The Guts of Criticism
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Artefilosofia |
Texto Completo: | https://periodicos.ufop.br/raf/article/view/4698 |
Resumo: | Structured in three sections, this essay presents, at the opening of each section, one short critical essay written in the heat of the hour for a traditional newspaper. The analyzed pieces are: “A Boba”, by Wagner Schwartz; “Fúria”, by Lia Rodrigues Cia. De Danças; and “Pi: Insane Panorama”, directed by Bia Lessa. After the full transcription of each of these texts, the essay proposes a critique of these three critical texts by providing contextual information about the trajectories of the three aforementioned artists, but above all trying to reconstruct, based on a “free association” exercise, the body memories which can somehow be related to my immediate visceral reception of the three works. Among these memories, two other short critical essays published in the same newspaper also deserved to be fully transcribed: essays inspired by the plays “Domínio Público”, by Wagner Schwartz, Renata Carvalho, Maikon K, and Elizabeth Figer; and “Is this a Black?”, by Tarina Quelho and Mirella Façanha, one of the most important experiments in “theatre as essay” in recent years. The goal is to think how the critique of performing arts can be both a visceral, artistic, and philosophical response to different aesthetic propositions. |
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The Guts of CriticismAs vísceras da crítica Wagner SchwartzLia RodriguesBia LessaTarina QuelhoEssayistic CriticisWagner SchwartzLia RodriguesBia LessaTarina Quelhocrítica ensaísticaStructured in three sections, this essay presents, at the opening of each section, one short critical essay written in the heat of the hour for a traditional newspaper. The analyzed pieces are: “A Boba”, by Wagner Schwartz; “Fúria”, by Lia Rodrigues Cia. De Danças; and “Pi: Insane Panorama”, directed by Bia Lessa. After the full transcription of each of these texts, the essay proposes a critique of these three critical texts by providing contextual information about the trajectories of the three aforementioned artists, but above all trying to reconstruct, based on a “free association” exercise, the body memories which can somehow be related to my immediate visceral reception of the three works. Among these memories, two other short critical essays published in the same newspaper also deserved to be fully transcribed: essays inspired by the plays “Domínio Público”, by Wagner Schwartz, Renata Carvalho, Maikon K, and Elizabeth Figer; and “Is this a Black?”, by Tarina Quelho and Mirella Façanha, one of the most important experiments in “theatre as essay” in recent years. The goal is to think how the critique of performing arts can be both a visceral, artistic, and philosophical response to different aesthetic propositions.Estruturado em três seções, este ensaio apresenta, na abertura de cada seção, uma crítica escrita no calor da hora para um jornal de grande circulação. Os espetáculos analisados são: “A Boba”, de Wagner Schwartz; “Fúria”, da Lia Rodrigues Cia. de Danças; e “Pi: Panorâmica insana”, com direção de Bia Lessa. Após a transcrição integral de cada uma dessas críticas, o ensaio propõe um exercício de “crítica da crítica”, fornecendo informações contextuais sobre as trajetórias dos três supracitados artistas, mas sobretudo tentando reconstruir, com base em um exercício de “associação livre”, as memórias corporais que de algum modo podem ser relacionadas com a minha recepção visceral imediata dos três trabalhos. Dentre essas memórias, destacam-se outras duas críticas breves publicadas no mesmo jornal: as críticas dos espetáculos “Domínio público”, de Wagner Schwartz, Renata Carvalho, Maikon K e Elizabeth Figer; e “Isto é um negro?”, de Tarina Quelho e Mirella Façanha, um dos experimentos de teatro-ensaio mais importantes dos últimos anos. O objetivo é pensar como a crítica das artes da cena pode ser, a um só tempo, uma resposta visceral, artística e filosófica a diferentes proposições estéticas.Universidade Federal de Ouro Preto2020-12-24info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtigo de convidadoapplication/pdfhttps://periodicos.ufop.br/raf/article/view/4698Artefilosofia; v. 