Transgresión, opción decolonial y arte brasileño
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | spa |
Título da fonte: | Repositório Institucional da UNESP |
Texto Completo: | http://dx.doi.org/10.1017/lar.2022.5 http://hdl.handle.net/11449/240298 |
Resumo: | Focusing on Brazil, this article examines the colonial imposition of hegemonic identity and aesthetics that caused the invisibilization and silencing of the histories and knowledge of colonized groups located in marginal situations. It proposes that, in response to this process, marginalized identities use tools inserted in the decolonial strategy detachment and disobedience to transgress the hegemonic normative in the construction and elaboration of its cultural production. The text analyzes recent Brazilian artists, works, actions, and events that, through their poetics, havemanaged to pervert and raise awareness of the epistemology imposed by coloniality. It studies transgressive proposals that filtered into the legitimized institutions, such as the works of Rosana Paulino, Denilson Baniwa, or the Queermuseu exhibition, as well a proposal born outside the institutional limits, pixacao, which, through its friction with the normative social model, escapes any regulatory imposition. |
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Repositório Institucional da UNESP |
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Transgresión, opción decolonial y arte brasileñoTransgression, decolonial option and Brazilian artBrazilian artcolonialitycontemporary artdecolonial strategyidentityFocusing on Brazil, this article examines the colonial imposition of hegemonic identity and aesthetics that caused the invisibilization and silencing of the histories and knowledge of colonized groups located in marginal situations. It proposes that, in response to this process, marginalized identities use tools inserted in the decolonial strategy detachment and disobedience to transgress the hegemonic normative in the construction and elaboration of its cultural production. The text analyzes recent Brazilian artists, works, actions, and events that, through their poetics, havemanaged to pervert and raise awareness of the epistemology imposed by coloniality. It studies transgressive proposals that filtered into the legitimized institutions, such as the works of Rosana Paulino, Denilson Baniwa, or the Queermuseu exhibition, as well a proposal born outside the institutional limits, pixacao, which, through its friction with the normative social model, escapes any regulatory imposition.Universidad de OviedoUniversidade Estadual Paulista Júlio Mesquita FilhoUniversidade Estadual Paulista Júlio Mesquita FilhoUniversidad de OviedoUniversidade Estadual Paulista (UNESP)Santos, Renata Ribeiro dosHernandez, Maria Isabel Dagli [UNESP]2023-03-01T20:10:52Z2023-03-01T20:10:52Z2022-01-01info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/article80-99http://dx.doi.org/10.1017/lar.2022.5Latin American Research Review, v. 57, n. 1, p. 80-99, 2022.1542-42780023-8791http://hdl.handle.net/11449/24029810.1017/lar.2022.52-s2.0-85132402525Scopusreponame:Repositório Institucional da UNESPinstname:Universidade Estadual Paulista (UNESP)instacron:UNESPspaLatin American Research Reviewinfo:eu-repo/semantics/openAccess2023-03-01T20:10:53Zoai:repositorio.unesp.br:11449/240298Repositório InstitucionalPUBhttp://repositorio.unesp.br/oai/requestopendoar:29462024-08-05T17:37:26.635402Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP)false |
dc.title.none.fl_str_mv |
Transgresión, opción decolonial y arte brasileño Transgression, decolonial option and Brazilian art |
title |
Transgresión, opción decolonial y arte brasileño |
spellingShingle |
Transgresión, opción decolonial y arte brasileño Santos, Renata Ribeiro dos Brazilian art coloniality contemporary art decolonial strategy identity |
title_short |
Transgresión, opción decolonial y arte brasileño |
title_full |
Transgresión, opción decolonial y arte brasileño |
title_fullStr |
Transgresión, opción decolonial y arte brasileño |
title_full_unstemmed |
Transgresión, opción decolonial y arte brasileño |
title_sort |
Transgresión, opción decolonial y arte brasileño |
author |
Santos, Renata Ribeiro dos |
author_facet |
Santos, Renata Ribeiro dos Hernandez, Maria Isabel Dagli [UNESP] |
author_role |
author |
author2 |
Hernandez, Maria Isabel Dagli [UNESP] |
author2_role |
author |
dc.contributor.none.fl_str_mv |
Universidad de Oviedo Universidade Estadual Paulista (UNESP) |
dc.contributor.author.fl_str_mv |
Santos, Renata Ribeiro dos Hernandez, Maria Isabel Dagli [UNESP] |
dc.subject.por.fl_str_mv |
Brazilian art coloniality contemporary art decolonial strategy identity |
topic |
Brazilian art coloniality contemporary art decolonial strategy identity |
description |
Focusing on Brazil, this article examines the colonial imposition of hegemonic identity and aesthetics that caused the invisibilization and silencing of the histories and knowledge of colonized groups located in marginal situations. It proposes that, in response to this process, marginalized identities use tools inserted in the decolonial strategy detachment and disobedience to transgress the hegemonic normative in the construction and elaboration of its cultural production. The text analyzes recent Brazilian artists, works, actions, and events that, through their poetics, havemanaged to pervert and raise awareness of the epistemology imposed by coloniality. It studies transgressive proposals that filtered into the legitimized institutions, such as the works of Rosana Paulino, Denilson Baniwa, or the Queermuseu exhibition, as well a proposal born outside the institutional limits, pixacao, which, through its friction with the normative social model, escapes any regulatory imposition. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-01-01 2023-03-01T20:10:52Z 2023-03-01T20:10:52Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://dx.doi.org/10.1017/lar.2022.5 Latin American Research Review, v. 57, n. 1, p. 80-99, 2022. 1542-4278 0023-8791 http://hdl.handle.net/11449/240298 10.1017/lar.2022.5 2-s2.0-85132402525 |
url |
http://dx.doi.org/10.1017/lar.2022.5 http://hdl.handle.net/11449/240298 |
identifier_str_mv |
Latin American Research Review, v. 57, n. 1, p. 80-99, 2022. 1542-4278 0023-8791 10.1017/lar.2022.5 2-s2.0-85132402525 |
dc.language.iso.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
Latin American Research Review |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
80-99 |
dc.source.none.fl_str_mv |
Scopus reponame:Repositório Institucional da UNESP instname:Universidade Estadual Paulista (UNESP) instacron:UNESP |
instname_str |
Universidade Estadual Paulista (UNESP) |
instacron_str |
UNESP |
institution |
UNESP |
reponame_str |
Repositório Institucional da UNESP |
collection |
Repositório Institucional da UNESP |
repository.name.fl_str_mv |
Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP) |
repository.mail.fl_str_mv |
|
_version_ |
1808128836212097024 |