For a poeticity of the literary text in the digital medium

Detalhes bibliográficos
Autor(a) principal: Sales, Cristiano de
Data de Publicação: 2006
Tipo de documento: Artigo
Idioma: por
Título da fonte: Texto digital
Texto Completo: https://periodicos.ufsc.br/index.php/textodigital/article/view/1318
Resumo: Aesthetic valuing, focalizing the different resources and the diverse discursive conventions of the artistic object throughout the centuries of literary history, is directly related to this which we traditionally call poetics. This way, this – the poetics – implies different conceptions of Nature, according to the role attributed, for example, to mimesis. Nevertheless, every aesthetic standard needs reevaluations, in view of moments of extreme aesthetic and poetic reconfigurations, as is the case of the modernist and contemporary poetry. In all, one must currently (re)think not only the conventions of language, but also – and perhaps principally -, the medium by which this language (poetic) (re)produces itself in the electronic medium. Departing from these premises, the object of this assault aims to suggest a redefinition of aesthetic patterns, taking into consideration the new medium, permeated above all by the categories of Merleau-Ponty (speaking-speech and expression), and by the textual operators of Roland Barthes (Writing Degree Zero).
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spelling For a poeticity of the literary text in the digital mediumPara uma poeticidade do texto literário em meio eletrônicoAesthetic valuing, focalizing the different resources and the diverse discursive conventions of the artistic object throughout the centuries of literary history, is directly related to this which we traditionally call poetics. This way, this – the poetics – implies different conceptions of Nature, according to the role attributed, for example, to mimesis. Nevertheless, every aesthetic standard needs reevaluations, in view of moments of extreme aesthetic and poetic reconfigurations, as is the case of the modernist and contemporary poetry. In all, one must currently (re)think not only the conventions of language, but also – and perhaps principally -, the medium by which this language (poetic) (re)produces itself in the electronic medium. Departing from these premises, the object of this assault aims to suggest a redefinition of aesthetic patterns, taking into consideration the new medium, permeated above all by the categories of Merleau-Ponty (speaking-speech and expression), and by the textual operators of Roland Barthes (Writing Degree Zero).A valoração estética, focando os diferentes recursos e as diversas convenções discursivas do objeto artístico ao longo de séculos de história literária, está diretamente relacionada a isso que tradicionalmente chamamos de poética. Dessa forma, esta — a poética — implica diferentes concepções de Natureza, de acordo com o papel atribuído, por exemplo, à mimese. Ora, todo padrão estético carece de reavaliações, haja vista momentos de extrema reconfiguração de estéticas e de poéticas, como é o caso das poesias modernista e contemporânea. Contudo, atualmente se deve (re)pensar não apenas as convenções de linguagem, mas também — e talvez principalmente —, o meio pelo qual essa linguagem (poética) se (re)produz no meio eletrônico. Partindo então dessas premissas, o objetivo desta investida visa sugerir uma redefinição de padrões estéticos, levando-se em conta o novo meio, permeada acima de tudo pelas categorias de Merleau-Ponty (fala-falante e expressão), e pelos operadores textuais de Roland Barthes (O Grau Zero da escrita).Center for Research in Computing, Literature, and Linguistics (NuPILL)2006-04-28info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/textodigital/article/view/131810.5007/%xTexto Digital; Vol. 2 No. 1 (2006)Texto Digital; Vol. 2 No 1 (2006)Texto Digital; v. 2 n. 1 (2006)1807-9288reponame:Texto digitalinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/textodigital/article/view/1318/1019Copyright (c) 2008 Cristiano de Salesinfo:eu-repo/semantics/openAccessSales, Cristiano de2017-12-21T12:39:57Zoai:periodicos.ufsc.br:article/1318Revistahttp://www.periodicos.ufsc.br/index.php/textodigitalPUBhttps://periodicos.ufsc.br/index.php/textodigital/oaitextodigital@cce.ufsc.br1807-92881807-9288opendoar:2017-12-21T12:39:57Texto digital - Universidade Federal de Santa Catarina (UFSC)false
dc.title.none.fl_str_mv For a poeticity of the literary text in the digital medium
Para uma poeticidade do texto literário em meio eletrônico
title For a poeticity of the literary text in the digital medium
spellingShingle For a poeticity of the literary text in the digital medium
Sales, Cristiano de
title_short For a poeticity of the literary text in the digital medium
title_full For a poeticity of the literary text in the digital medium
title_fullStr For a poeticity of the literary text in the digital medium
title_full_unstemmed For a poeticity of the literary text in the digital medium
title_sort For a poeticity of the literary text in the digital medium
author Sales, Cristiano de
author_facet Sales, Cristiano de
author_role author
dc.contributor.author.fl_str_mv Sales, Cristiano de
description Aesthetic valuing, focalizing the different resources and the diverse discursive conventions of the artistic object throughout the centuries of literary history, is directly related to this which we traditionally call poetics. This way, this – the poetics – implies different conceptions of Nature, according to the role attributed, for example, to mimesis. Nevertheless, every aesthetic standard needs reevaluations, in view of moments of extreme aesthetic and poetic reconfigurations, as is the case of the modernist and contemporary poetry. In all, one must currently (re)think not only the conventions of language, but also – and perhaps principally -, the medium by which this language (poetic) (re)produces itself in the electronic medium. Departing from these premises, the object of this assault aims to suggest a redefinition of aesthetic patterns, taking into consideration the new medium, permeated above all by the categories of Merleau-Ponty (speaking-speech and expression), and by the textual operators of Roland Barthes (Writing Degree Zero).
publishDate 2006
dc.date.none.fl_str_mv 2006-04-28
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufsc.br/index.php/textodigital/article/view/1318
10.5007/%x
url https://periodicos.ufsc.br/index.php/textodigital/article/view/1318
identifier_str_mv 10.5007/%x
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufsc.br/index.php/textodigital/article/view/1318/1019
dc.rights.driver.fl_str_mv Copyright (c) 2008 Cristiano de Sales
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2008 Cristiano de Sales
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Center for Research in Computing, Literature, and Linguistics (NuPILL)
publisher.none.fl_str_mv Center for Research in Computing, Literature, and Linguistics (NuPILL)
dc.source.none.fl_str_mv Texto Digital; Vol. 2 No. 1 (2006)
Texto Digital; Vol. 2 No 1 (2006)
Texto Digital; v. 2 n. 1 (2006)
1807-9288
reponame:Texto digital
instname:Universidade Federal de Santa Catarina (UFSC)
instacron:UFSC
instname_str Universidade Federal de Santa Catarina (UFSC)
instacron_str UFSC
institution UFSC
reponame_str Texto digital
collection Texto digital
repository.name.fl_str_mv Texto digital - Universidade Federal de Santa Catarina (UFSC)
repository.mail.fl_str_mv textodigital@cce.ufsc.br
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