A Terapia corporal através da dança
Autor(a) principal: | |
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Data de Publicação: | 2011 |
Tipo de documento: | Trabalho de conclusão de curso |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFS |
Texto Completo: | https://ri.ufs.br/handle/riufs/6777 |
Resumo: | In this context, different experiences in the field of the arts can contribute to the individual perceiving himself as such, identifying his different "modes of functioning" and then rethinking them and (re) constructing them (LIBERMAN, 1998). According to Sant 'Anna (2000), the life of an individual, is the life of his body. Over the years it changes its forms, its weight, its functioning and its rhythms. In one body there are various forms of physical and psychic manifestations, such as jumping, running, dancing, laughing, crying and feeling. Therefore, our body and mind tell our life story, that is, our daily life. When it comes to physical appearance, callus or smooth skin, sagging or stiffening, pigmentation, weakness or strength, pain, muscle, balance. In the mind, tiredness, "old age", "youth", retrograde or futuristic thoughts, all represent what we are, what we live, and what we will still live (SOUZA, 2006). |
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Santos, Aida Luizy AlvesJorge, Juliana de Góis2017-10-26T11:48:56Z2017-10-26T11:48:56Z2011SANTOS, Aída Luizy Alves. A Terapia corporal através da dança. 2011. 26 p. Monografia (Graduação Licenciatura em Dança) - Universidade Federal de Sergipe, Laranjeiras-SE,2011https://ri.ufs.br/handle/riufs/6777In this context, different experiences in the field of the arts can contribute to the individual perceiving himself as such, identifying his different "modes of functioning" and then rethinking them and (re) constructing them (LIBERMAN, 1998). According to Sant 'Anna (2000), the life of an individual, is the life of his body. Over the years it changes its forms, its weight, its functioning and its rhythms. In one body there are various forms of physical and psychic manifestations, such as jumping, running, dancing, laughing, crying and feeling. Therefore, our body and mind tell our life story, that is, our daily life. When it comes to physical appearance, callus or smooth skin, sagging or stiffening, pigmentation, weakness or strength, pain, muscle, balance. In the mind, tiredness, "old age", "youth", retrograde or futuristic thoughts, all represent what we are, what we live, and what we will still live (SOUZA, 2006).Neste contexto, diferentes vivências no campo das artes podem contribuir para que o sujeito se perceba como tal, identifique seus diferentes “modos de funcionamento” para, em seguida, repensá-los e (re) construí-los (LIBERMAN,1998). Segundo Sant' Anna (2000), a vida de um individuo, é a vida de seu corpo. Ao longo dos anos ele muda suas formas, seu peso, seu funcionamento e seus ritmos. Num só corpo acontecem várias formas de manifestações físicas e psíquicas, como saltar, correr, dançar, rir, chorar e sentir. Portanto, nosso corpo e mente contam a nossa história de vida, ou seja, nosso cotidiano. No que se trata do aspecto físico, calos ou pele lisa, flacidez ou enrijecimento, pigmentações, fraqueza ou força, dores, músculos, equilíbrio. Na mente, o cansaço, a "velhice", "juventude", pensamentos retrógrados ou futuristas, tudo representa o que somos, o que vivemos, e o que ainda viveremos (SOUZA, 2006).Laranjeiras, SEporDançaEnsino de dançaTerapiaTherapyDanceDance teachingLINGUISTICA, LETRAS E ARTES::ARTES::DANCA::EXECUCAO DA DANCAA Terapia corporal através da dançaBody therapy through danceinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/bachelorThesisUniversidade Federal de SergipeDDA - Departamento de Dança – Laranjeiras - Presencialreponame:Repositório Institucional da UFSinstname:Universidade Federal de Sergipe (UFS)instacron:UFSinfo:eu-repo/semantics/openAccessLICENSElicense.txtlicense.txttext/plain; charset=utf-81475https://ri.ufs.br/jspui/bitstream/riufs/6777/1/license.txt098cbbf65c2c15e1fb2e49c5d306a44cMD51ORIGINALAida Luizy Alves Santos.pdfAida Luizy Alves Santos.pdfapplication/pdf194724https://ri.ufs.br/jspui/bitstream/riufs/6777/2/Aida%20Luizy%20Alves%20Santos.pdf0c4a4eaaedfeab696bc54ed553284b8eMD52TEXTAida Luizy Alves Santos.pdf.txtAida Luizy Alves Santos.pdf.txtExtracted texttext/plain37955https://ri.ufs.br/jspui/bitstream/riufs/6777/3/Aida%20Luizy%20Alves%20Santos.pdf.txt0a6106298d8d032df76b61a112bf6de1MD53THUMBNAILAida Luizy Alves Santos.pdf.jpgAida Luizy Alves Santos.pdf.jpgGenerated Thumbnailimage/jpeg1227https://ri.ufs.br/jspui/bitstream/riufs/6777/4/Aida%20Luizy%20Alves%20Santos.pdf.jpgbcb0dd5084eb04a4c2f4434a0f086709MD54riufs/67772017-11-01 20:46:14.399oai:ufs.br:riufs/6777TElDRU7Dh0EgREUgRElTVFJJQlVJw4fDg08gTsODTy1FWENMVVNJVkEKCkNvbSBhIGFwcmVzZW50YcOnw6NvIGRlc3RhIGxpY2Vuw6dhLCB2b2PDqiAobyBhdXRvcihlcykgb3UgbyB0aXR1bGFyIGRvcyBkaXJlaXRvcyBkZSBhdXRvcikgY29uY2VkZSDDoCBVbml2ZXJzaWRhZGUgRmVkZXJhbCBkZSBTZXJnaXBlIG8gZGlyZWl0byBuw6NvLWV4Y2x1c2l2byBkZSByZXByb2R1emlyIHNldSB0cmFiYWxobyBubyBmb3JtYXRvIGVsZXRyw7RuaWNvLCBpbmNsdWluZG8gb3MgZm9ybWF0b3Mgw6F1ZGlvIG91IHbDrWRlby4KClZvY8OqIGNvbmNvcmRhIHF1ZSBhIFVuaXZlcnNpZGFkZSBGZWRlcmFsIGRlIFNlcmdpcGUgcG9kZSwgc2VtIGFsdGVyYXIgbyBjb250ZcO6ZG8sIHRyYW5zcG9yIHNldSB0cmFiYWxobyBwYXJhIHF1YWxxdWVyIG1laW8gb3UgZm9ybWF0byBwYXJhIGZpbnMgZGUgcHJlc2VydmHDp8Ojby4KClZvY8OqIHRhbWLDqW0gY29uY29yZGEgcXVlIGEgVW5pdmVyc2lkYWRlIEZlZGVyYWwgZGUgU2VyZ2lwZSBwb2RlIG1hbnRlciBtYWlzIGRlIHVtYSBjw7NwaWEgZGUgc2V1IHRyYWJhbGhvIHBhcmEgZmlucyBkZSBzZWd1cmFuw6dhLCBiYWNrLXVwIGUgcHJlc2VydmHDp8Ojby4KClZvY8OqIGRlY2xhcmEgcXVlIHNldSB0cmFiYWxobyDDqSBvcmlnaW5hbCBlIHF1ZSB2b2PDqiB0ZW0gbyBwb2RlciBkZSBjb25jZWRlciBvcyBkaXJlaXRvcyBjb250aWRvcyBuZXN0YSBsaWNlbsOnYS4gVm9jw6ogdGFtYsOpbSBkZWNsYXJhIHF1ZSBvIGRlcMOzc2l0bywgcXVlIHNlamEgZGUgc2V1IGNvbmhlY2ltZW50bywgbsOjbyBpbmZyaW5nZSBkaXJlaXRvcyBhdXRvcmFpcyBkZSBuaW5ndcOpbS4KCkNhc28gbyB0cmFiYWxobyBjb250ZW5oYSBtYXRlcmlhbCBxdWUgdm9jw6ogbsOjbyBwb3NzdWkgYSB0aXR1bGFyaWRhZGUgZG9zIGRpcmVpdG9zIGF1dG9yYWlzLCB2b2PDqiBkZWNsYXJhIHF1ZSBvYnRldmUgYSBwZXJtaXNzw6NvIGlycmVzdHJpdGEgZG8gZGV0ZW50b3IgZG9zIGRpcmVpdG9zIGF1dG9yYWlzIHBhcmEgY29uY2VkZXIgw6AgVW5pdmVyc2lkYWRlIEZlZGVyYWwgZGUgU2VyZ2lwZSBvcyBkaXJlaXRvcyBhcHJlc2VudGFkb3MgbmVzdGEgbGljZW7Dp2EsIGUgcXVlIGVzc2UgbWF0ZXJpYWwgZGUgcHJvcHJpZWRhZGUgZGUgdGVyY2Vpcm9zIGVzdMOhIGNsYXJhbWVudGUgaWRlbnRpZmljYWRvIGUgcmVjb25oZWNpZG8gbm8gdGV4dG8gb3Ugbm8gY29udGXDumRvLgoKQSBVbml2ZXJzaWRhZGUgRmVkZXJhbCBkZSBTZXJnaXBlIHNlIGNvbXByb21ldGUgYSBpZGVudGlmaWNhciBjbGFyYW1lbnRlIG8gc2V1IG5vbWUocykgb3UgbyhzKSBub21lKHMpIGRvKHMpIApkZXRlbnRvcihlcykgZG9zIGRpcmVpdG9zIGF1dG9yYWlzIGRvIHRyYWJhbGhvLCBlIG7Do28gZmFyw6EgcXVhbHF1ZXIgYWx0ZXJhw6fDo28sIGFsw6ltIGRhcXVlbGFzIGNvbmNlZGlkYXMgcG9yIGVzdGEgbGljZW7Dp2EuIAo=Repositório InstitucionalPUBhttps://ri.ufs.br/oai/requestrepositorio@academico.ufs.bropendoar:2017-11-01T23:46:14Repositório Institucional da UFS - Universidade Federal de Sergipe (UFS)false |
