A scandal sociology of the Queermuseu exhibition: disputes over the mediatic framing between professional journalism and the Movimento Brasil Livre

Detalhes bibliográficos
Autor(a) principal: Balieiro, Fernando de Figueiredo
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Sociedade e Estado
Texto Completo: https://periodicos.unb.br/index.php/sociedade/article/view/42383
Resumo: This paper analyzes the scandal surrounding the closing of the Queermuseu exhibition, which took place at the Santander Cultural space in Porto Alegre in the second half of 2017. The text seeks to reveal the process in which, from the mobilization on digital platforms, an art exhibition focused on sexual diversity came to be understood in certain segments as a promoter of “pedophilia”, “zoophilia” and “blasphemy”, and was early closed, which resulted in the persecution of artists and its curator, and the dissemination of an interpretation that associates the left with an agenda of “moral perversion” towards children. The empirical analysis was based on digital and printed reports from the newspaper Zero Hora, from Porto Alegre, in addition to texts, images, and videos that circulated on digital platforms, specifically addressing the framing of the event by the Movimento Brasil Livre (MBL), a group that led the campaign to close the exhibition. Analyzing the scope of the MBL framework, it is possible to recognize how digital platforms have expanded the space for political groups to schedule public issues and impose their framework on their audiences. From the empirical case analyzed, the paper elucidates aspects of the pervasiveness of the media in the public debate in the context of a technical-mediatized public sphere and seeks to highlight aspects of the accentuated mediatization of politics in the digital age.
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spelling A scandal sociology of the Queermuseu exhibition: disputes over the mediatic framing between professional journalism and the Movimento Brasil LivreUma sociologia do escândalo da Mostra Queermuseu: disputas de enquadramento midiático entre o jornalismo profissional e o Movimento Brasil LivreQueermuseuenquadramento midiáticoMovimento Brasil Livreesfera pública técnico-midiatizadamidiatizaçãoQueermuseumedia framingMovimento Brasil Livretechnical-mediatized public spheremediatizationThis paper analyzes the scandal surrounding the closing of the Queermuseu exhibition, which took place at the Santander Cultural space in Porto Alegre in the second half of 2017. The text seeks to reveal the process in which, from the mobilization on digital platforms, an art exhibition focused on sexual diversity came to be understood in certain segments as a promoter of “pedophilia”, “zoophilia” and “blasphemy”, and was early closed, which resulted in the persecution of artists and its curator, and the dissemination of an interpretation that associates the left with an agenda of “moral perversion” towards children. The empirical analysis was based on digital and printed reports from the newspaper Zero Hora, from Porto Alegre, in addition to texts, images, and videos that circulated on digital platforms, specifically addressing the framing of the event by the Movimento Brasil Livre (MBL), a group that led the campaign to close the exhibition. Analyzing the scope of the MBL framework, it is possible to recognize how digital platforms have expanded the space for political groups to schedule public issues and impose their framework on their audiences. From the empirical case analyzed, the paper elucidates aspects of the pervasiveness of the media in the public debate in the context of a technical-mediatized public sphere and seeks to highlight aspects of the accentuated mediatization of politics in the digital age.This paper analyzes the scandal surrounding the closing of the Queermuseu exhibition, which took place at the Santander Cultural space in Porto Alegre in the second half of 2017. The text seeks to reveal the process in which, from the mobilization on digital platforms, an art exhibition focused on sexual diversity came to be understood in certain segments as a promoter of "pedophilia", "zoophilia" and "blasphemy", and was early closed, which resulted in the persecution of artists and its