E-ART: FRAGMENTATION AND ASSEMBLY

Detalhes bibliográficos
Autor(a) principal: Zinna, Alessandro
Data de Publicação: 2015
Tipo de documento: Artigo
Idioma: ita
Título da fonte: Texto digital
Texto Completo: https://periodicos.ufsc.br/index.php/textodigital/article/view/1807-9288.2015v11n2p35
Resumo: Electronic writing here is analysed through the two conditions set by the Russian linguist Roman Jakobson: in order to be that the electronic language must be able to speak of itself and to create its own aesthetic effects.Inspired by the work of Talan Memmott Self Portrait(s) [as other(s)] metalinguistic and aesthetic traits are read on the background of the evolution of art. From the properties of the plan, the practice, and the value the changes and trends in electronic art are reconstructed. The article concludes by adding a third condition which specifies those set from Jakobson: the untranslatability of aesthetic effects in the languages of art.
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spelling E-ART: FRAGMENTATION AND ASSEMBLYE-ART: FRAGMENTATION AND ASSEMBLYE-ART: LA FRAMMENTAZIONE E IL MONTAGGIOE-Art: fragmentação e montagemElectronic writing here is analysed through the two conditions set by the Russian linguist Roman Jakobson: in order to be that the electronic language must be able to speak of itself and to create its own aesthetic effects.Inspired by the work of Talan Memmott Self Portrait(s) [as other(s)] metalinguistic and aesthetic traits are read on the background of the evolution of art. From the properties of the plan, the practice, and the value the changes and trends in electronic art are reconstructed. The article concludes by adding a third condition which specifies those set from Jakobson: the untranslatability of aesthetic effects in the languages of art.Electronic writing here is analysed through the two conditions set by the Russian linguist Roman Jakobson: in order to be that the electronic language must be able to speak of itself and to create its own aesthetic effects. Inspired by the work of Talan Memmott Self Portrait(s) [as other(s)] metalinguistic and aesthetic traits are read on the background of the evolution of art. From the properties of the plan, the practice, and the value the changes and trends in electronic art are reconstructed. The article concludes by adding a third condition which specifies those set from Jakobson: the untranslatability of aesthetic effects in the languages of art.Considerare la scrittura elettronica come un linguaggio? Roman Jakobson rispondeva positivamente solo dopo aver constatato la presenza di due funzioni: quella metalinguistica e quella estetica. La scrittura elettronica è sottoposta qui al vaglio delle due condizioni del linguista russo: per essere tale il linguaggio elettronico deve poter parlar di se stesso e creare degli effetti estetici che gli sono propri. Appurato che si tratta di un linguaggio, il saggio ha coma obiettivo di capire quali innovazioni introduce l’arte nata dalla scrittura digitale. Facendo ricorso alle intuizioni di Deleuze e Guattari – che opponevano l'arte alla filosofia e alla scienza – si possono cogliere le proprietà costitutive di quelle che Foucault chiama, disponendole sullo sfondo delle evoluzioni storiche, le formazioni discorsive. Apparsa nel primo volume di Electronic Literature, Self Portrait(s) [as other(s)] è un'opera esemplare per riassumere le innovazioni introdotte. Prendendo spunto dal dispositivo ideato da Talan Memmott, i tratti metalinguistici ed estetici sono letti sullo sfondo delle evoluzioni della formazione dell’arte. Dalle proprietà del piano, della pratica e del valore sono ricostruite le mutazioni e le tendenze dell'arte elettronica. Il saggio si