O ensaio no romance de Saramago: a experiência humana sob o crivo da palavra
Autor(a) principal: | |
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Data de Publicação: | 2017 |
Tipo de documento: | Tese |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações do Mackenzie |
Texto Completo: | http://dspace.mackenzie.br/handle/10899/25195 |
Resumo: | In contemporary literature, the frontiers between literary genres, as well as the frontiers between literature and other genres of other areas, are becoming more and more tenuous, appearing as a kind of hybridity impelled by the dynamics of discourses, constantly changing. Appearing in the most diverse fields of knowledge, the essay has always been present in the field of sciences, especially in Philosophy, mainly from Montaigne, as well as in literature, with Francis Bacon, in which it usually receives the title of "literary essay". However, research on the role of literary criticism in Portuguese and the implications of the essay as a genre for theory of literature and literary production, able to comprehend the intrinsic aspects of the essay, is lacking, as well as an understanding on the essay as a genre or discoursive domain able to unite different subgenres from the frontiers between literature and philosophy, or even science itself. This thesis, by means of a hermeneutic methodology, aims to investigate the essay as an inherent element of the work of the Portuguese writer José Saramago, with emphasis on the following works: Claraboia (2011) and The intermittences of death (2014). This choice contrasts two distinct phases of the literary production of the writer: the beginning and the end of his career, in order to verify to what extent essayistic procedures are plotted in the literary prose of the author in these two distinct phases, before and after The Statue and the stone (2013). In such works, as well as in all the running of his literary production, aspects and procedures stand out in relation to the aesthetic elements of the essay. In order to discuss and analyze such questions in the work of Saramago, we will prioritize, as theoretical reference, fundamental authors of the field of philosophy that deal with the essay: Montaigne, George Lukács, Max Bense, Theodor Adorno, João Barrento, as well as other contemporary authors in the field of literature and philosophy. Thus, in combining essay and novel, in an experimental, singular and always ironic way, Saramago obtains a powerful support to reinvent reality, in the sense of representing, under the sieve of the word, the human condition, giving the novel an artistic dimension of essentially critical aspect, an essayistic aspect. |
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2017-09-28T18:41:33Z2020-05-28T18:12:18Z2020-05-28T18:12:18Z2017-08-14CHRISTAL, Wendel Cássio. O ensaio no romance de Saramago: a experiência humana sob o crivo da palavra. 2017. 173 f]. Tese( Letras) - Universidade Presbiteriana Mackenzie, São Paulo .http://dspace.mackenzie.br/handle/10899/25195In contemporary literature, the frontiers between literary genres, as well as the frontiers between literature and other genres of other areas, are becoming more and more tenuous, appearing as a kind of hybridity impelled by the dynamics of discourses, constantly changing. Appearing in the most diverse fields of knowledge, the essay has always been present in the field of sciences, especially in Philosophy, mainly from Montaigne, as well as in literature, with Francis Bacon, in which it usually receives the title of "literary essay". However, research on the role of literary criticism in Portuguese and the implications of the essay as a genre for theory of literature and literary production, able to comprehend the intrinsic aspects of the essay, is lacking, as well as an understanding on the essay as a genre or discoursive domain able to unite different subgenres from the frontiers between literature and philosophy, or even science itself. This thesis, by means of a hermeneutic methodology, aims to investigate the essay as an inherent element of the work of the Portuguese writer José Saramago, with emphasis on the following works: Claraboia (2011) and The intermittences of death (2014). This choice contrasts two distinct phases of the literary production of the writer: the beginning and the end of his career, in order to verify to what extent essayistic procedures are plotted in the literary prose of the author in these two distinct phases, before and after The Statue and the stone (2013). In such works, as well as in all the running of his literary production, aspects and procedures stand out in relation to the aesthetic elements of the essay. In order to discuss and analyze such questions in the work of Saramago, we will prioritize, as theoretical reference, fundamental authors of the field of philosophy that deal with the essay: Montaigne, George Lukács, Max Bense, Theodor Adorno, João Barrento, as well as other contemporary authors in the field of literature and philosophy. Thus, in combining essay and novel, in an experimental, singular