curator, and the dissemination of an interpretation that associates the left with an agenda of "moral perversion" towards children. The empirical analysis was based on digital and printed reports from the newspaper Zero Hora, from Porto Alegre, in addition to texts, images, and videos that circulated on digital platforms, specifically addressing the framing of the event by the Movimento Brasil Livre (MBL), a group that led the campaign to close the exhibition. Analyzing the scope of the MBL framework, it is possible to recognize how digital platforms have expanded the space for political groups to schedule public issues and impose their framework on their audiences. From the empirical case analyzed, the paper elucidates aspects of the pervasiveness of the media in the public debate in the context of a technical-mediatized public sphere and seeks to highlight aspects of the accentuated mediatization of politics in the digital age.Este artigo apresenta uma análise do escândalo em torno do fechamento da exposição Queermuseu, ocorrida no Espaço Santander Cultural, em Porto Alegre, no segundo semestre de 2017. O texto busca desvelar o processo no qual, a partir de mobilização nas plataformas digitais, uma mostra artística voltada ao tema da diversidade sexual passou a ser compreendida em certos segmentos como promotora de “pedofilia”, “zoofilia” e “blasfêmia”, teve seu encerramento antecipado, resultando em perseguições a artistas e ao seu curador, bem como na difusão de uma interpretação que associa a esquerda a uma agenda de “perversão moral” às crianças. A análise empírica teve como fonte reportagens digitais e impressas do jornal Zero Hora de Porto Alegre, além de textos, imagens e vídeos que circularam em plataformas digitais, abordando em específico o enquadramento do evento pelo Movimento Brasil Livre (MBL), grupo que liderou a campanha pelo fechamento da exposição. Ao analisar o alcance do enquadramento do MBL, permite-se reconhecer como as plataformas digitais ampliaram o espaço para grupos políticos agendarem questões públicas e imporem seu enquadramento para suas audiências. O artigo elucida, a partir do caso empírico analisado, aspectos da pervasividade das mídias no debate público no contexto de uma esfera pública tecnomidiatizada e busca evidenciar aspectos da acentuada midiatização da política na era digital.Departamento de Sociologia - UnB/SOL2022-08-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://periodicos.unb.br/index.php/sociedade/article/view/4238310.1590/s0102-6992-202237020008Sociedade e Estado; Vol. 37 No. 02 (2022); 551-573Sociedade e Estado; Vol. 37 Núm. 02 (2022); 551-573Sociedade e Estado; v. 37 n. 02 (2022); 551-5731980-54620102-6992reponame:Sociedade e Estadoinstname:Universidade de Brasília (UnB)instacron:UNBporhttps://periodicos.unb.br/index.php/sociedade/article/view/42383/34162Copyright (c) 2022 Sociedade e Estadohttps://creativecommons.org/licenses/by-nc/4.0/deed.eninfo:eu-repo/semantics/openAccessBalieiro, Fernando de Figueiredo2022-08-15T11:41:33Zoai:ojs.pkp.sfu.ca:article/42383Revistahttps://periodicos.unb.br/index.php/sociedade/indexPUBhttps://periodicos.unb.br/index.php/sociedade/oaiportaldeperiodicos@bce.unb.br||revistasol@unb.br1980-54620102-6992opendoar:2022-08-15T11:41:33Sociedade e Estado - Universidade de Brasília (UnB)false
dc.title.none.fl_str_mv A scandal sociology of the Queermuseu exhibition: disputes over the mediatic framing between professional journalism and the Movimento Brasil Livre
Uma sociologia do escândalo da Mostra Queermuseu: disputas de enquadramento midiático entre o jornalismo profissional e o Movimento Brasil Livre
title A scandal sociology of the Queermuseu exhibition: disputes over the mediatic framing between professional journalism and the Movimento Brasil Livre
spellingShingle A scandal sociology of the Queermuseu exhibition: disputes over the mediatic framing between professional journalism and the Movimento Brasil Livre
Balieiro, Fernando de Figueiredo
Queermuseu
enquadramento midiático
Movimento Brasil Livre
esfera pública técnico-midiatizada
midiatização
Queermuseu
media framing
Movimento Brasil Livre
technical-mediatized public sphere
mediatization
title_short A scandal sociology of the Queermuseu exhibition: disputes over the mediatic framing between professional journalism and the Movimento Brasil Livre
