World’s Prolegomena: a study of the organization of the primordial elements in Ovid’s "Metamorphoses"
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Codex : Revista de Estudos Clássicos |
Texto Completo: | https://revistas.ufrj.br/index.php/CODEX/article/view/43511 |
Resumo: | Inserted in the cosmogonic theme, poetically narrated by Ovid (43 BC - 17 AD) at the beginning of his Metamorphoses, this study focuses, more specifically, on the process of organization and composition of the primordial elements that shape the world, after the Chaos, the origin of everything. The excerpt under analysis consists of the hexameters from number 21 to 75, in Book I, which succeed the description of the Chaos and precede the anthropogony. In this thematic section, one highlights the minerals, flora, and fauna, with emphasis on the four primordial elements: fire, air, earth, and water. With its distinction, the world is being formed from a “recipe for life”, step by step. Between Chaos and Cosmos, one traces, in the Ovidian verses, the system of creation of the world, searching expressive language resources that compose these hexameters, regarding its textual ordering. Therefore, between the order of the world and the order of the verses, one considers the imagery and the meaning effects aroused. Moreover, this study presents a translation that supports the literary analysis. |
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World’s Prolegomena: a study of the organization of the primordial elements in Ovid’s "Metamorphoses"Os prolegômenos do mundo: um estudo sobre a organização dos elementos primordiais nas "Metamorfoses" de OvídioOvídioMetamorfosescosmogoniaexpressividade poéticatraduçãoOvidMetamorphosescosmogonypoetic expressivitytranslationInserted in the cosmogonic theme, poetically narrated by Ovid (43 BC - 17 AD) at the beginning of his Metamorphoses, this study focuses, more specifically, on the process of organization and composition of the primordial elements that shape the world, after the Chaos, the origin of everything. The excerpt under analysis consists of the hexameters from number 21 to 75, in Book I, which succeed the description of the Chaos and precede the anthropogony. In this thematic section, one highlights the minerals, flora, and fauna, with emphasis on the four primordial elements: fire, air, earth, and water. With its distinction, the world is being formed from a “recipe for life”, step by step. Between Chaos and Cosmos, one traces, in the Ovidian verses, the system of creation of the world, searching expressive language resources that compose these hexameters, regarding its textual ordering. Therefore, between the order of the world and the order of the verses, one considers the imagery and the meaning effects aroused. Moreover, this study presents a translation that supports the literary analysis. Inserido no contexto da cosmogonia, narrada poeticamente por Ovídio (43 a.C. – 17 d.C.) no início de suas Metamorfoses, este estudo volta-se, mais especificamente, ao processo de organização e composição dos elementos primordiais que enformam o mundo, após o Caos, a origem de tudo. O recorte em análise consiste nos hexâmetros de número 21 a 75 do Livro I, que sucedem a descrição do Caos e antecedem a antropogonia. No excerto, privilegiam-se os minerais, a flora e a fauna, com destaque aos quatro elementos primordiais: o fogo, o ar, a terra e a água. Com essa distinção, o mundo vai se enformando a partir de uma “receita da vida”, passo a passo. Entre o Caos e o Cosmo, procura-se traçar o sistema de criação do mundo, levantando recursos inventivos da linguagem que compõem os hexâmetros ovidianos, haja vista a ordenação textual. Portanto, entre a ordem do mundo e a dos versos, consideram-se a imagética e os efeitos de sentido suscitados. Ademais, o estudo apresenta uma tradução que apoia a análise literária. Proaera-UFRJ2021-12-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfimage/pnghttps://revistas.ufrj.br/index.php/CODEX/article/view/4351110.25187/codex.v9i2.43511CODEX - Revista de Estudos Clássicos; v. 9 n. 2 (2021); 49-68CODEX - Revista de Estudos Clássicos; Vol. 9 No. 2 (2021); 49-682176-177910.25187/codex.v9i2reponame:Codex : Revista de Estudos Clássicosinstname:Universidade Federal do Rio de Janeiro (UFRJ)instacron:UFRJporhttps://revistas.ufrj.br/index.php/CODEX/article/view/43511/26834https://revistas.ufrj.br/index.php/CODEX/article/view/43511/33150Copyright (c) 2021 Paulo Eduardo de Barros Veigainfo:eu-repo/semantics/openAccessVeiga, Paulo Eduardo de Barros2023-01-16T19:05:01Zoai:ojs.pkp.sfu.ca:article/43511Revistahttps://revistas.ufrj.br/index.php/CODEX/indexPUBhttps://revistas.ufrj.br/index.php/CODEX/oaicodex@letras.ufrj.br||codex@letras.ufrj.br||biadipaoli@gmail.com2176-17792176-1779opendoar:2023-01-16T19:05:01Codex : Revista de Estudos Clássicos - Universidade Federal do Rio de Janeiro (UFRJ)false |
