Variations in transgression from María Luisa Bemberg’s prosthetic eye
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Data de Publicação: | 2017 |
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Tipo de documento: | Artigo |
Idioma: | spa |
Título da fonte: | Revista Estudos Feministas |
Texto Completo: | https://periodicos.ufsc.br/index.php/ref/article/view/49075 |
Resumo: | This article is a reading of the Argentine filmmaker María Luisa Bemberg’s work, outlined from the reflections inspired by Michel Foucault’s notion of transgression and Teresa de Lauretis’s notion of excess in her studies on the semiotics of the cinema. This proposed reading enunciates three moments of her filmography that correspond to certain nodal torsions of her look that had been printed in the sequences of her frames. For the analysis of each moment, we have selected a film or a short film that we will analyze in detail in order to discuss each torsion of her lens. The lens become megaphone, the lens become biographic witness, the lens become monstrosity. These are the selected titles for the analysis of each one of these moments. |
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Variations in transgression from María Luisa Bemberg’s prosthetic eyeVariaciones en la trasgresión desde el ojo protésico de María Luisa BembergThis article is a reading of the Argentine filmmaker María Luisa Bemberg’s work, outlined from the reflections inspired by Michel Foucault’s notion of transgression and Teresa de Lauretis’s notion of excess in her studies on the semiotics of the cinema. This proposed reading enunciates three moments of her filmography that correspond to certain nodal torsions of her look that had been printed in the sequences of her frames. For the analysis of each moment, we have selected a film or a short film that we will analyze in detail in order to discuss each torsion of her lens. The lens become megaphone, the lens become biographic witness, the lens become monstrosity. These are the selected titles for the analysis of each one of these moments.El presente artículo es una lectura de la obra de la cineasta argentina María Luisa Bemberg, trazada a partir de reflexiones inspiradas en la noción de trasgresión elaborada por Michel Foucault y la de del exceso apuntada por Teresa de Lauretis en su trabajo sobre la semiótica del cine. La lectura propuesta a partir de ellas enuncia tres momentos de la filmografía que se corresponden con ciertas torsiones nodales de su mirada que han quedado impresas en las secuencias de sus fotogramas. Para el análisis de cada momento, se ha seleccionado una película o corto que se analiza con detalle para poder dar cuenta acabada de cada torsión de su lente. El lente vuelto megáfono, el lente vuelto testigo biográfico, el lente vuelto monstruoso son los títulos seleccionados para el análisis de cada uno de los momentos.Universidade Federal de Santa Catarina2017-10-23info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/ref/article/view/4907510.1590/%xRevista Estudos Feministas; Vol. 25 No. 3 (2017); 1405-1417Revista Estudos Feministas; Vol. 25 Núm. 3 (2017); 1405-1417Revista Estudos Feministas; v. 25 n. 3 (2017); 1405-14171806-95840104-026Xreponame:Revista Estudos Feministasinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCspahttps://periodicos.ufsc.br/index.php/ref/article/view/49075/35184Copyright (c) 2018 Revista Estudos Feministasinfo:eu-repo/semantics/openAccessTrebisacce, CatalinaVeiga, Ana Maria2018-04-18T09:44:09Zoai:periodicos.ufsc.br:article/49075Revistahttps://periodicos.ufsc.br/index.php/ref/indexPUBhttps://periodicos.ufsc.br/index.php/ref/oai||ref@cfh.ufsc.br1806-95840104-026Xopendoar:2022-11-21T11:38:38.272107Revista Estudos Feministas - Universidade Federal de Santa Catarina (UFSC)true |
dc.title.none.fl_str_mv |
Variations in transgression from María Luisa Bemberg’s prosthetic eye Variaciones en la trasgresión desde el ojo protésico de María Luisa Bemberg |
title |
Variations in transgression from María Luisa Bemberg’s prosthetic eye |
spellingShingle |
Variations in transgression from María Luisa Bemberg’s prosthetic eye Trebisacce, Catalina |
title_short |
Variations in transgression from María Luisa Bemberg’s prosthetic eye |
title_full |
Variations in transgression from María Luisa Bemberg’s prosthetic eye |
title_fullStr |
Variations in transgression from María Luisa Bemberg’s prosthetic eye |
title_full_unstemmed |
Variations in transgression from María Luisa Bemberg’s prosthetic eye |
title_sort |
Variations in transgression from María Luisa Bemberg’s prosthetic eye |
author |
Trebisacce, Catalina |
author_facet |
Trebisacce, Catalina Veiga, Ana Maria |
author_role |
author |
author2 |
Veiga, Ana Maria |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Trebisacce, Catalina Veiga, Ana Maria |
description |
This article is a reading of the Argentine filmmaker María Luisa Bemberg’s work, outlined from the reflections inspired by Michel Foucault’s notion of transgression and Teresa de Lauretis’s notion of excess in her studies on the semiotics of the cinema. This proposed reading enunciates three moments of her filmography that correspond to certain nodal torsions of her look that had been printed in the sequences of her frames. For the analysis of each moment, we have selected a film or a short film that we will analyze in detail in order to discuss each torsion of her lens. The lens become megaphone, the lens become biographic witness, the lens become monstrosity. These are the selected titles for the analysis of each one of these moments. |
publishDate |
2017 |
dc.date.none.fl_str_mv |
2017-10-23 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufsc.br/index.php/ref/article/view/49075 10.1590/%x |
url |
https://periodicos.ufsc.br/index.php/ref/article/view/49075 |
identifier_str_mv |
10.1590/%x |
dc.language.iso.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
https://periodicos.ufsc.br/index.php/ref/article/view/49075/35184 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2018 Revista Estudos Feministas info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2018 Revista Estudos Feministas |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Santa Catarina |
publisher.none.fl_str_mv |
Universidade Federal de Santa Catarina |
dc.source.none.fl_str_mv |
Revista Estudos Feministas; Vol. 25 No. 3 (2017); 1405-1417 Revista Estudos Feministas; Vol. 25 Núm. 3 (2017); 1405-1417 Revista Estudos Feministas; v. 25 n. 3 (2017); 1405-1417 1806-9584 0104-026X reponame:Revista Estudos Feministas instname:Universidade Federal de Santa Catarina (UFSC) instacron:UFSC |
instname_str |
Universidade Federal de Santa Catarina (UFSC) |
instacron_str |
UFSC |
institution |
UFSC |
reponame_str |
Revista Estudos Feministas |
collection |
Revista Estudos Feministas |
repository.name.fl_str_mv |
Revista Estudos Feministas - Universidade Federal de Santa Catarina (UFSC) |
repository.mail.fl_str_mv |
||ref@cfh.ufsc.br |
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