Tears of paper: Mestre Pastinha and the regimes of affects in print journalism

Detalhes bibliográficos
Autor(a) principal: Siqueira, Denise da Costa Oliveira
Data de Publicação: 2021
Outros Autores: Grotz Majerowicz, Fábio, Gonçalves Dantas, Raquel
Tipo de documento: Artigo
Idioma: por
Título da fonte: Intexto (Porto Alegre)
Texto Completo: https://seer.ufrgs.br/index.php/intexto/article/view/103478
Resumo: Emotions, feelings and affects are socially mediated phenomena, processed in the broad theater of human relations. Journalism composes such a phenomenon, contributing to the production, reproduction and reframing of sensibilities. This article aims to reflect on the expression of emotions in journalistic material, understanding that the affects identified relate to the act of feeling an emotion, but also to the symbolic and mediatized experience of the body and its practices. In methodological terms, our reflection is based on the reading of a set of old articles covering the last years of Mestre Pastinha's life, one of the most important names of Capoeira Angola in Brazil. For analysis purposes, two of these journalistic texts are studied in detail in this article. What meanings can be constructed based on an articulation of the body, emotions and media production? This is the basic question that instigates the reflection and analysis proposed in the article. The study is based on the anthropology of emotions, taking affects as culturally conditioned records that derive first from the repertoire of a social group rather than from natural or spontaneous forces.
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spelling Tears of paper: Mestre Pastinha and the regimes of affects in print journalismLágrimas de papel: Mestre Pastinha e os regimes de afeto no jornalismo impressoNarrativaAntropologia das emoçõesCorpoCapoeira AngolaProdução de sentidosNarrative. Anthropology of emotions. Body. Capoeira Angola. Production of meanings.Emotions, feelings and affects are socially mediated phenomena, processed in the broad theater of human relations. Journalism composes such a phenomenon, contributing to the production, reproduction and reframing of sensibilities. This article aims to reflect on the expression of emotions in journalistic material, understanding that the affects identified relate to the act of feeling an emotion, but also to the symbolic and mediatized experience of the body and its practices. In methodological terms, our reflection is based on the reading of a set of old articles covering the last years of Mestre Pastinha's life, one of the most important names of Capoeira Angola in Brazil. For analysis purposes, two of these journalistic texts are studied in detail in this article. What meanings can be constructed based on an articulation of the body, emotions and media production? This is the basic question that instigates the reflection and analysis proposed in the article. The study is based on the anthropology of emotions, taking affects as culturally conditioned records that derive first from the repertoire of a social group rather than from natural or spontaneous forces.Emoções, sentimentos e afetos são fenômenos mediados socialmente, processados no amplo teatro das relações humanas. O jornalismo compõe tal fenômeno, contribuindo para a produção, reprodução e ressignificação de sensibilidades. Este artigo tem como objetivo refletir sobre a expressão de emoções em material jornalístico, entendendo que os afetos identificados dizem respeito ao ato de sentir uma emoção, mas também à experiência simbólica e midiatizada do corpo e de suas práticas. Em termos metodológicos, nossa reflexão se constrói a partir da leitura de um conjunto de matérias antigas abordando os últimos anos de vida de Mestre Pastinha, um dos nomes mais importantes da Capoeira Angola no Brasil. Para fins de análise, neste artigo são estudados detalhadamente dois desses textos jornalísticos, tendo como problemática a indagação sobre que sentidos podem ser construídos partindo de uma articulação do corpo, das emoções e da produção midiática. Esta é a questão de fundo que instiga a reflexão e a análise propostas no artigo. O estudo se fundamenta na antropologia das emoções, tomando afetos como registros culturalmente condicionados que derivam antes do repertório de um grupo social do que de forças naturais ou espontâneas.Universidade Federal do Rio Grande do Sul2021-05-24info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufrgs.br/index.php/intexto/article/view/10347810.19132/1807-8583202152.103478Intexto; No. 