dc.title.none.fl_str_mv |
World’s Prolegomena: a study of the organization of the primordial elements in Ovid’s "Metamorphoses" Os prolegômenos do mundo: um estudo sobre a organização dos elementos primordiais nas "Metamorfoses" de Ovídio |
title |
World’s Prolegomena: a study of the organization of the primordial elements in Ovid’s "Metamorphoses" |
spellingShingle |
World’s Prolegomena: a study of the organization of the primordial elements in Ovid’s "Metamorphoses" Veiga, Paulo Eduardo de Barros Ovídio Metamorfoses cosmogonia expressividade poética tradução Ovid Metamorphoses cosmogony poetic expressivity translation |
title_short |
World’s Prolegomena: a study of the organization of the primordial elements in Ovid’s "Metamorphoses" |
title_full |
World’s Prolegomena: a study of the organization of the primordial elements in Ovid’s "Metamorphoses" |
title_fullStr |
World’s Prolegomena: a study of the organization of the primordial elements in Ovid’s "Metamorphoses" |
title_full_unstemmed |
World’s Prolegomena: a study of the organization of the primordial elements in Ovid’s "Metamorphoses" |
title_sort |
World’s Prolegomena: a study of the organization of the primordial elements in Ovid’s "Metamorphoses" |
author |
Veiga, Paulo Eduardo de Barros |
author_facet |
Veiga, Paulo Eduardo de Barros |
author_role |
author |
dc.contributor.author.fl_str_mv |
Veiga, Paulo Eduardo de Barros |
dc.subject.por.fl_str_mv |
Ovídio Metamorfoses cosmogonia expressividade poética tradução Ovid Metamorphoses cosmogony poetic expressivity translation |
topic |
Ovídio Metamorfoses cosmogonia expressividade poética tradução Ovid Metamorphoses cosmogony poetic expressivity translation |
description |
Inserted in the cosmogonic theme, poetically narrated by Ovid (43 BC - 17 AD) at the beginning of his Metamorphoses, this study focuses, more specifically, on the process of organization and composition of the primordial elements that shape the world, after the Chaos, the origin of everything. The excerpt under analysis consists of the hexameters from number 21 to 75, in Book I, which succeed the description of the Chaos and precede the anthropogony. In this thematic section, one highlights the minerals, flora, and fauna, with emphasis on the four primordial elements: fire, air, earth, and water. With its distinction, the world is being formed from a “recipe for life”, step by step. Between Chaos and Cosmos, one traces, in the Ovidian verses, the system of creation of the world, searching expressive language resources that compose these hexameters, regarding its textual ordering. Therefore, between the order of the world and the order of the verses, one considers the imagery and the meaning effects aroused. Moreover, this study presents a translation that supports the literary analysis. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-12-31 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.ufrj.br/index.php/CODEX/article/view/43511 10.25187/codex.v9i2.43511 |
url |
https://revistas.ufrj.br/index.php/CODEX/article/view/43511 |
identifier_str_mv |
10.25187/codex.v9i2.43511 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.ufrj.br/index.php/CODEX/article/view/43511/26834 https://revistas.ufrj.br/index.php/CODEX/article/view/43511/33150 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2021 Paulo Eduardo de Barros Veiga info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2021 Paulo Eduardo de Barros Veiga |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf image/png |
dc.publisher.none.fl_str_mv |
Proaera-UFRJ |
publisher.none.fl_str_mv |
Proaera-UFRJ |
dc.source.none.fl_str_mv |
CODEX - Revista de Estudos Clássicos; v. 9 n. 2 (2021); 49-68 CODEX - Revista de Estudos Clássicos; Vol. 9 No. 2 (2021); 49-68 2176-1779 10.25187/codex.v9i2 reponame:Codex : Revista de Estudos Clássicos instname:Universidade Federal do Rio de Janeiro (UFRJ) instacron:UFRJ |
instname_str |
Universidade Federal do Rio de Janeiro (UFRJ) |
instacron_str |
UFRJ |
institution |
UFRJ |
reponame_str |
Codex : Revista de Estudos Clássicos |
collection |
Codex : Revista de Estudos Clássicos |
repository.name.fl_str_mv |
Codex : Revista de Estudos Clássicos - Universidade Federal do Rio de Janeiro (UFRJ) |
repository.mail.fl_str_mv |
codex@letras.ufrj.br||codex@letras.ufrj.br||biadipaoli@gmail.com |
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1798321012413038592 |