and always ironic way, Saramago obtains a powerful support to reinvent reality, in the sense of representing, under the sieve of the word, the human condition, giving the novel an artistic dimension of essentially critical aspect, an essayistic aspect.No contexto contemporâneo da produção literária, as fronteiras entre os gêneros literários, bem como as fronteiras com outros gêneros de outras áreas do conhecimento, apresentam-se cada vez mais tênues, afigurando uma hibridez impelida pela dinamicidade dos discursos, em constante mutação. Empregado nas mais diversas áreas do saber, o ensaio, por sua vez, sempre esteve presente no terreno das ciências, destacando-se sobremaneira tanto na esfera da filosofia, sobretudo a partir de Montaigne, como na da literatura, com Francis Bacon, em que geralmente recebe o título de “ensaio literário”. Carecem, contudo, pesquisas no rol da crítica literária, em língua portuguesa, que versem sobre ele, isto é, delimitem seus aspectos intrínsecos, compreendam a questão fronteiriça entre literatura e filosofia, de que provém, bem como suas implicações na teoria e na produção literária enquanto gênero ou domínio discursivo agregador de distintos subgêneros a ele submetidos. Este trabalho, pelas vias de uma metodologia hermenêutica, tem por finalidade investigar a questão do ensaio como elemento inerente à obra do escritor português José Saramago, com destaque às seguintes obras: Claraboia (2011) e As intermitências da morte (2014). A escolha coteja duas fases distintas da produção literária do escritor: o início e o término de sua carreira, a fim de verificar em que medida procedimentos ensaísticos encontram-se tramados na prosa literária do autor nessas duas distintas fases, antes e depois d’A estátua e a pedra (2013). Em tais obras, bem como em todo o transcorrer de sua produção literária, destacam-se aspectos e procedimentos que ora se aproximam, ora se valem de elementos estéticos próprios do ensaio. A fim de discutir e analisar tais questões na obra de Saramago, serão priorizados, como referencial teórico, autores fundamentais do campo da filosofia que versam sobre o ensaio: Montaigne, George Lukács, Max Bense, Theodor Adorno, João Barrento, além de outros autores contemporâneos no âmbito da literatura e da filosofia. Assim, ao conjugar ensaio e romance, de modo experimental, singular e sempre irônico, Saramago consegue um possante suporte para reinventar o real, no sentido de representar, sob o crivo da palavra, especialmente aquilo que desassossega o autor, o leitor, enfim, a nossa condição humana, conferindo ao romance uma dimensão artística de aspecto essencialmente crítico, à maneira ensaística.Coordenação de Aperfeiçoamento de Pessoal de Nível Superiorapplication/pdfporUniversidade Presbiteriana MackenzieLetrasUPMBrasilCentro de Educação, Filosofia e Teologia (CEFT)http://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessSaramago, Joséensaioromance português contemporâneoCNPQ::LINGUISTICA, LETRAS E ARTESO ensaio no romance de Saramago: a experiência humana sob o crivo da palavrainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisBridi, Marlise Vazhttp://lattes.cnpq.br/4486189642933939Trevisan, Ana LúciaVasconcelos, Maria Lúcia Marcondes CarvalhoGobbi, Márcia Valéria ZamboniGomes, Manuel Tavareshttp://lattes.cnpq.br/6714927738352448Christal, Wendel Cássiohttp://tede.mackenzie.br/jspui/retrieve/15046/Wendel%20C%c3%a1ssio%20Christal.pdf.jpghttp://tede.mackenzie.br/jspui/bitstream/tede/3356/5/Wendel%20C%C3%A1ssio%20Christal.pdfSaramago, Joséessaycontemporary portuguese novelreponame:Biblioteca Digital de Teses e Dissertações do Mackenzieinstname:Universidade Presbiteriana Mackenzie (MACKENZIE)instacron:MACKENZIE10899/251952020-05-28 15:12:18.887Biblioteca Digital de Teses e Dissertaçõeshttp://tede.mackenzie.br/jspui/PRI |
dc.title.por.fl_str_mv |
O ensaio no romance de Saramago: a experiência humana sob o crivo da palavra |
title |
O ensaio no romance de Saramago: a experiência humana sob o crivo da palavra |
spellingShingle |
O ensaio no romance de Saramago: a experiência humana sob o crivo da palavra Christal, Wendel Cássio Saramago, José ensaio romance português contemporâneo CNPQ::LINGUISTICA, LETRAS E ARTES |
title_short |
O ensaio no romance de Saramago: a experiência humana sob o crivo da palavra |
title_full |
O ensaio no romance de Saramago: a experiência humana sob o crivo da palavra |
title_fullStr |
O ensaio no romance de Saramago: a experiência humana sob o crivo da palavra |
title_full_unstemmed |
O ensaio no romance de Saramago: a experiência humana sob o crivo da palavra |
title_sort |
O ensaio no romance de Saramago: a experiência humana sob o crivo da palavra |
author |
Christal, Wendel Cássio |
author_facet |
Christal, Wendel Cássio |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Bridi, Marlise Vaz |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/4486189642933939 |
dc.contributor.referee1.fl_str_mv |
Trevisan, Ana Lúcia |
dc.contributor.referee2.fl_str_mv |
Vasconcelos, Maria Lúcia Marcondes Carvalho |
dc.contributor.referee3.fl_str_mv |
