Urban interventions in a global city: dissensus, consensus and ambivalence in the streets of London
Autor(a) principal: | |
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Data de Publicação: | 2018 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFMG |
Texto Completo: | http://hdl.handle.net/1843/38064 https://orcid.org/ 0000-0002-7218-1782 |
Resumo: | In this article I analyze urban interventions as communicative practices that can become visual “scenes of dissensus”, i.e. political disruptions made by emerging voices. In three of the cases I present, activists use a variety of tactics and techniques to make their claims be seen on the surfaces of the city. These actions can generate diverse meanings and have different impacts. One of the cases confirmsthat corporate discourses can appropriate urban interventions, showing that important contemporary urban expressions such as graffiti and street art might turn into consensus, as part of the increasing phenomenon of the commodification of urban space. I will conclude by stressing the importance of approaching urban interventions as creative practices that reflect and (re)produce the movement, the complexity, the ambivalence, and the contradictions that are inherent to everyday life in global cities. |
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2021-09-17T12:52:04Z2021-09-17T12:52:04Z201891748671848-5030http://hdl.handle.net/1843/38064https://orcid.org/ 0000-0002-7218-1782In this article I analyze urban interventions as communicative practices that can become visual “scenes of dissensus”, i.e. political disruptions made by emerging voices. In three of the cases I present, activists use a variety of tactics and techniques to make their claims be seen on the surfaces of the city. These actions can generate diverse meanings and have different impacts. One of the cases confirmsthat corporate discourses can appropriate urban interventions, showing that important contemporary urban expressions such as graffiti and street art might turn into consensus, as part of the increasing phenomenon of the commodification of urban space. I will conclude by stressing the importance of approaching urban interventions as creative practices that reflect and (re)produce the movement, the complexity, the ambivalence, and the contradictions that are inherent to everyday life in global cities.porUniversidade Federal de Minas GeraisUFMGBrasilFAF - DEPARTAMENTO DE COMUNICAÇÃO SOCIALMedijske StudijeEspaço urbanoVida urbanaComunicação visualUrban interventionsVisual communicationDissensusConsensusAmbivalenceUrban interventions in a global city: dissensus, consensus and ambivalence in the streets of Londoninfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttps://hrcak.srce.hr/ojs/index.php/medijske-studije/article/view/7348Laura Guimarães Corrêainfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da UFMGinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGLICENSELicense.txtLicense.txttext/plain; charset=utf-82042https://repositorio.ufmg.br/bitstream/1843/38064/1/License.txtfa505098d172de0bc8864fc1287ffe22MD511843/380642021-09-17 09:52:04.797oai:repositorio.ufmg.br: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Repositório de PublicaçõesPUBhttps://repositorio.ufmg.br/oaiopendoar:2021-09-17T12:52:04Repositório Institucional da UFMG - Universidade Federal de Minas Gerais (UFMG)false |
dc.title.pt_BR.fl_str_mv |
Urban interventions in a global city: dissensus, consensus and ambivalence in the streets of London |
title |
Urban interventions in a global city: dissensus, consensus and ambivalence in the streets of London |
spellingShingle |
Urban interventions in a global city: dissensus, consensus and ambivalence in the streets of London Laura Guimarães Corrêa Urban interventions Visual communication Dissensus Consensus Ambivalence Espaço urbano Vida urbana Comunicação visual |
title_short |
Urban interventions in a global city: dissensus, consensus and ambivalence in the streets of London |
title_full |
Urban interventions in a global city: dissensus, consensus and ambivalence in the streets of London |
title_fullStr |
Urban interventions in a global city: dissensus, consensus and ambivalence in the streets of London |
title_full_unstemmed |
Urban interventions in a global city: dissensus, consensus and ambivalence in the streets of London |
title_sort |
Urban interventions in a global city: dissensus, consensus and ambivalence in the streets of London |
author |
Laura Guimarães Corrêa |
author_facet |
Laura Guimarães Corrêa |
author_role |
author |
dc.contributor.author.fl_str_mv |
Laura Guimarães Corrêa |
dc.subject.por.fl_str_mv |
Urban interventions Visual communication Dissensus Consensus Ambivalence |
topic |
Urban interventions Visual communication Dissensus Consensus Ambivalence Espaço urbano Vida urbana Comunicação visual |
dc.subject.other.pt_BR.fl_str_mv |
Espaço urbano Vida urbana Comunicação visual |
description |
In this article I analyze urban interventions as communicative practices that can become visual “scenes of dissensus”, i.e. political disruptions made by emerging voices. In three of the cases I present, activists use a variety of tactics and techniques to make their claims be seen on the surfaces of the city. These actions can generate diverse meanings and have different impacts. One of the cases confirmsthat corporate discourses can appropriate urban interventions, showing that important contemporary urban expressions such as graffiti and street art might turn into consensus, as part of the increasing phenomenon of the commodification of urban space. I will conclude by stressing the importance of approaching urban interventions as creative practices that reflect and (re)produce the movement, the complexity, the ambivalence, and the contradictions that are inherent to everyday life in global cities. |
publishDate |
2018 |
dc.date.issued.fl_str_mv |
2018 |
dc.date.accessioned.fl_str_mv |
2021-09-17T12:52:04Z |
dc.date.available.fl_str_mv |
2021-09-17T12:52:04Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/1843/38064 |
dc.identifier.issn.pt_BR.fl_str_mv |
1848-5030 |
dc.identifier.orcid.pt_BR.fl_str_mv |
https://orcid.org/ 0000-0002-7218-1782 |
identifier_str_mv |
1848-5030 |
url |
http://hdl.handle.net/1843/38064 https://orcid.org/ 0000-0002-7218-1782 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.ispartof.pt_BR.fl_str_mv |
Medijske Studije |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais |
dc.publisher.initials.fl_str_mv |
UFMG |
dc.publisher.country.fl_str_mv |
Brasil |
dc.publisher.department.fl_str_mv |
FAF - DEPARTAMENTO DE COMUNICAÇÃO SOCIAL |
publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais |
dc.source.none.fl_str_mv |
reponame:Repositório Institucional da UFMG instname:Universidade Federal de Minas Gerais (UFMG) instacron:UFMG |
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Universidade Federal de Minas Gerais (UFMG) |
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UFMG |
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UFMG |
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Repositório Institucional da UFMG |
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Repositório Institucional da UFMG |
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