história de mulheres: da oralidade à cena
Autor(a) principal: | |
---|---|
Data de Publicação: | 2019 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFU |
Texto Completo: | https://repositorio.ufu.br/handle/123456789/26736 http://dx.doi.org/10.14393/ufu.di.2019.2116 |
Resumo: | In this research I seek to share the process of creating of V (ENTRE), the scenic material that was created from the memory of women for an in - depth investigation of a material beyond the non - fictional, autobiographical. The memory, in this case, is our subject matter of approach for creation, starting principally from the feminine that brought up us, stories that mothers and grandmothers told us and how these stories reverberate in our acting in the world. In this way, the research is based on the creation of fields that constitute the scene: body and dramaturgy, which always arise from the development of improvisational research. In the body, the improvisation arrives principally from the study of Ideokinesis and the Viewpoints, the touch in the bone that boosts the memories stored in our body, and from this stimulus create, at stake, possibilities of communication. The dramaturgy is based on the memories brought by the body and the dialogues during the rehearsals, the stories, memories and perceptions shared after the experience of the touch practiced during the corporal practice. Another thread that leads to this weaving of V (ENTRE) is playing with the gaps created in our memories, the stories of two sisters can merge, confuse or complement each other, in order to spin affections, encounters or disagreements. More than that, create a space - time of impacts generated from the scenic rewriting of the memories of two actresses. What matters in this process is the scenic investigation of the implicit re-creation in the act of remembering, of the foreign experience embodied as own memory and of the non-linear organization of such mechanism. |
id |
UFU_3c5a1604e34b4e0b3cd5d42ce06126e2 |
---|---|
oai_identifier_str |
oai:repositorio.ufu.br:123456789/26736 |
network_acronym_str |
UFU |
network_name_str |
Repositório Institucional da UFU |
repository_id_str |
|
spelling |
história de mulheres: da oralidade à cenawomen's story: from orality to the sceneMemóriaCena contemporâneaOralidadeImprovisaçãoIdeokinesisViewpointsTeatroMemoryContemporary sceneImprovisationOralityCNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::TEATRO::INTERPRETACAO TEATRALIn this research I seek to share the process of creating of V (ENTRE), the scenic material that was created from the memory of women for an in - depth investigation of a material beyond the non - fictional, autobiographical. The memory, in this case, is our subject matter of approach for creation, starting principally from the feminine that brought up us, stories that mothers and grandmothers told us and how these stories reverberate in our acting in the world. In this way, the research is based on the creation of fields that constitute the scene: body and dramaturgy, which always arise from the development of improvisational research. In the body, the improvisation arrives principally from the study of Ideokinesis and the Viewpoints, the touch in the bone that boosts the memories stored in our body, and from this stimulus create, at stake, possibilities of communication. The dramaturgy is based on the memories brought by the body and the dialogues during the rehearsals, the stories, memories and perceptions shared after the experience of the touch practiced during the corporal practice. Another thread that leads to this weaving of V (ENTRE) is playing with the gaps created in our memories, the stories of two sisters can merge, confuse or complement each other, in order to spin affections, encounters or disagreements. More than that, create a space - time of impacts generated from the scenic rewriting of the memories of two actresses. What matters in this process is the scenic investigation of the implicit re-creation in the act of remembering, of the foreign experience embodied as own memory and of the non-linear organization of such mechanism.CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível SuperiorDissertação (Mestrado)Nesta pesquisa busco compartilhar o processo de criação de V(ENTRE), material cênico criado a partir de memória de mulheres a partir de uma investigação aprofundada de um material autobiográfico. A memória, nesse caso, é nosso grande tema de abordagem para criação, principalmente narrativas do feminino que nos criou, as histórias que mães e avós nos contaram e como essas histórias reverberaram no nosso agir no mundo. Desse modo, a pesquisa se baseia na criação de dois campos que constituem a cena: o corpo e a dramaturgia, que surgem sempre do desenrolar da pesquisa improvisacional. No corpo, a improvisação chega principalmente pelo estudo da Ideokinesis e os Viewpoints, o toque no osso que impulsiona às memórias guardadas no nosso corpo, e a partir desse estímulo criar, em jogo, possibilidades de comunicação. A dramaturgia se ampara nas memórias trazidas pelo corpo e pelos diálogos durante os ensaios, nas histórias, lembranças e percepções compartilhadas após a prática corporal. Outro fio que conduz esse tecer de V(entre) é o brincar com os hiatos criados em nossas memórias, as histórias de duas irmãs podem se fundir, se confundir ou se complementar, para assim, fiar afetos, encontros ou desencontros. Mais que isso, criar um espaço–tempo de impactos gerados a partir da reescrita cênica das lembranças de duas atrizes. O que interessa nesse processo é a investigação cênica da recriação implícita no ato de lembrar, da experiência alheia incorporada como memória própria e da organização não linear de tal mecanismo.Universidade Federal de UberlândiaBrasilPrograma de Pós-graduação em Artes CênicasLeal, Mara Lúciahttp://lattes.cnpq.br/9710632359254853Caon, Paulina Mariahttp://lattes.cnpq.br/4440863322840233Siqueira, Giuliano Tiernohttp://lattes.cnpq.br/3954079408509272Miranda, Cláudia Cristina2019-08-20T20:35:01Z2019-08-20T20:35:01Z2019-06-24info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfMIRANDA, Claudia Cristina. História de Mulheres: da oralidade à cena. 2019. 