title_full A scandal sociology of the Queermuseu exhibition: disputes over the mediatic framing between professional journalism and the Movimento Brasil Livre
title_fullStr A scandal sociology of the Queermuseu exhibition: disputes over the mediatic framing between professional journalism and the Movimento Brasil Livre
title_full_unstemmed A scandal sociology of the Queermuseu exhibition: disputes over the mediatic framing between professional journalism and the Movimento Brasil Livre
title_sort A scandal sociology of the Queermuseu exhibition: disputes over the mediatic framing between professional journalism and the Movimento Brasil Livre
author Balieiro, Fernando de Figueiredo
author_facet Balieiro, Fernando de Figueiredo
author_role author
dc.contributor.author.fl_str_mv Balieiro, Fernando de Figueiredo
dc.subject.por.fl_str_mv Queermuseu
enquadramento midiático
Movimento Brasil Livre
esfera pública técnico-midiatizada
midiatização
Queermuseu
media framing
Movimento Brasil Livre
technical-mediatized public sphere
mediatization
topic Queermuseu
enquadramento midiático
Movimento Brasil Livre
esfera pública técnico-midiatizada
midiatização
Queermuseu
media framing
Movimento Brasil Livre
technical-mediatized public sphere
mediatization
description This paper analyzes the scandal surrounding the closing of the Queermuseu exhibition, which took place at the Santander Cultural space in Porto Alegre in the second half of 2017. The text seeks to reveal the process in which, from the mobilization on digital platforms, an art exhibition focused on sexual diversity came to be understood in certain segments as a promoter of “pedophilia”, “zoophilia” and “blasphemy”, and was early closed, which resulted in the persecution of artists and its curator, and the dissemination of an interpretation that associates the left with an agenda of “moral perversion” towards children. The empirical analysis was based on digital and printed reports from the newspaper Zero Hora, from Porto Alegre, in addition to texts, images, and videos that circulated on digital platforms, specifically addressing the framing of the event by the Movimento Brasil Livre (MBL), a group that led the campaign to close the exhibition. Analyzing the scope of the MBL framework, it is possible to recognize how digital platforms have expanded the space for political groups to schedule public issues and impose their framework on their audiences. From the empirical case analyzed, the paper elucidates aspects of the pervasiveness of the media in the public debate in the context of a technical-mediatized public sphere and seeks to highlight aspects of the accentuated mediatization of politics in the digital age.
publishDate 2022
dc.date.none.fl_str_mv 2022-08-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
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status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.unb.br/index.php/sociedade/article/view/42383
10.1590/s0102-6992-202237020008
url https://periodicos.unb.br/index.php/sociedade/article/view/42383
identifier_str_mv 10.1590/s0102-6992-202237020008
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.unb.br/index.php/sociedade/article/view/42383/34162
dc.rights.driver.fl_str_mv Copyright (c) 2022 Sociedade e Estado
https://creativecommons.org/licenses/by-nc/4.0/deed.en
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Sociedade e Estado
https://creativecommons.org/licenses/by-nc/4.0/deed.en
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Departamento de Sociologia - UnB/SOL
publisher.none.fl_str_mv Departamento de Sociologia - UnB/SOL
dc.source.none.fl_str_mv Sociedade e Estado; Vol. 37 No. 02 (2022); 551-573
Sociedade e Estado; Vol. 37 Núm. 02 (2022); 551-573
Sociedade e Estado; v. 37 n. 02 (2022); 551-573
1980-5462
0102-6992
reponame:Sociedade e Estado
instname:Universidade de Brasília (UnB)
instacron:UNB
instname_str Universidade de Brasília (UnB)
instacron_str UNB
institution UNB
reponame_str Sociedade e Estado
collection Sociedade e Estado
repository.name.fl_str_mv Sociedade e Estado - Universidade de Brasília (UnB)
repository.mail.fl_str_mv portaldeperiodicos@bce.unb.br||revistasol@unb.br
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