Gobbi, Márcia Valéria Zamboni |
dc.contributor.referee4.fl_str_mv |
Gomes, Manuel Tavares |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/6714927738352448 |
dc.contributor.author.fl_str_mv |
Christal, Wendel Cássio |
contributor_str_mv |
Bridi, Marlise Vaz Trevisan, Ana Lúcia Vasconcelos, Maria Lúcia Marcondes Carvalho Gobbi, Márcia Valéria Zamboni Gomes, Manuel Tavares |
dc.subject.por.fl_str_mv |
Saramago, José ensaio romance português contemporâneo |
topic |
Saramago, José ensaio romance português contemporâneo CNPQ::LINGUISTICA, LETRAS E ARTES |
dc.subject.cnpq.fl_str_mv |
CNPQ::LINGUISTICA, LETRAS E ARTES |
description |
In contemporary literature, the frontiers between literary genres, as well as the frontiers between literature and other genres of other areas, are becoming more and more tenuous, appearing as a kind of hybridity impelled by the dynamics of discourses, constantly changing. Appearing in the most diverse fields of knowledge, the essay has always been present in the field of sciences, especially in Philosophy, mainly from Montaigne, as well as in literature, with Francis Bacon, in which it usually receives the title of "literary essay". However, research on the role of literary criticism in Portuguese and the implications of the essay as a genre for theory of literature and literary production, able to comprehend the intrinsic aspects of the essay, is lacking, as well as an understanding on the essay as a genre or discoursive domain able to unite different subgenres from the frontiers between literature and philosophy, or even science itself. This thesis, by means of a hermeneutic methodology, aims to investigate the essay as an inherent element of the work of the Portuguese writer José Saramago, with emphasis on the following works: Claraboia (2011) and The intermittences of death (2014). This choice contrasts two distinct phases of the literary production of the writer: the beginning and the end of his career, in order to verify to what extent essayistic procedures are plotted in the literary prose of the author in these two distinct phases, before and after The Statue and the stone (2013). In such works, as well as in all the running of his literary production, aspects and procedures stand out in relation to the aesthetic elements of the essay. In order to discuss and analyze such questions in the work of Saramago, we will prioritize, as theoretical reference, fundamental authors of the field of philosophy that deal with the essay: Montaigne, George Lukács, Max Bense, Theodor Adorno, João Barrento, as well as other contemporary authors in the field of literature and philosophy. Thus, in combining essay and novel, in an experimental, singular and always ironic way, Saramago obtains a powerful support to reinvent reality, in the sense of representing, under the sieve of the word, the human condition, giving the novel an artistic dimension of essentially critical aspect, an essayistic aspect. |
publishDate |
2017 |
dc.date.accessioned.fl_str_mv |
2017-09-28T18:41:33Z 2020-05-28T18:12:18Z |
dc.date.issued.fl_str_mv |
2017-08-14 |
dc.date.available.fl_str_mv |
2020-05-28T18:12:18Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/doctoralThesis |
format |
doctoralThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
CHRISTAL, Wendel Cássio. O ensaio no romance de Saramago: a experiência humana sob o crivo da palavra. 2017. 173 f]. Tese( Letras) - Universidade Presbiteriana Mackenzie, São Paulo . |
dc.identifier.uri.fl_str_mv |
http://dspace.mackenzie.br/handle/10899/25195 |
identifier_str_mv |
CHRISTAL, Wendel Cássio. O ensaio no romance de Saramago: a experiência humana sob o crivo da palavra. 2017. 173 f]. Tese( Letras) - Universidade Presbiteriana Mackenzie, São Paulo . |
url |
http://dspace.mackenzie.br/handle/10899/25195 |
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por |
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por |
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http://creativecommons.org/licenses/by-nc-nd/4.0/ info:eu-repo/semantics/openAccess |
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http://creativecommons.org/licenses/by-nc-nd/4.0/ |
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openAccess |
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Universidade Presbiteriana Mackenzie |
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Letras |
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UPM |
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Brasil |
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Centro de Educação, Filosofia e Teologia (CEFT) |
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Universidade Presbiteriana Mackenzie |
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Universidade Presbiteriana Mackenzie (MACKENZIE) |
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Biblioteca Digital de Teses e Dissertações do Mackenzie |
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Biblioteca Digital de Teses e Dissertações do Mackenzie |
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