Urban interventions in a global city: dissensus, consensus and ambivalence in the streets of London

Detalhes bibliográficos
Autor(a) principal: Laura Guimarães Corrêa
Data de Publicação: 2018
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Institucional da UFMG
Texto Completo: http://hdl.handle.net/1843/38064
https://orcid.org/ 0000-0002-7218-1782
Resumo: In this article I analyze urban interventions as communicative practices that can become visual “scenes of dissensus”, i.e. political disruptions made by emerging voices. In three of the cases I present, activists use a variety of tactics and techniques to make their claims be seen on the surfaces of the city. These actions can generate diverse meanings and have different impacts. One of the cases confirmsthat corporate discourses can appropriate urban interventions, showing that important contemporary urban expressions such as graffiti and street art might turn into consensus, as part of the increasing phenomenon of the commodification of urban space. I will conclude by stressing the importance of approaching urban interventions as creative practices that reflect and (re)produce the movement, the complexity, the ambivalence, and the contradictions that are inherent to everyday life in global cities.
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spelling 2021-09-17T12:52:04Z2021-09-17T12:52:04Z201891748671848-5030http://hdl.handle.net/1843/38064https://orcid.org/ 0000-0002-7218-1782In this article I analyze urban interventions as communicative practices that can become visual “scenes of dissensus”, i.e. political disruptions made by emerging voices. In three of the cases I present, activists use a variety of tactics and techniques to make their claims be seen on the surfaces of the city. These actions can generate diverse meanings and have different impacts. One of the cases confirmsthat corporate discourses can appropriate urban interventions, showing that important contemporary urban expressions such as graffiti and street art might turn into consensus, as part of the increasing phenomenon of the commodification of urban space. I will conclude by stressing the importance of approaching urban interventions as creative practices that reflect and (re)produce the movement, the complexity, the ambivalence, and the contradictions that are inherent to everyday life in global cities.porUniversidade Federal de Minas GeraisUFMGBrasilFAF - DEPARTAMENTO DE COMUNICAÇÃO SOCIALMedijske StudijeEspaço urbanoVida urbanaComunicação visualUrban interventionsVisual communicationDissensusConsensusAmbivalenceUrban interventions in a global city: dissensus, consensus and ambivalence in the streets of Londoninfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttps://hrcak.srce.hr/ojs/index.php/medijske-studije/article/view/7348Laura Guimarães Corrêainfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da UFMGinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGLICENSELicense.txtLicense.txttext/plain; charset=utf-82042https://repositorio.ufmg.br/bitstream/1843/38064/1/License.txtfa505098d172de0bc8864fc1287ffe22MD511843/380642021-09-17 09:52:04.797oai:repositorio.ufmg.br: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Repositório de PublicaçõesPUBhttps://repositorio.ufmg.br/oaiopendoar:2021-09-17T12:52:04Repositório Institucional da UFMG - Universidade Federal de Minas Gerais (UFMG)false
dc.title.pt_BR.fl_str_mv Urban interventions in a global city: dissensus, consensus and ambivalence in the streets of London
title Urban interventions in a global city: dissensus, consensus and ambivalence in the streets of London
spellingShingle Urban interventions in a global city: dissensus, consensus and ambivalence in the streets of London
Laura Guimarães Corrêa
Urban interventions
Visual communication
Dissensus
Consensus
Ambivalence
Espaço urbano
Vida urbana
Comunicação visual
title_short Urban interventions in a global city: dissensus, consensus and ambivalence in the streets of London
title_full Urban interventions in a global city: dissensus, consensus and ambivalence in the streets of London
title_fullStr Urban interventions in a global city: dissensus, consensus and ambivalence in the streets of London
title_full_unstemmed Urban interventions in a global city: dissensus, consensus and ambivalence in the streets of London
title_sort Urban interventions in a global city: dissensus, consensus and ambivalence in the streets of London
author Laura Guimarães Corrêa
author_facet Laura Guimarães Corrêa
author_role author
dc.contributor.author.fl_str_mv Laura Guimarães Corrêa
dc.subject.por.fl_str_mv Urban interventions
Visual communication
Dissensus
Consensus
Ambivalence
topic Urban interventions
Visual communication
Dissensus
Consensus
Ambivalence
Espaço urbano
Vida urbana
Comunicação visual
dc.subject.other.pt_BR.fl_str_mv Espaço urbano
Vida urbana
Comunicação visual
description In this article I analyze urban interventions as communicative practices that can become visual “scenes of dissensus”, i.e. political disruptions made by emerging voices. In three of the cases I present, activists use a variety of tactics and techniques to make their claims be seen on the surfaces of the city. These actions can generate diverse meanings and have different impacts. One of the cases confirmsthat corporate discourses can appropriate urban interventions, showing that important contemporary urban expressions such as graffiti and street art might turn into consensus, as part of the increasing phenomenon of the commodification of urban space. I will conclude by stressing the importance of approaching urban interventions as creative practices that reflect and (re)produce the movement, the complexity, the ambivalence, and the contradictions that are inherent to everyday life in global cities.
publishDate 2018
dc.date.issued.fl_str_mv 2018
dc.date.accessioned.fl_str_mv 2021-09-17T12:52:04Z
dc.date.available.fl_str_mv 2021-09-17T12:52:04Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://hdl.handle.net/1843/38064
dc.identifier.issn.pt_BR.fl_str_mv 1848-5030
dc.identifier.orcid.pt_BR.fl_str_mv https://orcid.org/ 0000-0002-7218-1782
identifier_str_mv 1848-5030
url http://hdl.handle.net/1843/38064
https://orcid.org/ 0000-0002-7218-1782
dc.language.iso.fl_str_mv por
language por
dc.relation.ispartof.pt_BR.fl_str_mv Medijske Studije
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dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais
dc.publisher.initials.fl_str_mv UFMG
dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv FAF - DEPARTAMENTO DE COMUNICAÇÃO SOCIAL
publisher.none.fl_str_mv Universidade Federal de Minas Gerais
dc.source.none.fl_str_mv reponame:Repositório Institucional da UFMG
instname:Universidade Federal de Minas Gerais (UFMG)
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institution UFMG
reponame_str Repositório Institucional da UFMG
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