From the insurgent voices in the Poetry Slam movement to the reexistence of the slam of the mines: the aesthetics of the poetry of the quebrada by the manas, monas and monstras

Detalhes bibliográficos
Autor(a) principal: da Silva, Patrícia Pereira
Data de Publicação: 2020
Outros Autores: de Moraes, Paulo Eduardo Benites
Tipo de documento: Artigo
Idioma: por
Título da fonte: Texto Poético
Texto Completo: https://textopoetico.emnuvens.com.br/rtp/article/view/710
Resumo: The present study proposes an analysis of the poems by Roberta Estrela D’alva and Bell Puã, published in Querem nos calar: poemas para serem lidos em voz alta (2019). The poems challenge the notions of representation, mimesis, as well as the concept of poetics, in their classical senses, and approach the meanings of the poetic as a performance space in what goes back to the bond between body and speech, voice and performance, poetry and rhythm. Under the aegis of nonrepresentation, or anti-mimesis, the insurgent voices of the chick point to a social reexistence of both the poet and poetry itself, which are part of the movement of resignification of contemporary Brazilian poetry in an urban, street, peripheral context through the conjuncture of poetry slam.
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spelling From the insurgent voices in the Poetry Slam movement to the reexistence of the slam of the mines: the aesthetics of the poetry of the quebrada by the manas, monas and monstrasDesde las voces insurgentes en el movimiento de slam de poesia hasta la reexistencia del slam de las minas: la estética de la poesia de la quebrada por los manas, monas y monstrasDas vozes insurgentes no movimento poetry slam à reexistência do slam das minas: a estética da poesia da quebrada pelas manas, monas e monstrasperformancepoeticpoetry slamreexistencefemale voice.rendimientopoéticapoesía slamla reexistenciavoz femenina.performancepoética. poetry slamreexistênciavoz feminina.The present study proposes an analysis of the poems by Roberta Estrela D’alva and Bell Puã, published in Querem nos calar: poemas para serem lidos em voz alta (2019). The poems challenge the notions of representation, mimesis, as well as the concept of poetics, in their classical senses, and approach the meanings of the poetic as a performance space in what goes back to the bond between body and speech, voice and performance, poetry and rhythm. Under the aegis of nonrepresentation, or anti-mimesis, the insurgent voices of the chick point to a social reexistence of both the poet and poetry itself, which are part of the movement of resignification of contemporary Brazilian poetry in an urban, street, peripheral context through the conjuncture of poetry slam.El presente estudio propone un análisis de los poemas de Roberta Estrela D’alva y Bell Puá, publicado en Querem nos calar: poemas para serem lidos em voz alta (2019). Los poemas desafían las nociones de representación, mimese, así como el concepto mismo de poética, en sus sentidos clásicos, y se acercan a los significados de lo poético como un espacio de interpretación en lo que se remonta al vínculo entre el cuerpo y el habla, la voz y la interpretación, el canto y el ritmo. Bajo la égida de la no representación, o anti-mimesi, las voces insurgentes de las minas apuntan a una reexistencia social tanto del poeta como de la poesía misma, que forman parte del movimiento de resignación de la poesía brasileña contemporánea en un contexto urbano, callejero y periférico a través de la coyuntura del slam de la poesía.O presente estudo analisa os poemas de Roberta Estrela D’alva e Bell Puã, publicados em Querem nos calar: poemas para serem lidos em voz alta (2019). Tais poemas desafiam as noções de representação, de mimese, bem como do próprio conceito de poética, em seus sentidos clássicos, e abordam os sentidos do poético como espaço performático naquilo que remonta ao vínculo entre corpo e fala, voz e performance, canto e ritmo. Sob a égide da não representação ou da anti-mimese, as vozes insurgentes das minas apontam para uma reexistência social tanto do poeta quanto da própria poesia, as quais integram o movimento de ressignificação da poesia brasileira contemporânea em contexto urbano, de rua, periférico por meio da conjuntura do poetry slam.GT Teoria do Texto Poético ANPOLL2020-09-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://textopoetico.emnuvens.com.br/rtp/article/view/71010.25094/rtp.2020n31a710Texto Poético; v. 16 n. 31 (2020): Poesia em performances urbanas; 40-631808-5385reponame:Texto Poéticoinstname:Associação Nacional de Pós-Graduação e Pesquisa em Letras e Lingüística (ANPOLL)instacron:Anpollporhttps://textopoetico.emnuvens.com.br/rtp/article/view/710/505Copyright (c) 2020 Revista Texto Poéticoinfo:eu-repo/semantics/openAccessda Silva, Patrícia Pereirade Moraes, Paulo Eduardo Benites2020-10-01T11:25:03Zoai:ojs.textopoetico.emnuvens.com.br:article/710Revistahttp://revistatextopoetico.com.br/index.php/rtpPUBhttps://textopoetico.emnuvens.com.br/rtp/oai||solfiuza@gmail.com|| idafalves@gmail.com1808-53851808-5385opendoar:2020-10-01T11:25:03Texto Poético - Associação Nacional de Pós-Graduação e Pesquisa em Letras e Lingüística (ANPOLL)false
dc.title.none.fl_str_mv From the insurgent voices in the Poetry Slam movement to the reexistence of the slam of the mines: the aesthetics of the poetry of the quebrada by the manas, monas and monstras
Desde las voces insurgentes en el movimiento de slam de poesia hasta la reexistencia del slam de las minas: la estética de la poesia de la quebrada por los manas, monas y monstras
Das vozes insurgentes no movimento poetry slam à reexistência do slam das minas: a estética da poesia da quebrada pelas manas, monas e monstras
title From the insurgent voices in the Poetry Slam movement to the reexistence of the slam of the mines: the aesthetics of the poetry of the quebrada by the manas, monas and monstras
spellingShingle From the insurgent voices in the Poetry Slam movement to the reexistence of the slam of the mines: the aesthetics of the poetry of the quebrada by the manas, monas and monstras
da Silva, Patrícia Pereira
performance
poetic
poetry slam
reexistence
female voice.
