When you mark, is there no going back?

Detalhes bibliográficos
Autor(a) principal: Oliveira, Bruna Tostes de
Data de Publicação: 2018
Outros Autores: Ferrari, Anderson
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Digital do LAV ( Laboratório de Artes Visuais)
Texto Completo: http://periodicos.ufsm.br/revislav/article/view/31718
Resumo: It was the problematizing look from the city to the school that structured this research to put under suspicion what we look at without realizing it. How can images produce subjects belonging or not to a particular place? This question led us to investigate the meanings between the art of graffiti and what is known as "pixação" to problematize the processes of constitution of subjects amid discourses of appreciation and devaluation of these expressions and marks in the city. We work with the poststructuralist perspective, with special inspiration by the studies of Michel Foucault, helping us think that we are the result of discourses crossed by relations of power. One of the points that caught our attention was the work of the cultural articulator, which enabled us to work with the relationship between art and feminism.
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spelling When you mark, is there no going back?Quando se marca, não há volta?“Pixação”ArtSubjectivitiesSchoolsPichaçãoArteSubjetividadesEscolasIt was the problematizing look from the city to the school that structured this research to put under suspicion what we look at without realizing it. How can images produce subjects belonging or not to a particular place? This question led us to investigate the meanings between the art of graffiti and what is known as "pixação" to problematize the processes of constitution of subjects amid discourses of appreciation and devaluation of these expressions and marks in the city. We work with the poststructuralist perspective, with special inspiration by the studies of Michel Foucault, helping us think that we are the result of discourses crossed by relations of power. One of the points that caught our attention was the work of the cultural articulator, which enabled us to work with the relationship between art and feminism.Foi o olhar problematizador da cidade para a escola que estruturou esta pesquisa para colocar sob suspeita aquilo que olhamos sem nos darmos conta. Como as imagens podem produzir sujeitos pertencentes ou não a um determinado lugar? Esta questão nos levou para o que a relação entre a arte do grafite e o que é conhecido como “pichação” para entender os processos de constituição dos sujeitos em meio a discursos de valorização e desvalorização dessas expressões e marcas na cidade. Trabalhamos com a perspectiva pós-estruturalista, com especial inspiração nos estudos de Michel Foucault para pensar que somos resultado de discursos atravessados por relações de poder.Universidade Federal de Santa Maria2018-12-08info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://periodicos.ufsm.br/revislav/article/view/3171810.5902/1983734831718Revista Digital do LAV; 2018: Revista Digital do LAV - v. 11, n. 3, set/dez. 2018; 098-121Revista Digital do LAV; 2018: Revista Digital do LAV - v. 11, n. 3, set./dez. 2018; 098-1211983-73481983-7348reponame:Revista Digital do LAV ( Laboratório de Artes Visuais)instname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMporhttp://periodicos.ufsm.br/revislav/article/view/31718/pdfCopyright (c) 2018 Revista Digital do LAVinfo:eu-repo/semantics/openAccessOliveira, Bruna Tostes deFerrari, Anderson2020-06-19T11:57:16Zoai:ojs.pkp.sfu.ca:article/31718Revistahttp://cascavel.ufsm.br/revistas/ojs-2.2.2/index.php/revislav/PUBhttp://cascavel.ufsm.br/revistas/ojs-2.2.2/index.php/revislav/oairevistadigitaldolav@gmail.com||daniel@rswa.com.br1983-73481983-7348opendoar:2020-06-19T11:57:16Revista Digital do LAV ( Laboratório de Artes Visuais) - Universidade Federal de Santa Maria (UFSM)false
dc.title.none.fl_str_mv When you mark, is there no going back?
Quando se marca, não há volta?
title When you mark, is there no going back?
spellingShingle When you mark, is there no going back?
Oliveira, Bruna Tostes de
“Pixação”
Art
Subjectivities
Schools
Pichação
Arte
Subjetividades
Escolas
title_short When you mark, is there no going back?
title_full When you mark, is there no going back?
title_fullStr When you mark, is there no going back?
title_full_unstemmed When you mark, is there no going back?
title_sort When you mark, is there no going back?
author Oliveira, Bruna Tostes de
author_facet Oliveira, Bruna Tostes de
Ferrari, Anderson
author_role author
author2 Ferrari, Anderson
author2_role author
dc.contributor.author.fl_str_mv Oliveira, Bruna Tostes de
Ferrari, Anderson
dc.subject.por.fl_str_mv “Pixação”
Art
Subjectivities
Schools
Pichação
Arte
Subjetividades
Escolas
topic “Pixação”
Art
Subjectivities
Schools
Pichação
Arte
Subjetividades
Escolas
description It was the problematizing look from the city to the school that structured this research to put under suspicion what we look at without realizing it. How can images produce subjects belonging or not to a particular place? This question led us to investigate the meanings between the art of graffiti and what is known as "pixação" to problematize the processes of constitution of subjects amid discourses of appreciation and devaluation of these expressions and marks in the city. We work with the poststructuralist perspective, with special inspiration by the studies of Michel Foucault, helping us think that we are the result of discourses crossed by relations of power. One of the points that caught our attention was the work of the cultural articulator, which enabled us to work with the relationship between art and feminism.
publishDate 2018
dc.date.none.fl_str_mv 2018-12-08
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://periodicos.ufsm.br/revislav/article/view/31718
10.5902/1983734831718
url http://periodicos.ufsm.br/revislav/article/view/31718
identifier_str_mv 10.5902/1983734831718
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv http://periodicos.ufsm.br/revislav/article/view/31718/pdf
dc.rights.driver.fl_str_mv Copyright (c) 2018 Revista Digital do LAV
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Revista Digital do LAV
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Santa Maria
publisher.none.fl_str_mv Universidade Federal de Santa Maria
dc.source.none.fl_str_mv Revista Digital do LAV; 2018: Revista Digital do LAV - v. 11, n. 3, set/dez. 2018; 098-121
Revista Digital do LAV; 2018: Revista Digital do LAV - v. 11, n. 3, set./dez. 2018; 098-121
1983-7348
1983-7348
reponame:Revista Digital do LAV ( Laboratório de Artes Visuais)
instname:Universidade Federal de Santa Maria (UFSM)
instacron:UFSM
instname_str Universidade Federal de Santa Maria (UFSM)
instacron_str UFSM
institution UFSM
reponame_str Revista Digital do LAV ( Laboratório de Artes Visuais)
collection Revista Digital do LAV ( Laboratório de Artes Visuais)
repository.name.fl_str_mv Revista Digital do LAV ( Laboratório de Artes Visuais) - Universidade Federal de Santa Maria (UFSM)
repository.mail.fl_str_mv revistadigitaldolav@gmail.com||daniel@rswa.com.br
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