Televisão, narrativa e restos do passado
Autor(a) principal: | |
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Data de Publicação: | 2007 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | E-Compós |
Texto Completo: | https://www.e-compos.org.br/e-compos/article/view/138 |
Resumo: | The purpose of this article is to demonstrate the existence of a particular way of telling the history of TV which allows us to say that there is a television narrative. Certain aspects of its language assume the form of constants in terms of peculiarities and particularities, that cannot be mistaken for those of other broadcasting systems. These constants are: thematic articulations, the dependence on orality regimes, and modes of communication that establish particular “modes of seeing”. These are the characteristics of the mode of telling on TV – no matter whether in genres dependent on the conventions of veracity or fictionality – that we are particularizing as television narrative. Secondly, we will demonstrate how television articulates its narrative in time, putting past, present and future in distinct comprehension regimes. An expanded present, a past in the form of vestige and a future as expectation reproduce both the logic of vulgar time on the small screen as well as modes of telling in everyday life. Could we then say that television narrative can be inserted in this longing to mould new scheme views under the form of storytelling? To which extent does television build new narrative forms? How do these constructions establish a connection with the past, through what we call memorable vestiges, and with the future as well, through the sense of expectation? Finally, how do memorable vestiges inform about television narrative and its relation to time? These are the fundamental questions that guide this work, which is itself the result of a research called /Media and Festive Ceremonies on Brazilian Television/, sponsored by FAPERJ (“Scientist of Our State” Project) as well as by CNPQ (“Productivity and Research” Scholarship). |
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Televisão, narrativa e restos do passadoNarrativaTempoTelevisãoThe purpose of this article is to demonstrate the existence of a particular way of telling the history of TV which allows us to say that there is a television narrative. Certain aspects of its language assume the form of constants in terms of peculiarities and particularities, that cannot be mistaken for those of other broadcasting systems. These constants are: thematic articulations, the dependence on orality regimes, and modes of communication that establish particular “modes of seeing”. These are the characteristics of the mode of telling on TV – no matter whether in genres dependent on the conventions of veracity or fictionality – that we are particularizing as television narrative. Secondly, we will demonstrate how television articulates its narrative in time, putting past, present and future in distinct comprehension regimes. An expanded present, a past in the form of vestige and a future as expectation reproduce both the logic of vulgar time on the small screen as well as modes of telling in everyday life. Could we then say that television narrative can be inserted in this longing to mould new scheme views under the form of storytelling? To which extent does television build new narrative forms? How do these constructions establish a connection with the past, through what we call memorable vestiges, and with the future as well, through the sense of expectation? Finally, how do memorable vestiges inform about television narrative and its relation to time? These are the fundamental questions that guide this work, which is itself the result of a research called /Media and Festive Ceremonies on Brazilian Television/, sponsored by FAPERJ (“Scientist of Our State” Project) as well as by CNPQ (“Productivity and Research” Scholarship).El artículo busca demostrar que una manera apropiada existe para contar la historia de la televisión, eso permite para afirmar la existencia de una narrativa televisual. Los aspectos resueltos de la lengua forman constantes en términos de particularidades de que no se confunden con las emisiones de otros medios. Estas constantes son los empalmes temáticos, la dependencia de la forma de regímenes del oralidad y las maneras de la comunicación que restauran “maneras de considerar”. Son estas características de las maneras a la cuenta de la televisión - no importa si en las clases dependientes de la convención del ficción o de la veracidad que estemos distinguiendo como narrativa televisual. Después, demostraremos como la televisión articula su narrativa secular, poniendo pasado apropiado, el regalo y el futuro en regímenes de entender. El presente dilatado, el pasado como porción restante y el futuro como espera reproducen la lógica del tiempo vulgar en la pantalla de la TV y de las maneras de contar diariamente. ¿Podríamos, después, decir que la narrativa televisual si los rellenos en este deseo de moldear nuevas vistas esquemáticas bajo forma para contar historias? ¿Hasta punto la televisión construye a las nuevas formas narrativas? ¿E como estas construcciones establecen la conexión con el pretérito, con qué nosotros llama vestigios memorables, y con el futuro, con la dirección de la espera? ¿En el último, como los vestigios memorables informe en la narrativa televisual y su relación con el tiempo? Son estas preguntas básicas que dirigen la dirección de este texto, de que se resultan de los medios de la investigación y de las ceremonias festivas de la TV brasileña, financiados para el FAPERJ (científico de nuestro estado) y para el CNPQ (productividad e investigación).O artigo procura mostrar que existe um modo próprio de contar