The Guts of Criticism

Detalhes bibliográficos
Autor(a) principal: Pessoa, Patrick
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: por
Título da fonte: Artefilosofia
Texto Completo: https://periodicos.ufop.br/raf/article/view/4698
Resumo: Structured in three sections, this essay presents, at the opening of each section, one short critical essay written in the heat of the hour for a traditional newspaper. The analyzed pieces are: “A Boba”, by Wagner Schwartz; “Fúria”, by Lia Rodrigues Cia. De Danças; and “Pi: Insane Panorama”, directed by Bia Lessa. After the full transcription of each of these texts, the essay proposes a critique of these three critical texts by providing contextual information about the trajectories of the three aforementioned artists, but above all trying to reconstruct, based on a “free association” exercise, the body memories which can somehow be related to my immediate visceral reception of the three works. Among these memories, two other short critical essays published in the same newspaper also deserved to be fully transcribed: essays inspired by the plays “Domínio Público”, by Wagner Schwartz, Renata Carvalho, Maikon K, and Elizabeth Figer; and “Is this a Black?”, by Tarina Quelho and Mirella Façanha, one of the most important experiments in “theatre as essay” in recent years. The goal is to think how the critique of performing arts can be both a visceral, artistic, and philosophical response to different aesthetic propositions.
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spelling The Guts of CriticismAs vísceras da crítica Wagner SchwartzLia RodriguesBia LessaTarina QuelhoEssayistic CriticisWagner SchwartzLia RodriguesBia LessaTarina Quelhocrítica ensaísticaStructured in three sections, this essay presents, at the opening of each section, one short critical essay written in the heat of the hour for a traditional newspaper. The analyzed pieces are: “A Boba”, by Wagner Schwartz; “Fúria”, by Lia Rodrigues Cia. De Danças; and “Pi: Insane Panorama”, directed by Bia Lessa. After the full transcription of each of these texts, the essay proposes a critique of these three critical texts by providing contextual information about the trajectories of the three aforementioned artists, but above all trying to reconstruct, based on a “free association” exercise, the body memories which can somehow be related to my immediate visceral reception of the three works. Among these memories, two other short critical essays published in the same newspaper also deserved to be fully transcribed: essays inspired by the plays “Domínio Público”, by Wagner Schwartz, Renata Carvalho, Maikon K, and Elizabeth Figer; and “Is this a Black?”, by Tarina Quelho and Mirella Façanha, one of the most important experiments in “theatre as essay” in recent years. The goal is to think how the critique of performing arts can be both a visceral, artistic, and philosophical response to different aesthetic propositions.Estruturado em três seções, este ensaio apresenta, na abertura de cada seção, uma crítica escrita no calor da hora para um jornal de grande circulação. Os espetáculos analisados são: “A Boba”, de Wagner Schwartz; “Fúria”, da Lia Rodrigues Cia. de Danças; e “Pi: Panorâmica insana”, com direção de Bia Lessa. Após a transcrição integral de cada uma dessas críticas, o ensaio propõe um exercício de “crítica da crítica”, fornecendo informações contextuais sobre as trajetórias dos três supracitados artistas, mas sobretudo tentando reconstruir, com base em um exercício de “associação livre”, as memórias corporais que de algum modo podem ser relacionadas com a minha recepção visceral imediata dos três trabalhos. Dentre essas memórias, destacam-se outras duas críticas breves publicadas no mesmo jornal: as críticas dos espetáculos “Domínio público”, de Wagner Schwartz, Renata Carvalho, Maikon K e Elizabeth Figer; e “Isto é um negro?”, de Tarina Quelho e Mirella Façanha, um dos experimentos de teatro-ensaio mais importantes dos últimos anos. O objetivo é pensar como a crítica das artes da cena pode ser, a um só tempo, uma resposta visceral, artística e filosófica a diferentes proposições estéticas.Universidade Federal de Ouro Preto2020-12-24info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtigo de convidadoapplication/pdfhttps://periodicos.ufop.br/raf/article/view/4698Artefilosofia; v. 15 (2020): Edição Especial ; 81-102Artefilosofia; Vol. 15 (2020): Edição Especial ; 81-1022526-78921809-8274reponame:Artefilosofiainstname:Universidade Federal de Ouro Preto (UFOP)instacron:UFOPporhttps://periodicos.ufop.br/raf/article/view/4698/3572Copyright (c) 2020 Patrick Pessoahttp://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessPessoa, Patrick2022-01-07T15:38:55Zoai:pp.www.periodicos.ufop.br:article/4698Revistahttps://periodicos.ufop.br/raf/PUBhttps://periodicos.ufop.br/raf/oaiartefilosofia.defil@ufop.edu.br || periodicos.sisbin@ufop.edu.br1809-82742526-7892opendoar:2022-01-07T15:38:55Artefilosofia - Universidade Federal de Ouro Preto (UFOP)false
dc.title.none.fl_str_mv The Guts of Criticism
As vísceras da crítica
title The Guts of Criticism
spellingShingle The Guts of Criticism
Pessoa, Patrick
Wagner Schwartz
Lia Rodrigues
Bia Lessa
Tarina Quelho
Essayistic Criticis
Wagner Schwartz
Lia Rodrigues
Bia Lessa
Tarina Quelho
crítica ensaística
title_short The Guts of Criticism
title_full The Guts of Criticism
title_fullStr The Guts of Criticism
title_full_unstemmed The Guts of Criticism
title_sort The Guts of Criticism
author Pessoa, Patrick
author_facet Pessoa, Patrick
author_role author
dc.contributor.author.fl_str_mv Pessoa, Patrick
dc.subject.por.fl_str_mv Wagner Schwartz
Lia Rodrigues
Bia Lessa
Tarina Quelho
Essayistic Criticis
Wagner Schwartz
Lia Rodrigues
Bia Lessa
Tarina Quelho
crítica ensaística
topic Wagner Schwartz
Lia Rodrigues
Bia Lessa
Tarina Quelho
Essayistic Criticis
Wagner Schwartz
Lia Rodrigues
Bia Lessa
Tarina Quelho
crítica ensaística
description Structured in three sections, this essay presents, at the opening of each section, one short critical essay written in the heat of the hour for a traditional newspaper. The analyzed pieces are: “A Boba”, by Wagner Schwartz; “Fúria”, by Lia Rodrigues Cia. De Danças; and “Pi: Insane Panorama”, directed by Bia Lessa. After the full transcription of each of these texts, the essay proposes a critique of these three critical texts by providing contextual information about the trajectories of the three aforementioned artists, but above all trying to reconstruct, based on a “free association” exercise, the body memories which can somehow be related to my immediate visceral reception of the three works. Among these memories, two other short critical essays published in the same newspaper also deserved to be fully transcribed: essays inspired by the plays “Domínio Público”, by Wagner Schwartz, Renata Carvalho, Maikon K, and Elizabeth Figer; and “Is this a Black?”, by Tarina Quelho and Mirella Façanha, one of the most important experiments in “theatre as essay” in recent years. The goal is to think how the critique of performing arts can be both a visceral, artistic, and philosophical response to different aesthetic propositions.
publishDate 2020
dc.date.none.fl_str_mv 2020-12-24
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Artigo de convidado
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufop.br/raf/article/view/4698
url https://periodicos.ufop.br/raf/article/view/4698
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufop.br/raf/article/view/4698/3572
dc.rights.driver.fl_str_mv Copyright (c) 2020 Patrick Pessoa
http://creativecommons.org/licenses/by-nc-sa/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Patrick Pessoa
http://creativecommons.org/licenses/by-nc-sa/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Ouro Preto
publisher.none.fl_str_mv Universidade Federal de Ouro Preto
dc.source.none.fl_str_mv Artefilosofia; v. 15 (2020): Edição Especial ; 81-102
Artefilosofia; Vol. 15 (2020): Edição Especial ; 81-102
2526-7892
1809-8274
reponame:Artefilosofia
instname:Universidade Federal de Ouro Preto (UFOP)
instacron:UFOP
instname_str Universidade Federal de Ouro Preto (UFOP)
instacron_str UFOP
institution UFOP
reponame_str Artefilosofia
collection Artefilosofia
repository.name.fl_str_mv Artefilosofia - Universidade Federal de Ouro Preto (UFOP)
repository.mail.fl_str_mv artefilosofia.defil@ufop.edu.br || periodicos.sisbin@ufop.edu.br
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