112 f. Dissertação (Mestrado em Artes Cênicas) - Universidade Federal de Uberlândia, Uberlândia, 2019. DOI http://dx.doi.org/10.14393/ufu.di.2019.2116https://repositorio.ufu.br/handle/123456789/26736http://dx.doi.org/10.14393/ufu.di.2019.2116porhttp://creativecommons.org/licenses/by/3.0/us/info:eu-repo/semantics/openAccessreponame:Repositório Institucional da UFUinstname:Universidade Federal de Uberlândia (UFU)instacron:UFU2019-08-21T06:16:11Zoai:repositorio.ufu.br:123456789/26736Repositório InstitucionalONGhttp://repositorio.ufu.br/oai/requestdiinf@dirbi.ufu.bropendoar:2019-08-21T06:16:11Repositório Institucional da UFU - Universidade Federal de Uberlândia (UFU)false |
dc.title.none.fl_str_mv |
história de mulheres: da oralidade à cena women's story: from orality to the scene |
title |
história de mulheres: da oralidade à cena |
spellingShingle |
história de mulheres: da oralidade à cena Miranda, Cláudia Cristina Memória Cena contemporânea Oralidade Improvisação Ideokinesis Viewpoints Teatro Memory Contemporary scene Improvisation Orality CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::TEATRO::INTERPRETACAO TEATRAL |
title_short |
história de mulheres: da oralidade à cena |
title_full |
história de mulheres: da oralidade à cena |
title_fullStr |
história de mulheres: da oralidade à cena |
title_full_unstemmed |
história de mulheres: da oralidade à cena |
title_sort |
história de mulheres: da oralidade à cena |
author |
Miranda, Cláudia Cristina |
author_facet |
Miranda, Cláudia Cristina |
author_role |
author |
dc.contributor.none.fl_str_mv |
Leal, Mara Lúcia http://lattes.cnpq.br/9710632359254853 Caon, Paulina Maria http://lattes.cnpq.br/4440863322840233 Siqueira, Giuliano Tierno http://lattes.cnpq.br/3954079408509272 |
dc.contributor.author.fl_str_mv |
Miranda, Cláudia Cristina |
dc.subject.por.fl_str_mv |
Memória Cena contemporânea Oralidade Improvisação Ideokinesis Viewpoints Teatro Memory Contemporary scene Improvisation Orality CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::TEATRO::INTERPRETACAO TEATRAL |
topic |
Memória Cena contemporânea Oralidade Improvisação Ideokinesis Viewpoints Teatro Memory Contemporary scene Improvisation Orality CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::TEATRO::INTERPRETACAO TEATRAL |
description |
In this research I seek to share the process of creating of V (ENTRE), the scenic material that was created from the memory of women for an in - depth investigation of a material beyond the non - fictional, autobiographical. The memory, in this case, is our subject matter of approach for creation, starting principally from the feminine that brought up us, stories that mothers and grandmothers told us and how these stories reverberate in our acting in the world. In this way, the research is based on the creation of fields that constitute the scene: body and dramaturgy, which always arise from the development of improvisational research. In the body, the improvisation arrives principally from the study of Ideokinesis and the Viewpoints, the touch in the bone that boosts the memories stored in our body, and from this stimulus create, at stake, possibilities of communication. The dramaturgy is based on the memories brought by the body and the dialogues during the rehearsals, the stories, memories and perceptions shared after the experience of the touch practiced during the corporal practice. Another thread that leads to this weaving of V (ENTRE) is playing with the gaps created in our memories, the stories of two sisters can merge, confuse or complement each other, in order to spin affections, encounters or disagreements. More than that, create a space - time of impacts generated from the scenic rewriting of the memories of two actresses. What matters in this process is the scenic investigation of the implicit re-creation in the act of remembering, of the foreign experience embodied as own memory and of the non-linear organization of such mechanism. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-08-20T20:35:01Z 2019-08-20T20:35:01Z 2019-06-24 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
MIRANDA, Claudia Cristina. História de Mulheres: da oralidade à cena. 2019. 112 f. Dissertação (Mestrado em Artes Cênicas) - Universidade Federal de Uberlândia, Uberlândia, 2019. DOI http://dx.doi.org/10.14393/ufu.di.2019.2116 https://repositorio.ufu.br/handle/123456789/26736 http://dx.doi.org/10.14393/ufu.di.2019.2116 |
identifier_str_mv |
MIRANDA, Claudia Cristina. História de Mulheres: da oralidade à cena. 2019. 112 f. Dissertação (Mestrado em Artes Cênicas) - Universidade Federal de Uberlândia, Uberlândia, 2019. DOI http://dx.doi.org/10.14393/ufu.di.2019.2116 |
url |
https://repositorio.ufu.br/handle/123456789/26736 http://dx.doi.org/10.14393/ufu.di.2019.2116 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.rights.driver.fl_str_mv |
http://creativecommons.org/licenses/by/3.0/us/ info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
http://creativecommons.org/licenses/by/3.0/us/ |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Uberlândia Brasil Programa de Pós-graduação em Artes Cênicas |
publisher.none.fl_str_mv |
Universidade Federal de Uberlândia Brasil Programa de Pós-graduação em Artes Cênicas |
dc.source.none.fl_str_mv |
reponame:Repositório Institucional da UFU instname:Universidade Federal de Uberlândia (UFU) instacron:UFU |
instname_str |
Universidade Federal de Uberlândia (UFU) |
instacron_str |
UFU |
institution |
UFU |
reponame_str |
Repositório Institucional da UFU |
collection |
Repositório Institucional da UFU |
repository.name.fl_str_mv |
Repositório Institucional da UFU - Universidade Federal de Uberlândia (UFU) |
repository.mail.fl_str_mv |
diinf@dirbi.ufu.br |
_version_ |
1805569659141881856 |