Media archaeology: questioning the new in media arts

Detalhes bibliográficos
Autor(a) principal: Parikka, Jussi
Data de Publicação: 2017
Tipo de documento: Artigo
Idioma: por
Título da fonte: Intexto (Porto Alegre)
Texto Completo: https://seer.ufrgs.br/index.php/intexto/article/view/71569
Resumo: “One of the most persistent things that “new” media arts have actually cocooned during their decades of Post WWII development is an appreciation of the obsolete, old and analogue. It is such a paradox, which however makes the whole issue of media arts more interesting: that the new is potentially less interesting than how the old is remediated, recycled, recursively represented. Media art that employs the newest technologies does not necessarily match up to the innovative ways of digging up old ideas, imaginary media solutions and obsolete analog technologies as ways to demonstrate that our culture is not – and should not be – based on a onetrack assumption of linear progress. What if the parallel existence of the other reality alongside the glitzy digital […] is as important in how such old technologies persist in media art, galleries, curatorial programmes and popular culture?" (Extracted from the original paper)
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spelling Media archaeology: questioning the new in media artsArqueologia da mídia: interrogando o novo na artemídiaTeoria das mídias. Arqueologia das mídias. Artemídia. Mídias digitais. Tecnologia.Media theory. Digital media. Archaeology of media. Media arts. Aesthetics.“One of the most persistent things that “new” media arts have actually cocooned during their decades of Post WWII development is an appreciation of the obsolete, old and analogue. It is such a paradox, which however makes the whole issue of media arts more interesting: that the new is potentially less interesting than how the old is remediated, recycled, recursively represented. Media art that employs the newest technologies does not necessarily match up to the innovative ways of digging up old ideas, imaginary media solutions and obsolete analog technologies as ways to demonstrate that our culture is not – and should not be – based on a onetrack assumption of linear progress. What if the parallel existence of the other reality alongside the glitzy digital […] is as important in how such old technologies persist in media art, galleries, curatorial programmes and popular culture?" (Extracted from the original paper)Um dos fatos mais relevantes das “novas” artemídias [...] é a apreciação pelo obsoleto, pelo velho e pelo analógico. [...] As artemídias que empregam as mais novas tecnologias não se equiparam com as maneiras inovadoras com que as demais escavam velhas ideias [...] como maneira de demonstrar que nossa cultura não é [...] baseada em uma única linha de progresso linear. E se a existência paralela de outra realidade ao lado do digital [...] for tão importante quanto à maneira como estas velhas tecnologias persistem nas artemídias, nas galerias, nas curadorias e na cultura popular? A arqueologia das mídias é a escavação das ideias perdidas, das histórias alternativas e das condições de existência das mídias. [...] Neste sentido, há várias maneiras de abordar a arqueologia das mídias como parte da história das artemídias.Universidade Federal do Rio Grande do Sul2017-05-23info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionTradução; Revisão de Literaturaapplication/pdfhttps://seer.ufrgs.br/index.php/intexto/article/view/7156910.19132/1807-8583201739.201-214Intexto; n. 39, maio/ago. 2017; 201-214Intexto; n. 39, maio/ago. 2017; 201-214Intexto; n. 39, maio/ago. 2017; 201-214Intexto; n. 39, maio/ago. 2017; 201-214Intexto; n. 39, maio/ago. 2017; 201-2141807-8583reponame:Intexto (Porto Alegre)instname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/intexto/article/view/71569/41404Copyright (c) 2017 Jussi Parikkahttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessParikka, Jussi2023-11-23T17:06:58Zoai:seer.ufrgs.br:article/71569Revistahttp://seer.ufrgs.br/intextoONGhttp://seer.ufrgs.br/intexto/oai||intexto@ufrgs.br1807-85831807-8583opendoar:2023-11-23T17:06:58Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Media archaeology: questioning the new in media arts
Arqueologia da mídia: interrogando o novo na artemídia
title Media archaeology: questioning the new in media arts
spellingShingle Media archaeology: questioning the new in media arts
Parikka, Jussi
Teoria das mídias. Arqueologia das mídias. Artemídia. Mídias digitais. Tecnologia.
Media theory. Digital media. Archaeology of media. Media arts. Aesthetics.
title_short Media archaeology: questioning the new in media arts
title_full Media archaeology: questioning the new in media arts
title_fullStr Media archaeology: questioning the new in media arts
title_full_unstemmed Media archaeology: questioning the new in media arts
title_sort Media archaeology: questioning the new in media arts
author Parikka, Jussi
author_facet Parikka, Jussi
author_role author
dc.contributor.author.fl_str_mv Parikka, Jussi
dc.subject.por.fl_str_mv Teoria das mídias. Arqueologia das mídias. Artemídia. Mídias digitais. Tecnologia.
Media theory. Digital media. Archaeology of media. Media arts. Aesthetics.
topic Teoria das mídias. Arqueologia das mídias. Artemídia. Mídias digitais. Tecnologia.
Media theory. Digital media. Archaeology of media. Media arts. Aesthetics.
description “One of the most persistent things that “new” media arts have actually cocooned during their decades of Post WWII development is an appreciation of the obsolete, old and analogue. It is such a paradox, which however makes the whole issue of media arts more interesting: that the new is potentially less interesting than how the old is remediated, recycled, recursively represented. Media art that employs the newest technologies does not necessarily match up to the innovative ways of digging up old ideas, imaginary media solutions and obsolete analog technologies as ways to demonstrate that our culture is not – and should not be – based on a onetrack assumption of linear progress. What if the parallel existence of the other reality alongside the glitzy digital […] is as important in how such old technologies persist in media art, galleries, curatorial programmes and popular culture?" (Extracted from the original paper)
publishDate 2017
dc.date.none.fl_str_mv 2017-05-23
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Tradução; Revisão de Literatura
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/intexto/article/view/71569
10.19132/1807-8583201739.201-214
url https://seer.ufrgs.br/index.php/intexto/article/view/71569
identifier_str_mv 10.19132/1807-8583201739.201-214
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/intexto/article/view/71569/41404
dc.rights.driver.fl_str_mv Copyright (c) 2017 Jussi Parikka
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2017 Jussi Parikka
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Intexto; n. 39, maio/ago. 2017; 201-214
Intexto; n. 39, maio/ago. 2017; 201-214
Intexto; n. 39, maio/ago. 2017; 201-214
Intexto; n. 39, maio/ago. 2017; 201-214
Intexto; n. 39, maio/ago. 2017; 201-214
1807-8583
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instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
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reponame_str Intexto (Porto Alegre)
collection Intexto (Porto Alegre)
repository.name.fl_str_mv Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS)
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