For a poeticity of the literary text in the digital medium
Autor(a) principal: | |
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Data de Publicação: | 2006 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Texto digital |
Texto Completo: | https://periodicos.ufsc.br/index.php/textodigital/article/view/1318 |
Resumo: | Aesthetic valuing, focalizing the different resources and the diverse discursive conventions of the artistic object throughout the centuries of literary history, is directly related to this which we traditionally call poetics. This way, this – the poetics – implies different conceptions of Nature, according to the role attributed, for example, to mimesis. Nevertheless, every aesthetic standard needs reevaluations, in view of moments of extreme aesthetic and poetic reconfigurations, as is the case of the modernist and contemporary poetry. In all, one must currently (re)think not only the conventions of language, but also – and perhaps principally -, the medium by which this language (poetic) (re)produces itself in the electronic medium. Departing from these premises, the object of this assault aims to suggest a redefinition of aesthetic patterns, taking into consideration the new medium, permeated above all by the categories of Merleau-Ponty (speaking-speech and expression), and by the textual operators of Roland Barthes (Writing Degree Zero). |
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For a poeticity of the literary text in the digital mediumPara uma poeticidade do texto literário em meio eletrônicoAesthetic valuing, focalizing the different resources and the diverse discursive conventions of the artistic object throughout the centuries of literary history, is directly related to this which we traditionally call poetics. This way, this – the poetics – implies different conceptions of Nature, according to the role attributed, for example, to mimesis. Nevertheless, every aesthetic standard needs reevaluations, in view of moments of extreme aesthetic and poetic reconfigurations, as is the case of the modernist and contemporary poetry. In all, one must currently (re)think not only the conventions of language, but also – and perhaps principally -, the medium by which this language (poetic) (re)produces itself in the electronic medium. Departing from these premises, the object of this assault aims to suggest a redefinition of aesthetic patterns, taking into consideration the new medium, permeated above all by the categories of Merleau-Ponty (speaking-speech and expression), and by the textual operators of Roland Barthes (Writing Degree Zero).A valoração estética, focando os diferentes recursos e as diversas convenções discursivas do objeto artístico ao longo de séculos de história literária, está diretamente relacionada a isso que tradicionalmente chamamos de poética. Dessa forma, esta — a poética — implica diferentes concepções de Natureza, de acordo com o papel atribuído, por exemplo, à mimese. Ora, todo padrão estético carece de reavaliações, haja vista momentos de extrema reconfiguração de estéticas e de poéticas, como é o caso das poesias modernista e contemporânea. Contudo, atualmente se deve (re)pensar não apenas as convenções de linguagem, mas também — e talvez principalmente —, o meio pelo qual essa linguagem (poética) se (re)produz no meio eletrônico. Partindo então dessas premissas, o objetivo desta investida visa sugerir uma redefinição de padrões estéticos, levando-se em conta o novo meio, permeada acima de tudo pelas categorias de Merleau-Ponty (fala-falante e expressão), e pelos operadores textuais de Roland Barthes (O Grau Zero da escrita).Center for Research in Computing, Literature, and Linguistics (NuPILL)2006-04-28info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/textodigital/article/view/131810.5007/%xTexto Digital; Vol. 2 No. 1 (2006)Texto Digital; Vol. 2 No 1 (2006)Texto Digital; v. 2 n. 1 (2006)1807-9288reponame:Texto digitalinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/textodigital/article/view/1318/1019Copyright (c) 2008 Cristiano de Salesinfo:eu-repo/semantics/openAccessSales, Cristiano de2017-12-21T12:39:57Zoai:periodicos.ufsc.br:article/1318Revistahttp://www.periodicos.ufsc.br/index.php/textodigitalPUBhttps://periodicos.ufsc.br/index.php/textodigital/oaitextodigital@cce.ufsc.br1807-92881807-9288opendoar:2017-12-21T12:39:57Texto digital - Universidade Federal de Santa Catarina (UFSC)false |
dc.title.none.fl_str_mv |
For a poeticity of the literary text in the digital medium Para uma poeticidade do texto literário em meio eletrônico |
title |
For a poeticity of the literary text in the digital medium |
spellingShingle |
For a poeticity of the literary text in the digital medium Sales, Cristiano de |
title_short |
For a poeticity of the literary text in the digital medium |
title_full |
For a poeticity of the literary text in the digital medium |
title_fullStr |
For a poeticity of the literary text in the digital medium |
title_full_unstemmed |
For a poeticity of the literary text in the digital medium |
title_sort |
For a poeticity of the literary text in the digital medium |
author |
Sales, Cristiano de |
author_facet |
Sales, Cristiano de |
author_role |
author |
dc.contributor.author.fl_str_mv |
Sales, Cristiano de |
description |
Aesthetic valuing, focalizing the different resources and the diverse discursive conventions of the artistic object throughout the centuries of literary history, is directly related to this which we traditionally call poetics. This way, this – the poetics – implies different conceptions of Nature, according to the role attributed, for example, to mimesis. Nevertheless, every aesthetic standard needs reevaluations, in view of moments of extreme aesthetic and poetic reconfigurations, as is the case of the modernist and contemporary poetry. In all, one must currently (re)think not only the conventions of language, but also – and perhaps principally -, the medium by which this language (poetic) (re)produces itself in the electronic medium. Departing from these premises, the object of this assault aims to suggest a redefinition of aesthetic patterns, taking into consideration the new medium, permeated above all by the categories of Merleau-Ponty (speaking-speech and expression), and by the textual operators of Roland Barthes (Writing Degree Zero). |
publishDate |
2006 |
dc.date.none.fl_str_mv |
2006-04-28 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufsc.br/index.php/textodigital/article/view/1318 10.5007/%x |
url |
https://periodicos.ufsc.br/index.php/textodigital/article/view/1318 |
identifier_str_mv |
10.5007/%x |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufsc.br/index.php/textodigital/article/view/1318/1019 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2008 Cristiano de Sales info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2008 Cristiano de Sales |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Center for Research in Computing, Literature, and Linguistics (NuPILL) |
publisher.none.fl_str_mv |
Center for Research in Computing, Literature, and Linguistics (NuPILL) |
dc.source.none.fl_str_mv |
Texto Digital; Vol. 2 No. 1 (2006) Texto Digital; Vol. 2 No 1 (2006) Texto Digital; v. 2 n. 1 (2006) 1807-9288 reponame:Texto digital instname:Universidade Federal de Santa Catarina (UFSC) instacron:UFSC |
instname_str |
Universidade Federal de Santa Catarina (UFSC) |
instacron_str |
UFSC |
institution |
UFSC |
reponame_str |
Texto digital |
collection |
Texto digital |
repository.name.fl_str_mv |
Texto digital - Universidade Federal de Santa Catarina (UFSC) |
repository.mail.fl_str_mv |
textodigital@cce.ufsc.br |
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1754831977404432384 |