As características da linguagem musical de Camargo Guarnieri em suas sinfonias

• Autor(a) principal: Rodrigues, Lutero [UNESP]
• Data de Publicação: 2001
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Repositório Institucional da UNESP
• Texto Completo: http://hdl.handle.net/11449/204721
• topic: Camargo Guarnieri; Música - Brasil - Séc. XX; Música - Crítica e interpretação

The first chapter broaches the circumstances surrounding the creation of Camargo Guarnieri's seven symphonies, lingering a little more at the genesis of his Symphony nº 1, that counted with Mario de Andrade's advises, whose influence is accornpanicd through the correspondence between both of them. lt also deals with the trajectory of each symphony, examining reviews, known publications and information obtained in the files of some of the most important Brazilian orchestras. The second chapter deals with the gathering of a certain number of characteristics that mark Camargo Guarnieri's musical language, looking for the origin of those characteristics, the way they function in the general ambit of the musical work and their evolution through the composer's creative trajectory. By the end of it, there is a suggestion of dividing Camargo Guarnieri's musical work in different phases, bascd in historie facts and thc aesthetic transformations found in his work. The last chapter studies the behavior of each characteristic mentioned at the prior chapter, but in the restrict ambit of the symphonies' movements. Other characteristics are also studied, when seen exclusive or preferentially within these works. At last, it tries to put in relief the more frequent compositional procedures and, through them, provide a better understanding of Camargo Guarnieri's musical thought.