conclude aggiungendo una terza condizione che precisa quelle enunciate da JCenter for Research in Computing, Literature, and Linguistics (NuPILL)2015-12-08info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/textodigital/article/view/1807-9288.2015v11n2p3510.5007/1807-9288.2015v11n2p35Texto Digital; Vol. 11 No. 2 (2015); 35-52Texto Digital; Vol. 11 No 2 (2015); 35-52Texto Digital; v. 11 n. 2 (2015); 35-521807-9288reponame:Texto digitalinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCitahttps://periodicos.ufsc.br/index.php/textodigital/article/view/1807-9288.2015v11n2p35/30953Copyright (c) 2015 Alessandro Zinnainfo:eu-repo/semantics/openAccessZinna, Alessandro2018-04-03T10:21:05Zoai:periodicos.ufsc.br:article/41369Revistahttp://www.periodicos.ufsc.br/index.php/textodigitalPUBhttps://periodicos.ufsc.br/index.php/textodigital/oaitextodigital@cce.ufsc.br1807-92881807-9288opendoar:2018-04-03T10:21:05Texto digital - Universidade Federal de Santa Catarina (UFSC)false
dc.title.none.fl_str_mv E-ART: FRAGMENTATION AND ASSEMBLY
E-ART: FRAGMENTATION AND ASSEMBLY
E-ART: LA FRAMMENTAZIONE E IL MONTAGGIO
E-Art: fragmentação e montagem
title E-ART: FRAGMENTATION AND ASSEMBLY
spellingShingle E-ART: FRAGMENTATION AND ASSEMBLY
Zinna, Alessandro
title_short E-ART: FRAGMENTATION AND ASSEMBLY
title_full E-ART: FRAGMENTATION AND ASSEMBLY
title_fullStr E-ART: FRAGMENTATION AND ASSEMBLY
title_full_unstemmed E-ART: FRAGMENTATION AND ASSEMBLY
title_sort E-ART: FRAGMENTATION AND ASSEMBLY
author Zinna, Alessandro
author_facet Zinna, Alessandro
author_role author
dc.contributor.author.fl_str_mv Zinna, Alessandro
description Electronic writing here is analysed through the two conditions set by the Russian linguist Roman Jakobson: in order to be that the electronic language must be able to speak of itself and to create its own aesthetic effects.Inspired by the work of Talan Memmott Self Portrait(s) [as other(s)] metalinguistic and aesthetic traits are read on the background of the evolution of art. From the properties of the plan, the practice, and the value the changes and trends in electronic art are reconstructed. The article concludes by adding a third condition which specifies those set from Jakobson: the untranslatability of aesthetic effects in the languages of art.
publishDate 2015
dc.date.none.fl_str_mv 2015-12-08
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufsc.br/index.php/textodigital/article/view/1807-9288.2015v11n2p35
10.5007/1807-9288.2015v11n2p35
url https://periodicos.ufsc.br/index.php/textodigital/article/view/1807-9288.2015v11n2p35
identifier_str_mv 10.5007/1807-9288.2015v11n2p35
dc.language.iso.fl_str_mv ita
language ita
dc.relation.none.fl_str_mv https://periodicos.ufsc.br/index.php/textodigital/article/view/1807-9288.2015v11n2p35/30953
dc.rights.driver.fl_str_mv Copyright (c) 2015 Alessandro Zinna
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2015 Alessandro Zinna
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Center for Research in Computing, Literature, and Linguistics (NuPILL)
publisher.none.fl_str_mv Center for Research in Computing, Literature, and Linguistics (NuPILL)
dc.source.none.fl_str_mv Texto Digital; Vol. 11 No. 2 (2015); 35-52
Texto Digital; Vol. 11 No 2 (2015); 35-52
Texto Digital; v. 11 n. 2 (2015); 35-52
1807-9288
reponame:Texto digital
instname:Universidade Federal de Santa Catarina (UFSC)
instacron:UFSC
instname_str Universidade Federal de Santa Catarina (UFSC)
instacron_str UFSC
institution UFSC
reponame_str Texto digital
collection Texto digital
repository.name.fl_str_mv Texto digital - Universidade Federal de Santa Catarina (UFSC)
repository.mail.fl_str_mv textodigital@cce.ufsc.br
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