The astonishment of the actress: ethical and aesthetic effects in the encounter with indigenous Guarani Mbya women, in the Cia Livre scene
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Institucional da UNESP |
Texto Completo: | http://dx.doi.org/10.5965/1414573101432022e0118 http://hdl.handle.net/11449/237548 |
Resumo: | This article analyzes two productions by Cia Livre, presented in 2019, based on the learning play The Horatian and the Curiatians (1933), by Brecht, and which thematize the struggle for land in Brazil today. This confrontation was synthesized, in Death and Dependence in the Land of Pau-Brasil and The One and the Others, as a dispute between the people of the One (people who consider themselves universal) and the people of the Others (all other peoples, with their human, extra-human, animal, plant and mineral. cultures.) The critique of the aesthetic-philosophical model of Euro-Western theater carried out here observes the contradictions created by the presence of indigenous and non-indigenous interpreters, which mirror the dissensions and coalitions between different perspectives of emancipatory struggles. How were their experiences translated into the scene? What kind of sociability was projected there? What theatrical form can emerge from the experience of decentralization of the western subject that the group indicates in these works? |
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The astonishment of the actress: ethical and aesthetic effects in the encounter with indigenous Guarani Mbya women, in the Cia Livre sceneBrazilian contemporary sceneCreative processesAmerindian epistemologiesAnti-speciesist theatreThis article analyzes two productions by Cia Livre, presented in 2019, based on the learning play The Horatian and the Curiatians (1933), by Brecht, and which thematize the struggle for land in Brazil today. This confrontation was synthesized, in Death and Dependence in the Land of Pau-Brasil and The One and the Others, as a dispute between the people of the One (people who consider themselves universal) and the people of the Others (all other peoples, with their human, extra-human, animal, plant and mineral. cultures.) The critique of the aesthetic-philosophical model of Euro-Western theater carried out here observes the contradictions created by the presence of indigenous and non-indigenous interpreters, which mirror the dissensions and coalitions between different perspectives of emancipatory struggles. How were their experiences translated into the scene? What kind of sociability was projected there? What theatrical form can emerge from the experience of decentralization of the western subject that the group indicates in these works?Univ Estadual Paulista, Inst Artes, Sao Paulo, BrazilUniv Estadual Paulista, Inst Artes, Sao Paulo, BrazilUniv Estado Santa Catarina-udescUniversidade Estadual Paulista (UNESP)Romano, Lucia Regina vieira [UNESP]2022-11-30T13:38:15Z2022-11-30T13:38:15Z2022-04-01info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/article21http://dx.doi.org/10.5965/1414573101432022e0118Urdimento-revista De Estudos Em Artes Cenicas. Florianopolis: Univ Estado Santa Catarina-udesc, v. 1, n. 43, 21 p., 2022.1414-5731http://hdl.handle.net/11449/23754810.5965/1414573101432022e0118WOS:000788082700027Web of Sciencereponame:Repositório Institucional da UNESPinstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporUrdimento-revista De Estudos Em Artes Cenicasinfo:eu-repo/semantics/openAccess2022-11-30T13:38:15Zoai:repositorio.unesp.br:11449/237548Repositório InstitucionalPUBhttp://repositorio.unesp.br/oai/requestopendoar:29462024-08-05T18:34:38.339820Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP)false |
dc.title.none.fl_str_mv |
The astonishment of the actress: ethical and aesthetic effects in the encounter with indigenous Guarani Mbya women, in the Cia Livre scene |
title |
The astonishment of the actress: ethical and aesthetic effects in the encounter with indigenous Guarani Mbya women, in the Cia Livre scene |
spellingShingle |
The astonishment of the actress: ethical and aesthetic effects in the encounter with indigenous Guarani Mbya women, in the Cia Livre scene Romano, Lucia Regina vieira [UNESP] Brazilian contemporary scene Creative processes Amerindian epistemologies Anti-speciesist theatre |
title_short |
The astonishment of the actress: ethical and aesthetic effects in the encounter with indigenous Guarani Mbya women, in the Cia Livre scene |
title_full |
The astonishment of the actress: ethical and aesthetic effects in the encounter with indigenous Guarani Mbya women, in the Cia Livre scene |
title_fullStr |
The astonishment of the actress: ethical and aesthetic effects in the encounter with indigenous Guarani Mbya women, in the Cia Livre scene |
title_full_unstemmed |
The astonishment of the actress: ethical and aesthetic effects in the encounter with indigenous Guarani Mbya women, in the Cia Livre scene |
title_sort |
The astonishment of the actress: ethical and aesthetic effects in the encounter with indigenous Guarani Mbya women, in the Cia Livre scene |
author |
Romano, Lucia Regina vieira [UNESP] |
author_facet |
Romano, Lucia Regina vieira [UNESP] |
author_role |
author |
dc.contributor.none.fl_str_mv |
Universidade Estadual Paulista (UNESP) |
dc.contributor.author.fl_str_mv |
Romano, Lucia Regina vieira [UNESP] |
dc.subject.por.fl_str_mv |
Brazilian contemporary scene Creative processes Amerindian epistemologies Anti-speciesist theatre |
topic |
Brazilian contemporary scene Creative processes Amerindian epistemologies Anti-speciesist theatre |
description |
This article analyzes two productions by Cia Livre, presented in 2019, based on the learning play The Horatian and the Curiatians (1933), by Brecht, and which thematize the struggle for land in Brazil today. This confrontation was synthesized, in Death and Dependence in the Land of Pau-Brasil and The One and the Others, as a dispute between the people of the One (people who consider themselves universal) and the people of the Others (all other peoples, with their human, extra-human, animal, plant and mineral. cultures.) The critique of the aesthetic-philosophical model of Euro-Western theater carried out here observes the contradictions created by the presence of indigenous and non-indigenous interpreters, which mirror the dissensions and coalitions between different perspectives of emancipatory struggles. How were their experiences translated into the scene? What kind of sociability was projected there? What theatrical form can emerge from the experience of decentralization of the western subject that the group indicates in these works? |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-11-30T13:38:15Z 2022-11-30T13:38:15Z 2022-04-01 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://dx.doi.org/10.5965/1414573101432022e0118 Urdimento-revista De Estudos Em Artes Cenicas. Florianopolis: Univ Estado Santa Catarina-udesc, v. 1, n. 43, 21 p., 2022. 1414-5731 http://hdl.handle.net/11449/237548 10.5965/1414573101432022e0118 WOS:000788082700027 |
url |
http://dx.doi.org/10.5965/1414573101432022e0118 http://hdl.handle.net/11449/237548 |
identifier_str_mv |
Urdimento-revista De Estudos Em Artes Cenicas. Florianopolis: Univ Estado Santa Catarina-udesc, v. 1, n. 43, 21 p., 2022. 1414-5731 10.5965/1414573101432022e0118 WOS:000788082700027 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
Urdimento-revista De Estudos Em Artes Cenicas |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
21 |
dc.publisher.none.fl_str_mv |
Univ Estado Santa Catarina-udesc |
publisher.none.fl_str_mv |
Univ Estado Santa Catarina-udesc |
dc.source.none.fl_str_mv |
Web of Science reponame:Repositório Institucional da UNESP instname:Universidade Estadual Paulista (UNESP) instacron:UNESP |
instname_str |
Universidade Estadual Paulista (UNESP) |
instacron_str |
UNESP |
institution |
UNESP |
reponame_str |
Repositório Institucional da UNESP |
collection |
Repositório Institucional da UNESP |
repository.name.fl_str_mv |
Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP) |
repository.mail.fl_str_mv |
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1808128950580281344 |