rendimiento
poética
poesía slam
la reexistencia
voz femenina.
performance
poética. poetry slam
reexistência
voz feminina.
title_short From the insurgent voices in the Poetry Slam movement to the reexistence of the slam of the mines: the aesthetics of the poetry of the quebrada by the manas, monas and monstras
title_full From the insurgent voices in the Poetry Slam movement to the reexistence of the slam of the mines: the aesthetics of the poetry of the quebrada by the manas, monas and monstras
title_fullStr From the insurgent voices in the Poetry Slam movement to the reexistence of the slam of the mines: the aesthetics of the poetry of the quebrada by the manas, monas and monstras
title_full_unstemmed From the insurgent voices in the Poetry Slam movement to the reexistence of the slam of the mines: the aesthetics of the poetry of the quebrada by the manas, monas and monstras
title_sort From the insurgent voices in the Poetry Slam movement to the reexistence of the slam of the mines: the aesthetics of the poetry of the quebrada by the manas, monas and monstras
author da Silva, Patrícia Pereira
author_facet da Silva, Patrícia Pereira
de Moraes, Paulo Eduardo Benites
author_role author
author2 de Moraes, Paulo Eduardo Benites
author2_role author
dc.contributor.author.fl_str_mv da Silva, Patrícia Pereira
de Moraes, Paulo Eduardo Benites
dc.subject.por.fl_str_mv performance
poetic
poetry slam
reexistence
female voice.
rendimiento
poética
poesía slam
la reexistencia
voz femenina.
performance
poética. poetry slam
reexistência
voz feminina.
topic performance
poetic
poetry slam
reexistence
female voice.
rendimiento
poética
poesía slam
la reexistencia
voz femenina.
performance
poética. poetry slam
reexistência
voz feminina.
description The present study proposes an analysis of the poems by Roberta Estrela D’alva and Bell Puã, published in Querem nos calar: poemas para serem lidos em voz alta (2019). The poems challenge the notions of representation, mimesis, as well as the concept of poetics, in their classical senses, and approach the meanings of the poetic as a performance space in what goes back to the bond between body and speech, voice and performance, poetry and rhythm. Under the aegis of nonrepresentation, or anti-mimesis, the insurgent voices of the chick point to a social reexistence of both the poet and poetry itself, which are part of the movement of resignification of contemporary Brazilian poetry in an urban, street, peripheral context through the conjuncture of poetry slam.
publishDate 2020
dc.date.none.fl_str_mv 2020-09-30
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://textopoetico.emnuvens.com.br/rtp/article/view/710
10.25094/rtp.2020n31a710
url https://textopoetico.emnuvens.com.br/rtp/article/view/710
identifier_str_mv 10.25094/rtp.2020n31a710
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://textopoetico.emnuvens.com.br/rtp/article/view/710/505
dc.rights.driver.fl_str_mv Copyright (c) 2020 Revista Texto Poético
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Revista Texto Poético
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv GT Teoria do Texto Poético ANPOLL
publisher.none.fl_str_mv GT Teoria do Texto Poético ANPOLL
dc.source.none.fl_str_mv Texto Poético; v. 16 n. 31 (2020): Poesia em performances urbanas; 40-63
1808-5385
reponame:Texto Poético
instname:Associação Nacional de Pós-Graduação e Pesquisa em Letras e Lingüística (ANPOLL)
instacron:Anpoll
instname_str Associação Nacional de Pós-Graduação e Pesquisa em Letras e Lingüística (ANPOLL)
instacron_str Anpoll
institution Anpoll
reponame_str Texto Poético
collection Texto Poético
repository.name.fl_str_mv Texto Poético - Associação Nacional de Pós-Graduação e Pesquisa em Letras e Lingüística (ANPOLL)
repository.mail.fl_str_mv ||solfiuza@gmail.com|| idafalves@gmail.com
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