história da televisão, que permite afirmar a existência de uma narrativa televisual. Determinados aspectos da linguage m formam constantes em termos de peculiaridades e particularidades, que não se confundem com emissões de outros meios audiovisuais. Essas constantes são as articulações temáticas, a dependência da forma dos regimes de oralidade e modos de comunicação que instauram “modos de ver” particulares. São essas características dos modos de contar da televisão – não importa se em gêneros dependentes da convenção de veracidade ou de ficcionalidade – que estamos particularizando como narrativa televisual. Num segundo momento, mostraremos como a televisão articula sua narrativa temporalmente, colocando passado, presente e futuro em regimes de compreensão próprios. O presente dilatado, o passado como resto e o futuro como espera reproduzem a lógica do tempo vulgar na tela da TV e modos de contar cotidiano. Poderíamos, então, dizer que a narrativa televisual se insere nesse desejo de moldar novas vistas esquemáticas sob a forma de contar histórias? Até que ponto a televisão constrói novas formas narrativas? E como essas construções estabelecem a conexão com o passado, através do que chamamos vestígios memoráveis, e com o futuro, através do sentido de espera? Enfim, como os vestígios memoráveis informam sobre a narrativa televisual e sua relação com o tempo? São essas perguntas fundamentais que direcionam o sentido desse texto, que é resultado da pesquisa Mídia e Cerimônias Festivas da TV Brasileira, financiada pela FAPERJ (Cientista do Nosso Estado) e pelo CNPQ (Bolsa Produtividade e Pesquisa).ABEC2007-06-26info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.e-compos.org.br/e-compos/article/view/13810.30962/ec.138E-Compós; Vol. 8 (2007)E-Compós; Vol. 8 (2007)E-Compós; v. 8 (2007)1808-2599reponame:E-Compósinstname:Associação Nacional dos Programas de Pós-Graduação em Comunicaçãoinstacron:ANPPCporhttps://www.e-compos.org.br/e-compos/article/view/138/139Barbosa, Marialvainfo:eu-repo/semantics/openAccess2019-07-24T05:30:32Zoai:ojs.www.e-compos.org.br:article/138Revistahttps://www.e-compos.org.br/e-compos/PUBhttps://www.e-compos.org.br/e-compos/oairevistaecompos@gmail.com1808-25991808-2599opendoar:2019-07-24T05:30:32E-Compós - Associação Nacional dos Programas de Pós-Graduação em Comunicaçãofalse |
dc.title.none.fl_str_mv |
Televisão, narrativa e restos do passado |
title |
Televisão, narrativa e restos do passado |
spellingShingle |
Televisão, narrativa e restos do passado Barbosa, Marialva Narrativa Tempo Televisão |
title_short |
Televisão, narrativa e restos do passado |
title_full |
Televisão, narrativa e restos do passado |
title_fullStr |
Televisão, narrativa e restos do passado |
title_full_unstemmed |
Televisão, narrativa e restos do passado |
title_sort |
Televisão, narrativa e restos do passado |
author |
Barbosa, Marialva |
author_facet |
Barbosa, Marialva |
author_role |
author |
dc.contributor.author.fl_str_mv |
Barbosa, Marialva |
dc.subject.por.fl_str_mv |
Narrativa Tempo Televisão |
topic |
Narrativa Tempo Televisão |
description |
The purpose of this article is to demonstrate the existence of a particular way of telling the history of TV which allows us to say that there is a television narrative. Certain aspects of its language assume the form of constants in terms of peculiarities and particularities, that cannot be mistaken for those of other broadcasting systems. These constants are: thematic articulations, the dependence on orality regimes, and modes of communication that establish particular “modes of seeing”. These are the characteristics of the mode of telling on TV – no matter whether in genres dependent on the conventions of veracity or fictionality – that we are particularizing as television narrative. Secondly, we will demonstrate how television articulates its narrative in time, putting past, present and future in distinct comprehension regimes. An expanded present, a past in the form of vestige and a future as expectation reproduce both the logic of vulgar time on the small screen as well as modes of telling in everyday life. Could we then say that television narrative can be inserted in this longing to mould new scheme views under the form of storytelling? To which extent does television build new narrative forms? How do these constructions establish a connection with the past, through what we call memorable vestiges, and with the future as well, through the sense of expectation? Finally, how do memorable vestiges inform about television narrative and its relation to time? These are the fundamental questions that guide this work, which is itself the result of a research called /Media and Festive Ceremonies on Brazilian Television/, sponsored by FAPERJ (“Scientist of Our State” Project) as well as by CNPQ (“Productivity and Research” Scholarship). |
publishDate |
2007 |
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2007-06-26 |
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article |
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https://www.e-compos.org.br/e-compos/article/view/138 10.30962/ec.138 |
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https://www.e-compos.org.br/e-compos/article/view/138 |
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10.30962/ec.138 |
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https://www.e-compos.org.br/e-compos/article/view/138/139 |
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openAccess |
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E-Compós; Vol. 8 (2007) E-Compós; Vol. 8 (2007) E-Compós; v. 8 (2007) 1808-2599 reponame:E-Compós instname:Associação Nacional dos Programas de Pós-Graduação em Comunicação instacron:ANPPC |
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