dc.title.pt_BR.fl_str_mv |
A Terapia corporal através da dança |
dc.title.alternative.por.fl_str_mv |
Body therapy through dance |
title |
A Terapia corporal através da dança |
spellingShingle |
A Terapia corporal através da dança Santos, Aida Luizy Alves Dança Ensino de dança Terapia Therapy Dance Dance teaching LINGUISTICA, LETRAS E ARTES::ARTES::DANCA::EXECUCAO DA DANCA |
title_short |
A Terapia corporal através da dança |
title_full |
A Terapia corporal através da dança |
title_fullStr |
A Terapia corporal através da dança |
title_full_unstemmed |
A Terapia corporal através da dança |
title_sort |
A Terapia corporal através da dança |
author |
Santos, Aida Luizy Alves |
author_facet |
Santos, Aida Luizy Alves |
author_role |
author |
dc.contributor.author.fl_str_mv |
Santos, Aida Luizy Alves |
dc.contributor.advisor1.fl_str_mv |
Jorge, Juliana de Góis |
contributor_str_mv |
Jorge, Juliana de Góis |
dc.subject.por.fl_str_mv |
Dança Ensino de dança Terapia Therapy |
topic |
Dança Ensino de dança Terapia Therapy Dance Dance teaching LINGUISTICA, LETRAS E ARTES::ARTES::DANCA::EXECUCAO DA DANCA |
dc.subject.eng.fl_str_mv |
Dance Dance teaching |
dc.subject.cnpq.fl_str_mv |
LINGUISTICA, LETRAS E ARTES::ARTES::DANCA::EXECUCAO DA DANCA |
description |
In this context, different experiences in the field of the arts can contribute to the individual perceiving himself as such, identifying his different "modes of functioning" and then rethinking them and (re) constructing them (LIBERMAN, 1998). According to Sant 'Anna (2000), the life of an individual, is the life of his body. Over the years it changes its forms, its weight, its functioning and its rhythms. In one body there are various forms of physical and psychic manifestations, such as jumping, running, dancing, laughing, crying and feeling. Therefore, our body and mind tell our life story, that is, our daily life. When it comes to physical appearance, callus or smooth skin, sagging or stiffening, pigmentation, weakness or strength, pain, muscle, balance. In the mind, tiredness, "old age", "youth", retrograde or futuristic thoughts, all represent what we are, what we live, and what we will still live (SOUZA, 2006). |
publishDate |
2011 |
dc.date.issued.fl_str_mv |
2011 |
dc.date.accessioned.fl_str_mv |
2017-10-26T11:48:56Z |
dc.date.available.fl_str_mv |
2017-10-26T11:48:56Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/bachelorThesis |
format |
bachelorThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
SANTOS, Aída Luizy Alves. A Terapia corporal através da dança. 2011. 26 p. Monografia (Graduação Licenciatura em Dança) - Universidade Federal de Sergipe, Laranjeiras-SE,2011 |
dc.identifier.uri.fl_str_mv |
https://ri.ufs.br/handle/riufs/6777 |
identifier_str_mv |
SANTOS, Aída Luizy Alves. A Terapia corporal através da dança. 2011. 26 p. Monografia (Graduação Licenciatura em Dança) - Universidade Federal de Sergipe, Laranjeiras-SE,2011 |
url |
https://ri.ufs.br/handle/riufs/6777 |
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por |
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por |
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openAccess |
dc.publisher.initials.fl_str_mv |
Universidade Federal de Sergipe |
dc.publisher.department.fl_str_mv |
DDA - Departamento de Dança – Laranjeiras - Presencial |
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