The White album’s revolutions: avant-gardism, New Left and pop music

Detalhes bibliográficos
Autor(a) principal: Fenerick, José Adriano
Data de Publicação: 2016
Outros Autores: Marquioni, Carlos Eduardo
Tipo de documento: Artigo
Idioma: por
Título da fonte: ArtCultura (Online)
Texto Completo: https://seer.ufu.br/index.php/artcultura/article/view/36638
Resumo: The Beatles’ White Album can be seen, simultaneously and paradoxically, as a movement forward and a denial of their previous work (Sgt. Pepper’s Lonely Hearts Club Band). In this paper, the White Album is analyzed as the materialization of feeling structure, that was being reconfigured, as far as both the aesthetic economy it brought – from its cover to the songs recorded (making its reading easier due to an approachable repertory) – and the duality in the “Revolution” (1 and 9) registers are concerned. While the first song suggests musical moderation and political lack of definition, the second one includes differentiated aesthetic experiments in lyrics and music, even in comparison with other experimental Beatles recorded songs. According to this analytic perspective, we could say that “Revolution 9” is close to European vanguards and, at the same time, has pop music elements. Keywords: Beatles; White album; rock.
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spelling The White album’s revolutions: avant-gardism, New Left and pop musicAs revoluções do Álbum branco: vanguardismo, Nova Esquerda e música popThe Beatles’ White Album can be seen, simultaneously and paradoxically, as a movement forward and a denial of their previous work (Sgt. Pepper’s Lonely Hearts Club Band). In this paper, the White Album is analyzed as the materialization of feeling structure, that was being reconfigured, as far as both the aesthetic economy it brought – from its cover to the songs recorded (making its reading easier due to an approachable repertory) – and the duality in the “Revolution” (1 and 9) registers are concerned. While the first song suggests musical moderation and political lack of definition, the second one includes differentiated aesthetic experiments in lyrics and music, even in comparison with other experimental Beatles recorded songs. According to this analytic perspective, we could say that “Revolution 9” is close to European vanguards and, at the same time, has pop music elements. Keywords: Beatles; White album; rock.O Álbum branco dos Beatles pode ser entendido, simultânea e paradoxalmente, como um desdobramento e uma negação do trabalho anterior do grupo inglês (Sgt. Pepper’s Lonely Hearts Club Band). Neste artigo, tal disco é analisado como materialização de uma estrutura de sentimento em reconfiguraç ão, tanto em relação à economia estética que apresentou – desde a sua capa até as canções (facilitando sua leitura em função de uma aproximação de repertórios) –, quanto à dualidade dos registros de “Revolution” (1 e 9). Enquanto a primeira evidencia um posicionamento comedido musicalmente e de indefinição política, a segunda contém experimentos estéticos diferenciados relativos à letra e música segundo os padrões da música pop, inclusive em comparação com outras canções experimentais dos Beatles. De acordo com essa perspectiva de análise, “Revolution 9” englobaria uma aproximação com as vanguardas europeias ao mesmo tempo em que manteria elementos da música popular. Palavras-chave: The Beatles; Álbum branco; rockUniversidade Federal de Uberlândia2016-11-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufu.br/index.php/artcultura/article/view/36638ArtCultura; Vol. 17 No. 31 (2015): ArtCulturaArtCultura; Vol. 17 Núm. 31 (2015): ArtCulturaArtCultura; v. 17 n. 31 (2015): ArtCultura2178-3845reponame:ArtCultura (Online)instname:Universidade Federal de Uberlândia (UFU)instacron:UFUporhttps://seer.ufu.br/index.php/artcultura/article/view/36638/19313Copyright (c) 2016 Artculturainfo:eu-repo/semantics/openAccessFenerick, José AdrianoMarquioni, Carlos Eduardo2022-05-27T16:18:30Zoai:ojs.www.seer.ufu.br:article/36638Revistahttp://www.seer.ufu.br/index.php/artcultura/indexPUBhttps://seer.ufu.br/index.php/artcultura/oaiakparanhos@uol.com.br||2178-38452178-3845opendoar:2022-05-27T16:18:30ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)false
dc.title.none.fl_str_mv The White album’s revolutions: avant-gardism, New Left and pop music
As revoluções do Álbum branco: vanguardismo, Nova Esquerda e música pop
title The White album’s revolutions: avant-gardism, New Left and pop music
spellingShingle The White album’s revolutions: avant-gardism, New Left and pop music
Fenerick, José Adriano
title_short The White album’s revolutions: avant-gardism, New Left and pop music
title_full The White album’s revolutions: avant-gardism, New Left and pop music
title_fullStr The White album’s revolutions: avant-gardism, New Left and pop music
title_full_unstemmed The White album’s revolutions: avant-gardism, New Left and pop music
title_sort The White album’s revolutions: avant-gardism, New Left and pop music
author Fenerick, José Adriano
author_facet Fenerick, José Adriano
Marquioni, Carlos Eduardo
author_role author
author2 Marquioni, Carlos Eduardo
author2_role author
dc.contributor.author.fl_str_mv Fenerick, José Adriano
Marquioni, Carlos Eduardo
description The Beatles’ White Album can be seen, simultaneously and paradoxically, as a movement forward and a denial of their previous work (Sgt. Pepper’s Lonely Hearts Club Band). In this paper, the White Album is analyzed as the materialization of feeling structure, that was being reconfigured, as far as both the aesthetic economy it brought – from its cover to the songs recorded (making its reading easier due to an approachable repertory) – and the duality in the “Revolution” (1 and 9) registers are concerned. While the first song suggests musical moderation and political lack of definition, the second one includes differentiated aesthetic experiments in lyrics and music, even in comparison with other experimental Beatles recorded songs. According to this analytic perspective, we could say that “Revolution 9” is close to European vanguards and, at the same time, has pop music elements. Keywords: Beatles; White album; rock.
publishDate 2016
dc.date.none.fl_str_mv 2016-11-30
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufu.br/index.php/artcultura/article/view/36638
url https://seer.ufu.br/index.php/artcultura/article/view/36638
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufu.br/index.php/artcultura/article/view/36638/19313
dc.rights.driver.fl_str_mv Copyright (c) 2016 Artcultura
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2016 Artcultura
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Uberlândia
publisher.none.fl_str_mv Universidade Federal de Uberlândia
dc.source.none.fl_str_mv ArtCultura; Vol. 17 No. 31 (2015): ArtCultura
ArtCultura; Vol. 17 Núm. 31 (2015): ArtCultura
ArtCultura; v. 17 n. 31 (2015): ArtCultura
2178-3845
reponame:ArtCultura (Online)
instname:Universidade Federal de Uberlândia (UFU)
instacron:UFU
instname_str Universidade Federal de Uberlândia (UFU)
instacron_str UFU
institution UFU
reponame_str ArtCultura (Online)
collection ArtCultura (Online)
repository.name.fl_str_mv ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)
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