A literatura latino-americana e as alegorias nacionais de concierto Barroco
Autor(a) principal: | |
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Data de Publicação: | 2011 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Institucional da UNESP |
Texto Completo: | http://dx.doi.org/10.4025/actascilangcult.v33i1.6376 http://hdl.handle.net/11449/72494 |
Resumo: | The problematical identity of Latin America is reflected on the recurrence of the theme in the literature created in this part of the continent. The images of Caliban and anthropophagy and the attribution of a Baroque meaning to the Latin American experience characterize an expressive part of such literature. By means of the character Amo, Carpentier's Concierto Barroco exemplifies the difficulties of the Creole elite in finding a nobleorigin for themselves in their ancestors' Europe, and in identifying themselves with it. The slave musician Filomeno and Amo naturalizes narrative, whereas Filomeno provocativelytransits between the hierarchies, turning the Baroque meaning of identity into an allegory. Jazz is a Creole, anthropophagic and Baroque product whose erased origin was replaced by the fabled narrative in the Spirituals that renewed modern music. It is important to emphasize that Carpentier created, by means of Filomeno, the unity of the American experience whose frontier is Mexico. |
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A literatura latino-americana e as alegorias nacionais de concierto BarrocoLatin-American Literature and national allegories present in the novella concierto BarrocoAnthropophagyBaroqueLatin-American literatureThe problematical identity of Latin America is reflected on the recurrence of the theme in the literature created in this part of the continent. The images of Caliban and anthropophagy and the attribution of a Baroque meaning to the Latin American experience characterize an expressive part of such literature. By means of the character Amo, Carpentier's Concierto Barroco exemplifies the difficulties of the Creole elite in finding a nobleorigin for themselves in their ancestors' Europe, and in identifying themselves with it. The slave musician Filomeno and Amo naturalizes narrative, whereas Filomeno provocativelytransits between the hierarchies, turning the Baroque meaning of identity into an allegory. Jazz is a Creole, anthropophagic and Baroque product whose erased origin was replaced by the fabled narrative in the Spirituals that renewed modern music. It is important to emphasize that Carpentier created, by means of Filomeno, the unity of the American experience whose frontier is Mexico.Programa de Pós-graduação em Estudos Literários Universidade Estadual Paulista Júlio de Mesquita Filho, Rod. Araraquara/Jaú, Km 01, Cx. Postal 174, 14800-901, Bairro dos Machados, Araraquara, Sao PauloPrograma de Pós-graduação em Estudos Literários Universidade Estadual Paulista Júlio de Mesquita Filho, Rod. Araraquara/Jaú, Km 01, Cx. Postal 174, 14800-901, Bairro dos Machados, Araraquara, Sao PauloUniversidade Estadual Paulista (Unesp)Caixeta, Maryllu Oliveira [UNESP]2014-05-27T11:25:54Z2014-05-27T11:25:54Z2011-06-13info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/article113-120application/pdfhttp://dx.doi.org/10.4025/actascilangcult.v33i1.6376Acta Scientiarum Language and Culture, v. 33, n. 1, p. 113-120, 2011.1983-46751983-4683http://hdl.handle.net/11449/7249410.4025/actascilangcult.v33i1.63762-s2.0-799580975702-s2.0-79958097570.pdfScopusreponame:Repositório Institucional da UNESPinstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporActa Scientiarum Language and Culture0,1000,100info:eu-repo/semantics/openAccess2023-11-08T06:13:23Zoai:repositorio.unesp.br:11449/72494Repositório InstitucionalPUBhttp://repositorio.unesp.br/oai/requestopendoar:29462024-08-05T17:10:29.269501Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP)false |
dc.title.none.fl_str_mv |
A literatura latino-americana e as alegorias nacionais de concierto Barroco Latin-American Literature and national allegories present in the novella concierto Barroco |
title |
A literatura latino-americana e as alegorias nacionais de concierto Barroco |
spellingShingle |
A literatura latino-americana e as alegorias nacionais de concierto Barroco Caixeta, Maryllu Oliveira [UNESP] Anthropophagy Baroque Latin-American literature |
title_short |
A literatura latino-americana e as alegorias nacionais de concierto Barroco |
title_full |
A literatura latino-americana e as alegorias nacionais de concierto Barroco |
title_fullStr |
A literatura latino-americana e as alegorias nacionais de concierto Barroco |
title_full_unstemmed |
A literatura latino-americana e as alegorias nacionais de concierto Barroco |
title_sort |
A literatura latino-americana e as alegorias nacionais de concierto Barroco |
author |
Caixeta, Maryllu Oliveira [UNESP] |
author_facet |
Caixeta, Maryllu Oliveira [UNESP] |
author_role |
author |
dc.contributor.none.fl_str_mv |
Universidade Estadual Paulista (Unesp) |
dc.contributor.author.fl_str_mv |
Caixeta, Maryllu Oliveira [UNESP] |
dc.subject.por.fl_str_mv |
Anthropophagy Baroque Latin-American literature |
topic |
Anthropophagy Baroque Latin-American literature |
description |
The problematical identity of Latin America is reflected on the recurrence of the theme in the literature created in this part of the continent. The images of Caliban and anthropophagy and the attribution of a Baroque meaning to the Latin American experience characterize an expressive part of such literature. By means of the character Amo, Carpentier's Concierto Barroco exemplifies the difficulties of the Creole elite in finding a nobleorigin for themselves in their ancestors' Europe, and in identifying themselves with it. The slave musician Filomeno and Amo naturalizes narrative, whereas Filomeno provocativelytransits between the hierarchies, turning the Baroque meaning of identity into an allegory. Jazz is a Creole, anthropophagic and Baroque product whose erased origin was replaced by the fabled narrative in the Spirituals that renewed modern music. It is important to emphasize that Carpentier created, by means of Filomeno, the unity of the American experience whose frontier is Mexico. |
publishDate |
2011 |
dc.date.none.fl_str_mv |
2011-06-13 2014-05-27T11:25:54Z 2014-05-27T11:25:54Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://dx.doi.org/10.4025/actascilangcult.v33i1.6376 Acta Scientiarum Language and Culture, v. 33, n. 1, p. 113-120, 2011. 1983-4675 1983-4683 http://hdl.handle.net/11449/72494 10.4025/actascilangcult.v33i1.6376 2-s2.0-79958097570 2-s2.0-79958097570.pdf |
url |
http://dx.doi.org/10.4025/actascilangcult.v33i1.6376 http://hdl.handle.net/11449/72494 |
identifier_str_mv |
Acta Scientiarum Language and Culture, v. 33, n. 1, p. 113-120, 2011. 1983-4675 1983-4683 10.4025/actascilangcult.v33i1.6376 2-s2.0-79958097570 2-s2.0-79958097570.pdf |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
Acta Scientiarum Language and Culture 0,100 0,100 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
113-120 application/pdf |
dc.source.none.fl_str_mv |
Scopus reponame:Repositório Institucional da UNESP instname:Universidade Estadual Paulista (UNESP) instacron:UNESP |
instname_str |
Universidade Estadual Paulista (UNESP) |
instacron_str |
UNESP |
institution |
UNESP |
reponame_str |
Repositório Institucional da UNESP |
collection |
Repositório Institucional da UNESP |
repository.name.fl_str_mv |
Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP) |
repository.mail.fl_str_mv |
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1808128766884446208 |