaito en Taubaté (SP)
Taiko à brasileira: a construção dos tambores japoneses na oficina da família Kaito, em Taubaté (SP)
title Brazilian Taiko: the construction of Japanese drums in the Kaito family workshop, in Taubaté (SP)
spellingShingle Brazilian Taiko: the construction of Japanese drums in the Kaito family workshop, in Taubaté (SP)
Rodrigues, Flávio
Taiko
Japanese-Brazilian Music
Organology
Luthery
Taiko
Música nipo-brasileira
Organologia
Luteria
Taiko
Musica japonesa-brasileña
Organología
Lutería
title_short Brazilian Taiko: the construction of Japanese drums in the Kaito family workshop, in Taubaté (SP)
title_full Brazilian Taiko: the construction of Japanese drums in the Kaito family workshop, in Taubaté (SP)
title_fullStr Brazilian Taiko: the construction of Japanese drums in the Kaito family workshop, in Taubaté (SP)
title_full_unstemmed Brazilian Taiko: the construction of Japanese drums in the Kaito family workshop, in Taubaté (SP)
title_sort Brazilian Taiko: the construction of Japanese drums in the Kaito family workshop, in Taubaté (SP)
author Rodrigues, Flávio
author_facet Rodrigues, Flávio
Reily, Suzel Ana
author_role author
author2 Reily, Suzel Ana
author2_role author
dc.contributor.author.fl_str_mv Rodrigues, Flávio
Reily, Suzel Ana
dc.subject.por.fl_str_mv Taiko
Japanese-Brazilian Music
Organology
Luthery
Taiko
Música nipo-brasileira
Organologia
Luteria
Taiko
Musica japonesa-brasileña
Organología
Lutería
topic Taiko
Japanese-Brazilian Music
Organology
Luthery
Taiko
Música nipo-brasileira
Organologia
Luteria
Taiko
Musica japonesa-brasileña
Organología
Lutería
description Mass Japanese immigration to Brazil, which began in the 20th century, brought with it a rich arsenal of customs and cultural manifestations, many of them passed on to Brazilian descendants. Thus, numerous ethnic artistic groups were able to flourish in the country, including taiko ensembles, percussive groups of traditional drums that became popular among Japanese-Brazilian communities. To meet this demand, drums began to be built in Brazil, seeking to adapt Japanese techniques to the new reality. This article addresses, based on on-site observation and interviews, the process of building Brazilian taiko in the Kaito family workshop, in Taubaté, a city of the countryside of the state of São Paulo. By describing the stages of construction of two different drums, we were able to understand how the taiko maker adapted the Japanese tradition to the Brazilian reality, using local raw materials, as well as national processes and machinery, and giving these taiko drums their own Brazilian characteristics and identity.
publishDate 2023
dc.date.none.fl_str_mv 2023-12-08
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
text
text
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status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/47638
10.35699/2317-6377.2023.47638
url https://periodicos.ufmg.br/index.php/permusi/article/view/47638
identifier_str_mv 10.35699/2317-6377.2023.47638
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/47638/39673
https://periodicos.ufmg.br/index.php/permusi/article/view/47638/39674
https://periodicos.ufmg.br/index.php/permusi/article/view/47638/39675
dc.rights.driver.fl_str_mv Copyright (c) 2023 Per Musi
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Per Musi
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv text/html
text/xml
application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; Vol. 24 (2023): General Topics; 1-25
Per Musi; Vol. 24 (2023): General Topics; 1-25
Per Musi; v. 24 (2023): General Topics; 1-25
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
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instname_str Universidade Federal de Minas Gerais (UFMG)
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institution UFMG
reponame_str Per Musi
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repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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