Ruins Space: from exhibition value to occupancy/event value
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista Digital do LAV ( Laboratório de Artes Visuais) |
Texto Completo: | http://periodicos.ufsm.br/revislav/article/view/44381 |
Resumo: | This article will have as a reflection device the occupation / exhibition Plural Presences, which took place in November 2019 at the State University of Maringá. We will take this event as an analyzer to think of curation as a work of art (HOFFMANN, 2004), and, based on institutional analysis (BAREMBLITT, 2002) and institutional criticism of art (FRASER, 2005), to place the value of art exhibition (FREIRE, 1999) analyzing its unfolding as a collective enunciation agency (DELEUZE; GUATTARI, 1995). The tension between exhibition and occupation will be explored here in order to think of art as a mode of collective organization that, in addition to the white cube, gains body as an event driven by alliance and desiring affinities. Finally, at a crossroads between the field of art and the field of education, we begin to think about the role of the artist-teacher who sees art teaching as an artistic proposition and as a device for a lesser education (GALLO, 2002). |
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Ruins Space: from exhibition value to occupancy/event valueEspaço Ruínas: do valor de exibição para o valor de ocupação/acontecimentoPurposeful curationartist-teacher`s becomingcontemporary art.Curadoria propositivadevir artista-professorarte contemporâneaThis article will have as a reflection device the occupation / exhibition Plural Presences, which took place in November 2019 at the State University of Maringá. We will take this event as an analyzer to think of curation as a work of art (HOFFMANN, 2004), and, based on institutional analysis (BAREMBLITT, 2002) and institutional criticism of art (FRASER, 2005), to place the value of art exhibition (FREIRE, 1999) analyzing its unfolding as a collective enunciation agency (DELEUZE; GUATTARI, 1995). The tension between exhibition and occupation will be explored here in order to think of art as a mode of collective organization that, in addition to the white cube, gains body as an event driven by alliance and desiring affinities. Finally, at a crossroads between the field of art and the field of education, we begin to think about the role of the artist-teacher who sees art teaching as an artistic proposition and as a device for a lesser education (GALLO, 2002).Este artigo tem como dispositivo de reflexão a ocupação/exposição Presenças Plurais, que ocorreu em 2019 na Universidade Estadual de Maringá. A partir desse evento, pensa-se sobre a curadoria como trabalho de arte (HOFFMANN, 2004) e, a partir da análise institucional (BAREMBLITT, 2002) e da crítica institucional da arte (FRASER, 2005), situa-se localmente o valor de exibição da arte (FREIRE, 1999), analisando seus desdobramentos enquanto um agenciamento coletivo de enunciação (DELEUZE; GUATTARI, 1995). O tensionamento entre exposição e ocupação será explorado a fim de pensar a arte enquanto modo de organização coletiva que, para além do cubo branco, ganha corpo como acontecimento movido por alianças e afinidades desejantes. Por fim, em um cruzamento entre o campo da arte e o da educação, reflete-se sobre o papel do artista-professor, que vê o ensino da arte como proposição artística, bem como um dispositivo para uma educação menor (GALLO, 2002).Universidade Federal de Santa Maria2021-04-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://periodicos.ufsm.br/revislav/article/view/4438110.5902/1983734844381Revista Digital do LAV; 2021: Revista Digital do LAV - v. 14, n. 1, jan./apr. 2021; 006-025Revista Digital do LAV; 2021: Revista Digital do LAV - v. 14, n. 1, jan./abr. 2021; 006-0251983-73481983-7348reponame:Revista Digital do LAV ( Laboratório de Artes Visuais)instname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMporhttp://periodicos.ufsm.br/revislav/article/view/44381/pdfCopyright (c) 2021 Revista Digital do LAVinfo:eu-repo/semantics/openAccessStubs, RobertaGonçalves, Cleberson Diego2021-04-29T15:29:51Zoai:ojs.pkp.sfu.ca:article/44381Revistahttp://cascavel.ufsm.br/revistas/ojs-2.2.2/index.php/revislav/PUBhttp://cascavel.ufsm.br/revistas/ojs-2.2.2/index.php/revislav/oairevistadigitaldolav@gmail.com||daniel@rswa.com.br1983-73481983-7348opendoar:2021-04-29T15:29:51Revista Digital do LAV ( Laboratório de Artes Visuais) - Universidade Federal de Santa Maria (UFSM)false |