52 (2021); 103478Intexto; Núm. 52 (2021); 103478Intexto; No. 52 (2021); 103478Intexto; N. 52 (2021); 103478Intexto; n. 52 (2021); 1034781807-8583reponame:Intexto (Porto Alegre)instname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/intexto/article/view/103478/61715Copyright (c) 2021 Denise da Costa Oliveira Siqueira, Fábio Grotz Majerowicz, Raquel Gonçalves Dantashttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessSiqueira, Denise da Costa OliveiraGrotz Majerowicz, FábioGonçalves Dantas, Raquel2023-02-06T13:06:10Zoai:seer.ufrgs.br:article/103478Revistahttp://seer.ufrgs.br/intextoONGhttp://seer.ufrgs.br/intexto/oai||intexto@ufrgs.br1807-85831807-8583opendoar:2023-02-06T13:06:10Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Tears of paper: Mestre Pastinha and the regimes of affects in print journalism
Lágrimas de papel: Mestre Pastinha e os regimes de afeto no jornalismo impresso
title Tears of paper: Mestre Pastinha and the regimes of affects in print journalism
spellingShingle Tears of paper: Mestre Pastinha and the regimes of affects in print journalism
Siqueira, Denise da Costa Oliveira
Narrativa
Antropologia das emoções
Corpo
Capoeira Angola
Produção de sentidos
Narrative. Anthropology of emotions. Body. Capoeira Angola. Production of meanings.
title_short Tears of paper: Mestre Pastinha and the regimes of affects in print journalism
title_full Tears of paper: Mestre Pastinha and the regimes of affects in print journalism
title_fullStr Tears of paper: Mestre Pastinha and the regimes of affects in print journalism
title_full_unstemmed Tears of paper: Mestre Pastinha and the regimes of affects in print journalism
title_sort Tears of paper: Mestre Pastinha and the regimes of affects in print journalism
author Siqueira, Denise da Costa Oliveira
author_facet Siqueira, Denise da Costa Oliveira
Grotz Majerowicz, Fábio
Gonçalves Dantas, Raquel
author_role author
author2 Grotz Majerowicz, Fábio
Gonçalves Dantas, Raquel
author2_role author
author
dc.contributor.author.fl_str_mv Siqueira, Denise da Costa Oliveira
Grotz Majerowicz, Fábio
Gonçalves Dantas, Raquel
dc.subject.por.fl_str_mv Narrativa
Antropologia das emoções
Corpo
Capoeira Angola
Produção de sentidos
Narrative. Anthropology of emotions. Body. Capoeira Angola. Production of meanings.
topic Narrativa
Antropologia das emoções
Corpo
Capoeira Angola
Produção de sentidos
Narrative. Anthropology of emotions. Body. Capoeira Angola. Production of meanings.
description Emotions, feelings and affects are socially mediated phenomena, processed in the broad theater of human relations. Journalism composes such a phenomenon, contributing to the production, reproduction and reframing of sensibilities. This article aims to reflect on the expression of emotions in journalistic material, understanding that the affects identified relate to the act of feeling an emotion, but also to the symbolic and mediatized experience of the body and its practices. In methodological terms, our reflection is based on the reading of a set of old articles covering the last years of Mestre Pastinha's life, one of the most important names of Capoeira Angola in Brazil. For analysis purposes, two of these journalistic texts are studied in detail in this article. What meanings can be constructed based on an articulation of the body, emotions and media production? This is the basic question that instigates the reflection and analysis proposed in the article. The study is based on the anthropology of emotions, taking affects as culturally conditioned records that derive first from the repertoire of a social group rather than from natural or spontaneous forces.
publishDate 2021
dc.date.none.fl_str_mv 2021-05-24
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10.19132/1807-8583202152.103478
url https://seer.ufrgs.br/index.php/intexto/article/view/103478
identifier_str_mv 10.19132/1807-8583202152.103478
dc.language.iso.fl_str_mv por
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dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/intexto/article/view/103478/61715
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info:eu-repo/semantics/openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Intexto; No. 52 (2021); 103478
Intexto; Núm. 52 (2021); 103478
Intexto; No. 52 (2021); 103478
Intexto; N. 52 (2021); 103478
Intexto; n. 52 (2021); 103478
1807-8583
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