Carolina’s window and Lindoneia’s mirror: two anti-muses in a crumbling world

Detalhes bibliográficos
Autor(a) principal: Napolitano, Marcos
Data de Publicação: 2018
Tipo de documento: Artigo
Idioma: por
Título da fonte: ArtCultura (Online)
Texto Completo: https://seer.ufu.br/index.php/artcultura/article/view/47251
Resumo: This article focuses two Brazilian songs: “Carolina” (Chico Buarque, 1967) e “Lindoneia” (Caetano Veloso/Gilberto Gil, 1968). From an intertextual and counterpointistic point of view, we suggest that these songs (their lyrics, but also a few of their musical aspects) reveal a tense historical context, a portrait of Brazilian political and cultural conservative modernization after the 1964 coup. keywords: “Carolina”; “Lindoneia”; Brazilian conservative modernizing.
id UFU-15_5ac54fb2c2863928ff8f99960fa08f9d
oai_identifier_str oai:ojs.www.seer.ufu.br:article/47251
network_acronym_str UFU-15
network_name_str ArtCultura (Online)
repository_id_str
spelling Carolina’s window and Lindoneia’s mirror: two anti-muses in a crumbling worldA janela de Carolina e o espelho de Lindoneia: duas antimusas de um mundo que se desagregaThis article focuses two Brazilian songs: “Carolina” (Chico Buarque, 1967) e “Lindoneia” (Caetano Veloso/Gilberto Gil, 1968). From an intertextual and counterpointistic point of view, we suggest that these songs (their lyrics, but also a few of their musical aspects) reveal a tense historical context, a portrait of Brazilian political and cultural conservative modernization after the 1964 coup. keywords: “Carolina”; “Lindoneia”; Brazilian conservative modernizing.Este artigo visa analisar, a partir de uma perspectiva histórica, duas canções dos anos 60: “Carolina” (Chico Buarque, 1967) e “Lindoneia” (Caetano Veloso e Gilberto Gil, 1968). Sob uma ótica intertextual e contrapontística, sugerimos que a análise das duas composições, principalmente das suas letras (mas também de alguns aspectos musicais), revela uma configuração histórica tensa, retrato dos dilemas da modernização brasileira, potencializados pelo golpe militar de 1964. palavras-chave: “Carolina”; “Lindoneia”; dilemas da modernização brasileira.Universidade Federal de Uberlândia2018-12-12info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufu.br/index.php/artcultura/article/view/4725110.14393/artc-v20-n37-2018-47251ArtCultura; Vol. 20 No. 37 (2018): ArtCultura; 201 - 210ArtCultura; Vol. 20 Núm. 37 (2018): ArtCultura; 201 - 210ArtCultura; v. 20 n. 37 (2018): ArtCultura; 201 - 2102178-3845reponame:ArtCultura (Online)instname:Universidade Federal de Uberlândia (UFU)instacron:UFUporhttps://seer.ufu.br/index.php/artcultura/article/view/47251/25576Napolitano, Marcosinfo:eu-repo/semantics/openAccess2022-05-27T16:16:49Zoai:ojs.www.seer.ufu.br:article/47251Revistahttp://www.seer.ufu.br/index.php/artcultura/indexPUBhttps://seer.ufu.br/index.php/artcultura/oaiakparanhos@uol.com.br||2178-38452178-3845opendoar:2022-05-27T16:16:49ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)false
dc.title.none.fl_str_mv Carolina’s window and Lindoneia’s mirror: two anti-muses in a crumbling world
A janela de Carolina e o espelho de Lindoneia: duas antimusas de um mundo que se desagrega
title Carolina’s window and Lindoneia’s mirror: two anti-muses in a crumbling world
spellingShingle Carolina’s window and Lindoneia’s mirror: two anti-muses in a crumbling world
Napolitano, Marcos
title_short Carolina’s window and Lindoneia’s mirror: two anti-muses in a crumbling world
title_full Carolina’s window and Lindoneia’s mirror: two anti-muses in a crumbling world
title_fullStr Carolina’s window and Lindoneia’s mirror: two anti-muses in a crumbling world
title_full_unstemmed Carolina’s window and Lindoneia’s mirror: two anti-muses in a crumbling world
title_sort Carolina’s window and Lindoneia’s mirror: two anti-muses in a crumbling world
author Napolitano, Marcos
author_facet Napolitano, Marcos
author_role author
dc.contributor.author.fl_str_mv Napolitano, Marcos
description This article focuses two Brazilian songs: “Carolina” (Chico Buarque, 1967) e “Lindoneia” (Caetano Veloso/Gilberto Gil, 1968). From an intertextual and counterpointistic point of view, we suggest that these songs (their lyrics, but also a few of their musical aspects) reveal a tense historical context, a portrait of Brazilian political and cultural conservative modernization after the 1964 coup. keywords: “Carolina”; “Lindoneia”; Brazilian conservative modernizing.
publishDate 2018
dc.date.none.fl_str_mv 2018-12-12
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufu.br/index.php/artcultura/article/view/47251
10.14393/artc-v20-n37-2018-47251
url https://seer.ufu.br/index.php/artcultura/article/view/47251
identifier_str_mv 10.14393/artc-v20-n37-2018-47251
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufu.br/index.php/artcultura/article/view/47251/25576
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Uberlândia
publisher.none.fl_str_mv Universidade Federal de Uberlândia
dc.source.none.fl_str_mv ArtCultura; Vol. 20 No. 37 (2018): ArtCultura; 201 - 210
ArtCultura; Vol. 20 Núm. 37 (2018): ArtCultura; 201 - 210
ArtCultura; v. 20 n. 37 (2018): ArtCultura; 201 - 210
2178-3845
reponame:ArtCultura (Online)
instname:Universidade Federal de Uberlândia (UFU)
instacron:UFU
instname_str Universidade Federal de Uberlândia (UFU)
instacron_str UFU
institution UFU
reponame_str ArtCultura (Online)
collection ArtCultura (Online)
repository.name.fl_str_mv ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)
repository.mail.fl_str_mv akparanhos@uol.com.br||
_version_ 1797069142422978560