15 (2020): Edição Especial ; 81-102Artefilosofia; Vol. 15 (2020): Edição Especial ; 81-1022526-78921809-8274reponame:Artefilosofiainstname:Universidade Federal de Ouro Preto (UFOP)instacron:UFOPporhttps://periodicos.ufop.br/raf/article/view/4698/3572Copyright (c) 2020 Patrick Pessoahttp://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessPessoa, Patrick2022-01-07T15:38:55Zoai:pp.www.periodicos.ufop.br:article/4698Revistahttps://periodicos.ufop.br/raf/PUBhttps://periodicos.ufop.br/raf/oaiartefilosofia.defil@ufop.edu.br || periodicos.sisbin@ufop.edu.br1809-82742526-7892opendoar:2022-01-07T15:38:55Artefilosofia - Universidade Federal de Ouro Preto (UFOP)false |
dc.title.none.fl_str_mv |
The Guts of Criticism As vísceras da crítica |
title |
The Guts of Criticism |
spellingShingle |
The Guts of Criticism Pessoa, Patrick Wagner Schwartz Lia Rodrigues Bia Lessa Tarina Quelho Essayistic Criticis Wagner Schwartz Lia Rodrigues Bia Lessa Tarina Quelho crítica ensaística |
title_short |
The Guts of Criticism |
title_full |
The Guts of Criticism |
title_fullStr |
The Guts of Criticism |
title_full_unstemmed |
The Guts of Criticism |
title_sort |
The Guts of Criticism |
author |
Pessoa, Patrick |
author_facet |
Pessoa, Patrick |
author_role |
author |
dc.contributor.author.fl_str_mv |
Pessoa, Patrick |
dc.subject.por.fl_str_mv |
Wagner Schwartz Lia Rodrigues Bia Lessa Tarina Quelho Essayistic Criticis Wagner Schwartz Lia Rodrigues Bia Lessa Tarina Quelho crítica ensaística |
topic |
Wagner Schwartz Lia Rodrigues Bia Lessa Tarina Quelho Essayistic Criticis Wagner Schwartz Lia Rodrigues Bia Lessa Tarina Quelho crítica ensaística |
description |
Structured in three sections, this essay presents, at the opening of each section, one short critical essay written in the heat of the hour for a traditional newspaper. The analyzed pieces are: “A Boba”, by Wagner Schwartz; “Fúria”, by Lia Rodrigues Cia. De Danças; and “Pi: Insane Panorama”, directed by Bia Lessa. After the full transcription of each of these texts, the essay proposes a critique of these three critical texts by providing contextual information about the trajectories of the three aforementioned artists, but above all trying to reconstruct, based on a “free association” exercise, the body memories which can somehow be related to my immediate visceral reception of the three works. Among these memories, two other short critical essays published in the same newspaper also deserved to be fully transcribed: essays inspired by the plays “Domínio Público”, by Wagner Schwartz, Renata Carvalho, Maikon K, and Elizabeth Figer; and “Is this a Black?”, by Tarina Quelho and Mirella Façanha, one of the most important experiments in “theatre as essay” in recent years. The goal is to think how the critique of performing arts can be both a visceral, artistic, and philosophical response to different aesthetic propositions. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-12-24 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artigo de convidado |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufop.br/raf/article/view/4698 |
url |
https://periodicos.ufop.br/raf/article/view/4698 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufop.br/raf/article/view/4698/3572 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Patrick Pessoa http://creativecommons.org/licenses/by-nc-sa/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Patrick Pessoa http://creativecommons.org/licenses/by-nc-sa/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Ouro Preto |
publisher.none.fl_str_mv |
Universidade Federal de Ouro Preto |
dc.source.none.fl_str_mv |
Artefilosofia; v. 15 (2020): Edição Especial ; 81-102 Artefilosofia; Vol. 15 (2020): Edição Especial ; 81-102 2526-7892 1809-8274 reponame:Artefilosofia instname:Universidade Federal de Ouro Preto (UFOP) instacron:UFOP |
instname_str |
Universidade Federal de Ouro Preto (UFOP) |
instacron_str |
UFOP |
institution |
UFOP |
reponame_str |
Artefilosofia |
collection |
Artefilosofia |
repository.name.fl_str_mv |
Artefilosofia - Universidade Federal de Ouro Preto (UFOP) |
repository.mail.fl_str_mv |
artefilosofia.defil@ufop.edu.br || periodicos.sisbin@ufop.edu.br |
_version_ |
1798313559004807168 |