Memory and value of syncopation: on the difference between what the old and the modern teach

Detalhes bibliográficos
Autor(a) principal: Freitas, Sérgio Paulo Ribeiro de
Data de Publicação: 2010
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/44680
Resumo: Syncopation is a privileged issue in popular music studies that reappears here in a number of considerations that, marked by the bias of knowledge of the old disciplines of Counterpoint and Harmony, underline the interaction and, especially, the inseparability between metric (division, rhythm, accentuation, prosody, etc.) and pitches (notes, intervals, dissonance-consonance relationship, chords, auxiliary notes, etc.) in a critical analysis of the figures of syncopation. The first part covers up a minimum memory of the art and theory of syncopation in the Western erudite tradition, so that, in the second part, it can be noted that, in tacit and subtle manner, residues of this tradition can affect the value judgment in some of the syncopated worlds of popular music today.
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spelling Memory and value of syncopation: on the difference between what the old and the modern teachLa memoria y el valor del síncope: la diferencia entre lo que los antiguos y modernoA memória e o valor da síncope: da diferença do que ensinam os antigos e os modernosSyncopationMusical analysisTheory and criticism of popular musicSíncopeAnálise musicalTeoria e crítica da música popularSíncopeAnálisis musicalTeoría y crítica de la música popularSyncopation is a privileged issue in popular music studies that reappears here in a number of considerations that, marked by the bias of knowledge of the old disciplines of Counterpoint and Harmony, underline the interaction and, especially, the inseparability between metric (division, rhythm, accentuation, prosody, etc.) and pitches (notes, intervals, dissonance-consonance relationship, chords, auxiliary notes, etc.) in a critical analysis of the figures of syncopation. The first part covers up a minimum memory of the art and theory of syncopation in the Western erudite tradition, so that, in the second part, it can be noted that, in tacit and subtle manner, residues of this tradition can affect the value judgment in some of the syncopated worlds of popular music today.El síncope es un tema privilegiado en los estudios de música popular que reaparece aquí en un conjunto de consideraciones que, marcadas por el sesgo del conocimiento de las viejas disciplinas del Contrapunto y la Armonía, subrayan la interacción y, principalmente, la inseparabilidad entre métrica (división, ritmo, acentuación, prosodia, etc.) y afinación (notas, interva En la primera parte del libro, repasaremos brevemente la primera parte del libro y la segunda parte del libro. En la primera parte del libro, repasaremos el arte y la teoría de la síncopa en la tradición clásica occidental. En la segunda parte, se observa que, de forma tácita y sutil, los residuos de esta tradición afectan a los juicios de valor en algunas de las escenarios sincopados de la música popular actual.A síncope é um tema privilegiado nos estudos da música popular que reaparece aqui em um conjunto de considerações que, marcado pelo viés dos saberes das velhas disciplinas de Contraponto e Harmonia, sublinham a interação e, principalmente, a inseparabilidade entre métrica (divisão, ritmo, acentuação, prosódia, etc.) e altura (notas, intervalos, relação dissonância-consonância, acordes, notas auxiliares, etc.) na apreciação crítica das figurações sincopadas. Na primeira parte percorre-se uma mínima memória da arte e da teoria da síncope na tradição ocidental culta para, na segunda parte, observar-se que, em medida tácita e sutil, resíduos dessa tradição afetam juízos de valor em alguns dos sincopados cenários da música popular atual.Universidade Federal de Minas Gerais (UFMG)2010-07-05info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/44680Per Musi; No. 22 (2010): General Topics; 1-23Per Musi; Núm. 22 (2010): General Topics; 1-23Per Musi; n. 22 (2010): General Topics; 1-232317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/44680/36772http://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessFreitas, Sérgio Paulo Ribeiro de2023-03-10T21:39:46Zoai:periodicos.ufmg.br:article/44680Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2023-03-10T21:39:46Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Memory and value of syncopation: on the difference between what the old and the modern teach
La memoria y el valor del síncope: la diferencia entre lo que los antiguos y moderno
A memória e o valor da síncope: da diferença do que ensinam os antigos e os modernos
title Memory and value of syncopation: on the difference between what the old and the modern teach
spellingShingle Memory and value of syncopation: on the difference between what the old and the modern teach
Freitas, Sérgio Paulo Ribeiro de
Syncopation
Musical analysis
Theory and criticism of popular music
Síncope
Análise musical
Teoria e crítica da música popular
Síncope
Análisis musical
Teoría y crítica de la música popular
title_short Memory and value of syncopation: on the difference between what the old and the modern teach
title_full Memory and value of syncopation: on the difference between what the old and the modern teach
title_fullStr Memory and value of syncopation: on the difference between what the old and the modern teach
title_full_unstemmed Memory and value of syncopation: on the difference between what the old and the modern teach
title_sort Memory and value of syncopation: on the difference between what the old and the modern teach
author Freitas, Sérgio Paulo Ribeiro de
author_facet Freitas, Sérgio Paulo Ribeiro de
author_role author
dc.contributor.author.fl_str_mv Freitas, Sérgio Paulo Ribeiro de
dc.subject.por.fl_str_mv Syncopation
Musical analysis
Theory and criticism of popular music
Síncope
Análise musical
Teoria e crítica da música popular
Síncope
Análisis musical
Teoría y crítica de la música popular
topic Syncopation
Musical analysis
Theory and criticism of popular music
Síncope
Análise musical
Teoria e crítica da música popular
Síncope
Análisis musical
Teoría y crítica de la música popular
description Syncopation is a privileged issue in popular music studies that reappears here in a number of considerations that, marked by the bias of knowledge of the old disciplines of Counterpoint and Harmony, underline the interaction and, especially, the inseparability between metric (division, rhythm, accentuation, prosody, etc.) and pitches (notes, intervals, dissonance-consonance relationship, chords, auxiliary notes, etc.) in a critical analysis of the figures of syncopation. The first part covers up a minimum memory of the art and theory of syncopation in the Western erudite tradition, so that, in the second part, it can be noted that, in tacit and subtle manner, residues of this tradition can affect the value judgment in some of the syncopated worlds of popular music today.
publishDate 2010
dc.date.none.fl_str_mv 2010-07-05
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
text
text
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/44680
url https://periodicos.ufmg.br/index.php/permusi/article/view/44680
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/44680/36772
dc.rights.driver.fl_str_mv http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 22 (2010): General Topics; 1-23
Per Musi; Núm. 22 (2010): General Topics; 1-23
Per Musi; n. 22 (2010): General Topics; 1-23
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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