Sonorous Objects Agency

Detalhes bibliográficos
Autor(a) principal: Tugny, Rosângela Pereira de
Data de Publicação: 2015
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/38986
Resumo: This text aims at approaching the speeches of Amerindian specialists on nonauthorial origin of their music – in which the activity of listening occupies the function ofm production – and also to understand the limitations of Western artists whenever they try to collaborate with the forms of acoustic work which operate in these collective realities. Under the light of reflections made by Bruno Latour and Jacques Rancière on themes related to the politics of aesthetics, the notions of “production” and the breaches built by modern societies between nature and culture, the present study revisits the singular path of French composer Pierre Boulez as a way of dealing with the encounter between the artistic musical production of the circle of composer who write for concert halls with Amerindian cosmosonology.
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spelling Sonorous Objects AgencyAgencia de objetos sonorosAgência dos objetos sonorosAmerindian aestheticsMusical creationPolitics of aestheticsEstéticas ameríndiasCriação musicalPolíticas da estéticaEstética amerindiaCreación musicalPolítica de la estéticaThis text aims at approaching the speeches of Amerindian specialists on nonauthorial origin of their music – in which the activity of listening occupies the function ofm production – and also to understand the limitations of Western artists whenever they try to collaborate with the forms of acoustic work which operate in these collective realities. Under the light of reflections made by Bruno Latour and Jacques Rancière on themes related to the politics of aesthetics, the notions of “production” and the breaches built by modern societies between nature and culture, the present study revisits the singular path of French composer Pierre Boulez as a way of dealing with the encounter between the artistic musical production of the circle of composer who write for concert halls with Amerindian cosmosonology. Este texto pretende acercarse al discurso de los especialistas amerindios sobre el origen no autoral de su música, donde la escucha ocupa la función de producción. También busca comprender las limitaciones de los artistas occidentales cuando intentan colaborar con las formas de trabajo acústico que operan entre estos colectivos. A la luz de las reflexiones de Bruno Latour y Jacques Rancière en torno a temas relacionados con la política de la estética, con las nociones de "producción" y con las fisuras construidas por las sociedades modernas entre las nociones de naturaleza y cultura, se revisa la singular trayectoria del compositor francés Pierre Boulez, como forma de problematizar un encuentro de la producción artística musical de los círculos de compositores de sala de conciertos con las cosmossonologías amerindias.Este texto busca se aproximar do discurso de especialistas ameríndios sobre a origem não autoral de suas músicas, onde a escuta ocupa a função de produção. Busca também compreender as limitações dos artistas ocidentais quando tentam colaborar com as formas de trabalho acústico operantes entre estes coletivos. À luz de reflexões de Bruno Latour e Jacques Rancière em torno de temas relacionados às políticas da estética, às noções de “produção” e às fissuras construídas pelas sociedades modernas entre noções de natureza e cultura, é revisitado o percurso singular do compositor francês Pierre Boulez, como forma de problematizar um encontro da produção artística musical dos círculos de compositores de salas de concerto com as cosmossonologias ameríndias.Universidade Federal de Minas Gerais (UFMG)2015-06-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/38986Per Musi; No. 31 (2015): General Topics; 1-23Per Musi; Núm. 31 (2015): General Topics; 1-23Per Musi; n. 31 (2015): General Topics; 1-232317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/38986/30032Copyright (c) 2015 Per Musihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessTugny, Rosângela Pereira de2022-04-07T22:46:22Zoai:periodicos.ufmg.br:article/38986Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2022-04-07T22:46:22Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Sonorous Objects Agency
Agencia de objetos sonoros
Agência dos objetos sonoros
title Sonorous Objects Agency
spellingShingle Sonorous Objects Agency
Tugny, Rosângela Pereira de
Amerindian aesthetics
Musical creation
Politics of aesthetics
Estéticas ameríndias
Criação musical
Políticas da estética
Estética amerindia
Creación musical
Política de la estética
title_short Sonorous Objects Agency
title_full Sonorous Objects Agency
title_fullStr Sonorous Objects Agency
title_full_unstemmed Sonorous Objects Agency
title_sort Sonorous Objects Agency
author Tugny, Rosângela Pereira de
author_facet Tugny, Rosângela Pereira de
author_role author
dc.contributor.author.fl_str_mv Tugny, Rosângela Pereira de
dc.subject.por.fl_str_mv Amerindian aesthetics
Musical creation
Politics of aesthetics
Estéticas ameríndias
Criação musical
Políticas da estética
Estética amerindia
Creación musical
Política de la estética
topic Amerindian aesthetics
Musical creation
Politics of aesthetics
Estéticas ameríndias
Criação musical
Políticas da estética
Estética amerindia
Creación musical
Política de la estética
description This text aims at approaching the speeches of Amerindian specialists on nonauthorial origin of their music – in which the activity of listening occupies the function ofm production – and also to understand the limitations of Western artists whenever they try to collaborate with the forms of acoustic work which operate in these collective realities. Under the light of reflections made by Bruno Latour and Jacques Rancière on themes related to the politics of aesthetics, the notions of “production” and the breaches built by modern societies between nature and culture, the present study revisits the singular path of French composer Pierre Boulez as a way of dealing with the encounter between the artistic musical production of the circle of composer who write for concert halls with Amerindian cosmosonology.
publishDate 2015
dc.date.none.fl_str_mv 2015-06-10
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
text
text
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/38986
url https://periodicos.ufmg.br/index.php/permusi/article/view/38986
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/38986/30032
dc.rights.driver.fl_str_mv Copyright (c) 2015 Per Musi
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2015 Per Musi
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 31 (2015): General Topics; 1-23
Per Musi; Núm. 31 (2015): General Topics; 1-23
Per Musi; n. 31 (2015): General Topics; 1-23
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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