Ken Loach's collaborative work in cinema

Detalhes bibliográficos
Autor(a) principal: Soares, Marcos César de Paula
Data de Publicação: 2019
Tipo de documento: Artigo
Idioma: por
Título da fonte: Ilha do Desterro
Texto Completo: https://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2019v72n1p251
Resumo: The article begins with an analysis of the initial scene of the film I, Daniel Blake by the British filmmaker Ken Loach, to discuss the context in which the filmmaker's career began, amid the English debate about the legacies of Naturalism in literature and cinema. The article then turns to some of the practical consequences of this discussion of the collaborative working methods adopted by the director to ensure what he calls "portrait authenticity of the life of the English working classes."
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spelling Ken Loach's collaborative work in cinemaO trabalho colaborativo no cinema de Ken LoachThe article begins with an analysis of the initial scene of the film I, Daniel Blake by the British filmmaker Ken Loach, to discuss the context in which the filmmaker's career began, amid the English debate about the legacies of Naturalism in literature and cinema. The article then turns to some of the practical consequences of this discussion of the collaborative working methods adopted by the director to ensure what he calls "portrait authenticity of the life of the English working classes."O artigo parte da análise da cena inicial do filme Eu, Daniel Blake do cineasta inglês Ken Loach para discutir o contexto em que se iniciou a carreira do cineasta, em meio ao debate inglês sobre as heranças do Naturalismo na literatura e no cinema. Em seguida, o artigo se voltará para algumas das consequências práticas desta discussão no que tange os métodos de trabalho colaborativos adotados pelo diretor para garantir aquilo que ele chama de “autenticidade do retrato da vida das classes trabalhadoras inglesas”.UFSC2019-02-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2019v72n1p25110.5007/2175-8026.2019v72n1p251Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; Vol. 72 No. 1 (2019): Mapping Critical Journeys in Literature, Film, and Cultural Studies; 251-264Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; v. 72 n. 1 (2019): Mapping Critical Journeys in Literature, Film, and Cultural Studies; 251-2642175-80260101-4846reponame:Ilha do Desterroinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2019v72n1p251/38391Copyright (c) 2019 Marcos César de Paula Soaresinfo:eu-repo/semantics/openAccessSoares, Marcos César de Paula2019-02-01T08:29:25Zoai:periodicos.ufsc.br:article/53560Revistahttp://www.periodicos.ufsc.br/index.php/desterroPUBhttps://periodicos.ufsc.br/index.php/desterro/oaiilha@cce.ufsc.br||corseuil@cce.ufsc.br||ilhadodesterro@gmail.com2175-80260101-4846opendoar:2019-02-01T08:29:25Ilha do Desterro - Universidade Federal de Santa Catarina (UFSC)false
dc.title.none.fl_str_mv Ken Loach's collaborative work in cinema
O trabalho colaborativo no cinema de Ken Loach
title Ken Loach's collaborative work in cinema
spellingShingle Ken Loach's collaborative work in cinema
Soares, Marcos César de Paula
title_short Ken Loach's collaborative work in cinema
title_full Ken Loach's collaborative work in cinema
title_fullStr Ken Loach's collaborative work in cinema
title_full_unstemmed Ken Loach's collaborative work in cinema
title_sort Ken Loach's collaborative work in cinema
author Soares, Marcos César de Paula
author_facet Soares, Marcos César de Paula
author_role author
dc.contributor.author.fl_str_mv Soares, Marcos César de Paula
description The article begins with an analysis of the initial scene of the film I, Daniel Blake by the British filmmaker Ken Loach, to discuss the context in which the filmmaker's career began, amid the English debate about the legacies of Naturalism in literature and cinema. The article then turns to some of the practical consequences of this discussion of the collaborative working methods adopted by the director to ensure what he calls "portrait authenticity of the life of the English working classes."
publishDate 2019
dc.date.none.fl_str_mv 2019-02-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2019v72n1p251
10.5007/2175-8026.2019v72n1p251
url https://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2019v72n1p251
identifier_str_mv 10.5007/2175-8026.2019v72n1p251
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2019v72n1p251/38391
dc.rights.driver.fl_str_mv Copyright (c) 2019 Marcos César de Paula Soares
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Marcos César de Paula Soares
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv UFSC
publisher.none.fl_str_mv UFSC
dc.source.none.fl_str_mv Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; Vol. 72 No. 1 (2019): Mapping Critical Journeys in Literature, Film, and Cultural Studies; 251-264
Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; v. 72 n. 1 (2019): Mapping Critical Journeys in Literature, Film, and Cultural Studies; 251-264
2175-8026
0101-4846
reponame:Ilha do Desterro
instname:Universidade Federal de Santa Catarina (UFSC)
instacron:UFSC
instname_str Universidade Federal de Santa Catarina (UFSC)
instacron_str UFSC
institution UFSC
reponame_str Ilha do Desterro
collection Ilha do Desterro
repository.name.fl_str_mv Ilha do Desterro - Universidade Federal de Santa Catarina (UFSC)
repository.mail.fl_str_mv ilha@cce.ufsc.br||corseuil@cce.ufsc.br||ilhadodesterro@gmail.com
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