João Guimarães Rosa : o contista de Sagarana

Detalhes bibliográficos
Autor(a) principal: Rosenfield, Kathrin Holzermayr Lerrer
Data de Publicação: 1996
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Institucional da UFRGS
Texto Completo: http://hdl.handle.net/10183/239868
Resumo: G.Rosa's Sagarana is a synthesis of the European narrative tradition with particularly Brazilian habits of informal storytelling. This essay points out a few examples of the uncountable number of "models" that Rosa transforms and assimilates in his short stories, considered as a particular version of Brazilian sensibility. "O burrinho pedres" is analyzed as the result of a sort of "French connection": a hybrid recreation of the achievements of the short story (Maupassant) and the dramatizing essayism (Michelet) practised in 19th century France, as received through Brazilian intermediaries (Simoes Lopes Neto, Euclides da Cunha, Paulo Prado).
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spelling Rosenfield, Kathrin Holzermayr Lerrer2022-06-07T04:40:47Z19960103-751Xhttp://hdl.handle.net/10183/239868000929899G.Rosa's Sagarana is a synthesis of the European narrative tradition with particularly Brazilian habits of informal storytelling. This essay points out a few examples of the uncountable number of "models" that Rosa transforms and assimilates in his short stories, considered as a particular version of Brazilian sensibility. "O burrinho pedres" is analyzed as the result of a sort of "French connection": a hybrid recreation of the achievements of the short story (Maupassant) and the dramatizing essayism (Michelet) practised in 19th century France, as received through Brazilian intermediaries (Simoes Lopes Neto, Euclides da Cunha, Paulo Prado).application/pdfporBrasil Brazil : revista de literatura brasileira : a journal of brazilian literature. Porto Alegre, RS. Vol. 9, n. 15 (1996), p. 9-42Literatura brasileiraRosa, João Guimarães, 1908-1967. Sagarana : Crítica e interpretaçãoJoão Guimarães Rosa : o contista de Sagaranainfo:eu-repo/semantics/articleinfo:eu-repo/semantics/otherinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da UFRGSinstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSTEXT000929899.pdf.txt000929899.pdf.txtExtracted Texttext/plain69791http://www.lume.ufrgs.br/bitstream/10183/239868/2/000929899.pdf.txtb305d6198c2be478c256749608597144MD52ORIGINAL000929899.pdfTexto completoapplication/pdf3838818http://www.lume.ufrgs.br/bitstream/10183/239868/1/000929899.pdf37c4781e25a143ca50de3d3047e5ecdeMD5110183/2398682022-06-08 04:40:08.931035oai:www.lume.ufrgs.br:10183/239868Repositório de PublicaçõesPUBhttps://lume.ufrgs.br/oai/requestopendoar:2022-06-08T07:40:08Repositório Institucional da UFRGS - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.pt_BR.fl_str_mv João Guimarães Rosa : o contista de Sagarana
title João Guimarães Rosa : o contista de Sagarana
spellingShingle João Guimarães Rosa : o contista de Sagarana
Rosenfield, Kathrin Holzermayr Lerrer
Literatura brasileira
Rosa, João Guimarães, 1908-1967. Sagarana : Crítica e interpretação
title_short João Guimarães Rosa : o contista de Sagarana
title_full João Guimarães Rosa : o contista de Sagarana
title_fullStr João Guimarães Rosa : o contista de Sagarana
title_full_unstemmed João Guimarães Rosa : o contista de Sagarana
title_sort João Guimarães Rosa : o contista de Sagarana
author Rosenfield, Kathrin Holzermayr Lerrer
author_facet Rosenfield, Kathrin Holzermayr Lerrer
author_role author
dc.contributor.author.fl_str_mv Rosenfield, Kathrin Holzermayr Lerrer
dc.subject.por.fl_str_mv Literatura brasileira
Rosa, João Guimarães, 1908-1967. Sagarana : Crítica e interpretação
topic Literatura brasileira
Rosa, João Guimarães, 1908-1967. Sagarana : Crítica e interpretação
description G.Rosa's Sagarana is a synthesis of the European narrative tradition with particularly Brazilian habits of informal storytelling. This essay points out a few examples of the uncountable number of "models" that Rosa transforms and assimilates in his short stories, considered as a particular version of Brazilian sensibility. "O burrinho pedres" is analyzed as the result of a sort of "French connection": a hybrid recreation of the achievements of the short story (Maupassant) and the dramatizing essayism (Michelet) practised in 19th century France, as received through Brazilian intermediaries (Simoes Lopes Neto, Euclides da Cunha, Paulo Prado).
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