"Love" and "death" in the madrigals of Carlo Gesualdo: a study on the development of music and text writing
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Data de Publicação: | 2015 |
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Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Per Musi |
Texto Completo: | https://periodicos.ufmg.br/index.php/permusi/article/view/38464 |
Resumo: | Gesualdo’s compositional writing evolves throughout his six books of madrigals. In the first period, Gesualdo used the most common procedures, such as the contrast between counterpoint and homophony. In the following periods, he began to look for more sophisticated musical elements in order to explore different sounds. Through this process, the composer vigorously emphasized words and, thus, the narrative of the poems, reaching for uncommon harmonic resultants and false melodic relations. The analysis of these words in procedures by Gesualdo reveals his deepening of expressivity and a maturing style. |
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"Love" and "death" in the madrigals of Carlo Gesualdo: a study on the development of music and text writing"Amor" y "muerte" en los madrigales de Carlo Gesualdo : un estudio sobre el desarrollo de la escritura musical y textual“Amor” e “morte” nos madrigais de Carlo Gesualdo : um estudo sobre o desenvolvimento da escrita musical e textualRenaissanceItalian madrigalCarlo GesualdoMusic and textRenascimentoMadrigal italianoCarlo GesualdoMúsica e textoRenacimientoMadrigal italianoCarlo GesualdoMúsica y textoGesualdo’s compositional writing evolves throughout his six books of madrigals. In the first period, Gesualdo used the most common procedures, such as the contrast between counterpoint and homophony. In the following periods, he began to look for more sophisticated musical elements in order to explore different sounds. Through this process, the composer vigorously emphasized words and, thus, the narrative of the poems, reaching for uncommon harmonic resultants and false melodic relations. The analysis of these words in procedures by Gesualdo reveals his deepening of expressivity and a maturing style.La escritura musical del compositor Carlo Gesualdo se transforma a lo largo de sus seis libros de madrigales. En la primera fase, Gesualdo utilizó los procedimientos más comunes en la escritura musical para destacar estos términos, como la escritura contrapuntística, en contraste con la escritura homofónica. En las siguientes fases, comenzó a buscar elementos musicales más sofisticados que le permitieran explorar diferentes sonoridades. A través de este proceso, el compositor destacó, de forma más contundente, palabras y narraciones de los poemas, recurriendo principalmente a resultantes armónicas inusuales y a falsas relaciones melódicas. El análisis del uso de estos términos a lo largo de la obra demostró la profundización de la expresividad y la maduración de los procedimientos musicales utilizados por el compositor.A escrita musical do compositor Carlo Gesualdo transforma-se ao longo de seus seis livros de madrigais. Na primeira fase, Gesualdo utilizava os procedimentos mais comuns na escrita musical para ressaltar estes termos, como a escrita contrapontística, contrastando com a escrita homofônica. Nas fases seguintes, ele passou a procurar elementos musicais mais sofisticados que permitissem explorar diferentes sonoridades. Por meio deste processo, o compositor destacou, de forma mais contundente, palavras e narrações dos poemas, recorrendo principalmente a resultantes harmônicas incomuns e a falsas relações melódicas. A análise do uso destes termos ao longo da obra demonstrou o aprofundamento da expressividade e o amadurecimento dos procedimentos musicais utilizados pelo compositor.Universidade Federal de Minas Gerais (UFMG)2015-11-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/38464Per Musi; No. 32 (2015): General Topics; 1-30Per Musi; Núm. 32 (2015): General Topics; 1-30Per Musi; n. 32 (2015): General Topics; 1-302317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/38464/29915Copyright (c) 2015 Per Musihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessGarbuio, Rafael Luís Fiorini, Carlos Fernando 2022-04-07T22:45:43Zoai:periodicos.ufmg.br:article/38464Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2022-04-07T22:45:43Per Musi - Universidade Federal de Minas Gerais (UFMG)false |
dc.title.none.fl_str_mv |
"Love" and "death" in the madrigals of Carlo Gesualdo: a study on the development of music and text writing "Amor" y "muerte" en los madrigales de Carlo Gesualdo : un estudio sobre el desarrollo de la escritura musical y textual “Amor” e “morte” nos madrigais de Carlo Gesualdo : um estudo sobre o desenvolvimento da escrita musical e textual |
title |
"Love" and "death" in the madrigals of Carlo Gesualdo: a study on the development of music and text writing |
spellingShingle |
"Love" and "death" in the madrigals of Carlo Gesualdo: a study on the development of music and text writing Garbuio, Rafael Luís Renaissance Italian madrigal Carlo Gesualdo Music and text Renascimento Madrigal italiano Carlo Gesualdo Música e texto Renacimiento Madrigal italiano Carlo Gesualdo Música y texto |
title_short |
"Love" and "death" in the madrigals of Carlo Gesualdo: a study on the development of music and text writing |
title_full |
"Love" and "death" in the madrigals of Carlo Gesualdo: a study on the development of music and text writing |
title_fullStr |
"Love" and "death" in the madrigals of Carlo Gesualdo: a study on the development of music and text writing |
title_full_unstemmed |
"Love" and "death" in the madrigals of Carlo Gesualdo: a study on the development of music and text writing |
title_sort |
"Love" and "death" in the madrigals of Carlo Gesualdo: a study on the development of music and text writing |
author |
Garbuio, Rafael Luís |
author_facet |
Garbuio, Rafael Luís Fiorini, Carlos Fernando |
author_role |
author |
author2 |
Fiorini, Carlos Fernando |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Garbuio, Rafael Luís Fiorini, Carlos Fernando |
dc.subject.por.fl_str_mv |
Renaissance Italian madrigal Carlo Gesualdo Music and text Renascimento Madrigal italiano Carlo Gesualdo Música e texto Renacimiento Madrigal italiano Carlo Gesualdo Música y texto |
topic |
Renaissance Italian madrigal Carlo Gesualdo Music and text Renascimento Madrigal italiano Carlo Gesualdo Música e texto Renacimiento Madrigal italiano Carlo Gesualdo Música y texto |
description |
Gesualdo’s compositional writing evolves throughout his six books of madrigals. In the first period, Gesualdo used the most common procedures, such as the contrast between counterpoint and homophony. In the following periods, he began to look for more sophisticated musical elements in order to explore different sounds. Through this process, the composer vigorously emphasized words and, thus, the narrative of the poems, reaching for uncommon harmonic resultants and false melodic relations. The analysis of these words in procedures by Gesualdo reveals his deepening of expressivity and a maturing style. |
publishDate |
2015 |
dc.date.none.fl_str_mv |
2015-11-10 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion text text info:eu-repo/semantics/other |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/38464 |
url |
https://periodicos.ufmg.br/index.php/permusi/article/view/38464 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/38464/29915 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2015 Per Musi http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2015 Per Musi http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
dc.source.none.fl_str_mv |
Per Musi; No. 32 (2015): General Topics; 1-30 Per Musi; Núm. 32 (2015): General Topics; 1-30 Per Musi; n. 32 (2015): General Topics; 1-30 2317-6377 1517-7599 reponame:Per Musi instname:Universidade Federal de Minas Gerais (UFMG) instacron:UFMG |
instname_str |
Universidade Federal de Minas Gerais (UFMG) |
instacron_str |
UFMG |
institution |
UFMG |
reponame_str |
Per Musi |
collection |
Per Musi |
repository.name.fl_str_mv |
Per Musi - Universidade Federal de Minas Gerais (UFMG) |
repository.mail.fl_str_mv |
antoniom@fgvnf.br||permusi@ufmg.br |
_version_ |
1799711236274782208 |