dc.title.none.fl_str_mv |
Ruins Space: from exhibition value to occupancy/event value Espaço Ruínas: do valor de exibição para o valor de ocupação/acontecimento |
title |
Ruins Space: from exhibition value to occupancy/event value |
spellingShingle |
Ruins Space: from exhibition value to occupancy/event value Stubs, Roberta Purposeful curation artist-teacher`s becoming contemporary art. Curadoria propositiva devir artista-professor arte contemporânea |
title_short |
Ruins Space: from exhibition value to occupancy/event value |
title_full |
Ruins Space: from exhibition value to occupancy/event value |
title_fullStr |
Ruins Space: from exhibition value to occupancy/event value |
title_full_unstemmed |
Ruins Space: from exhibition value to occupancy/event value |
title_sort |
Ruins Space: from exhibition value to occupancy/event value |
author |
Stubs, Roberta |
author_facet |
Stubs, Roberta Gonçalves, Cleberson Diego |
author_role |
author |
author2 |
Gonçalves, Cleberson Diego |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Stubs, Roberta Gonçalves, Cleberson Diego |
dc.subject.por.fl_str_mv |
Purposeful curation artist-teacher`s becoming contemporary art. Curadoria propositiva devir artista-professor arte contemporânea |
topic |
Purposeful curation artist-teacher`s becoming contemporary art. Curadoria propositiva devir artista-professor arte contemporânea |
description |
This article will have as a reflection device the occupation / exhibition Plural Presences, which took place in November 2019 at the State University of Maringá. We will take this event as an analyzer to think of curation as a work of art (HOFFMANN, 2004), and, based on institutional analysis (BAREMBLITT, 2002) and institutional criticism of art (FRASER, 2005), to place the value of art exhibition (FREIRE, 1999) analyzing its unfolding as a collective enunciation agency (DELEUZE; GUATTARI, 1995). The tension between exhibition and occupation will be explored here in order to think of art as a mode of collective organization that, in addition to the white cube, gains body as an event driven by alliance and desiring affinities. Finally, at a crossroads between the field of art and the field of education, we begin to think about the role of the artist-teacher who sees art teaching as an artistic proposition and as a device for a lesser education (GALLO, 2002). |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-04-29 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://periodicos.ufsm.br/revislav/article/view/44381 10.5902/1983734844381 |
url |
http://periodicos.ufsm.br/revislav/article/view/44381 |
identifier_str_mv |
10.5902/1983734844381 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
http://periodicos.ufsm.br/revislav/article/view/44381/pdf |
dc.rights.driver.fl_str_mv |
Copyright (c) 2021 Revista Digital do LAV info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2021 Revista Digital do LAV |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Santa Maria |
publisher.none.fl_str_mv |
Universidade Federal de Santa Maria |
dc.source.none.fl_str_mv |
Revista Digital do LAV; 2021: Revista Digital do LAV - v. 14, n. 1, jan./apr. 2021; 006-025 Revista Digital do LAV; 2021: Revista Digital do LAV - v. 14, n. 1, jan./abr. 2021; 006-025 1983-7348 1983-7348 reponame:Revista Digital do LAV ( Laboratório de Artes Visuais) instname:Universidade Federal de Santa Maria (UFSM) instacron:UFSM |
instname_str |
Universidade Federal de Santa Maria (UFSM) |
instacron_str |
UFSM |
institution |
UFSM |
reponame_str |
Revista Digital do LAV ( Laboratório de Artes Visuais) |
collection |
Revista Digital do LAV ( Laboratório de Artes Visuais) |
repository.name.fl_str_mv |
Revista Digital do LAV ( Laboratório de Artes Visuais) - Universidade Federal de Santa Maria (UFSM) |
repository.mail.fl_str_mv |
revistadigitaldolav@gmail.com||daniel@rswa.com.br |
_version_ |
1789434630279004160 |