From the fanzine to the magazine: an analysis of punk rock representations by advertising

Bibliographic Details
Main Author: Pereira, Cláudia da Silva
Publication Date: 2016
Other Authors: Boeschenstein, Lívia Pessanha
Format: Article
Language: por
eng
Source: Comunicação, Mídia e Consumo (Online)
Download full: https://revistacmc.espm.br/revistacmc/article/view/1055
Summary: The objective is to analyze the social representations of punk rock in the media from two icons of this movement: Johnny Rotten (former lead singer of the late 1970’s punk band The Sex Pistols) and João Gordo (former lead singer of the Brazilian hardcore punk band Ratos de Porão). It starts with the premise that the punk rock subculture is likely to be, through advertising, retransmitted to the general audience within “politically correct” standards in comparison to what it is in its ideological essence. To try to understand the concept of “social representations” and also how the process of assigning meanings to certain elements that are “foreigners” to a culture is, a reflection shall be developed from Moscovici’s (2003) theory of social representations, among others authors.
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spelling From the fanzine to the magazine: an analysis of punk rock representations by advertisingDa fanzine à magazine: uma análise das representações do punk pela publicidadeMedia representationsAdvertisingPunk rockRepresentações midiáticasPublicidadePunkThe objective is to analyze the social representations of punk rock in the media from two icons of this movement: Johnny Rotten (former lead singer of the late 1970’s punk band The Sex Pistols) and João Gordo (former lead singer of the Brazilian hardcore punk band Ratos de Porão). It starts with the premise that the punk rock subculture is likely to be, through advertising, retransmitted to the general audience within “politically correct” standards in comparison to what it is in its ideological essence. To try to understand the concept of “social representations” and also how the process of assigning meanings to certain elements that are “foreigners” to a culture is, a reflection shall be developed from Moscovici’s (2003) theory of social representations, among others authors.O objetivo é analisar as representações sociais do punk na mídia a partir de dois ícones deste movimento: Johnny Rotten (ex-vocalista da banda Sex Pistols) e João Gordo (ex-vocalista da banda Ratos de Porão). Parte-se da premissa de que a subcultura punk é passível de ser, através da publicidade, retransmitida ao público em geral dentro de padrões “politicamente corretos” em comparação ao que ele é em sua essência ideológica. Para tentar compreender o conceito de “representações sociais” e também como se dá o processo de atribuição de significados a determinados elementos “estrangeiros” a uma cultura, será desenvolvida uma reflexão a partir da teoria das Representações Sociais de Moscovici (2003), dentre outros autores.Escola Superior de Propaganda e Marketing2016-09-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionPesquisa histórica; Revisão de literatura; Pesquisa documentalapplication/pdfapplication/pdfhttps://revistacmc.espm.br/revistacmc/article/view/105510.18568/cmc.v13i37.1055Comunicação Mídia e Consumo; Vol. 13 No. 37 (2016): Maio/Agosto; 76-97Comunicação Mídia e Consumo; Vol. 13 Núm. 37 (2016): Maio/Agosto; 76-97Comunicação Mídia e Consumo; v. 13 n. 37 (2016): Maio/Agosto; 76-971983-707010.18568/cmc.v13i37reponame:Comunicação, Mídia e Consumo (Online)instname:Escola Superior de Propaganda e Marketing (ESPM)instacron:ESPMporenghttps://revistacmc.espm.br/revistacmc/article/view/1055/pdfhttps://revistacmc.espm.br/revistacmc/article/view/1055/pdf_1Copyright (c) 2016 Comunicação Mídia e Consumoinfo:eu-repo/semantics/openAccessPereira, Cláudia da SilvaBoeschenstein, Lívia Pessanha2018-04-11T19:02:12Zoai:ojs.revistacmc.espm.br:article/1055Revistahttps://revistacmc.espm.br/revistacmc/oaiPRIhttp://revistacmc.espm.br/index.php/revistacmc/oaithoff@espm.br||revistacmc@espm.br1983-70701806-4981opendoar:2018-04-11T19:02:12Comunicação, Mídia e Consumo (Online) - Escola Superior de Propaganda e Marketing (ESPM)false
dc.title.none.fl_str_mv From the fanzine to the magazine: an analysis of punk rock representations by advertising
Da fanzine à magazine: uma análise das representações do punk pela publicidade
title From the fanzine to the magazine: an analysis of punk rock representations by advertising
spellingShingle From the fanzine to the magazine: an analysis of punk rock representations by advertising
Pereira, Cláudia da Silva
Media representations
Advertising
Punk rock
Representações midiáticas
Publicidade
Punk
title_short From the fanzine to the magazine: an analysis of punk rock representations by advertising
title_full From the fanzine to the magazine: an analysis of punk rock representations by advertising
title_fullStr From the fanzine to the magazine: an analysis of punk rock representations by advertising
title_full_unstemmed From the fanzine to the magazine: an analysis of punk rock representations by advertising
title_sort From the fanzine to the magazine: an analysis of punk rock representations by advertising
author Pereira, Cláudia da Silva
author_facet Pereira, Cláudia da Silva
Boeschenstein, Lívia Pessanha
author_role author
author2 Boeschenstein, Lívia Pessanha
author2_role author
dc.contributor.author.fl_str_mv Pereira, Cláudia da Silva
Boeschenstein, Lívia Pessanha
dc.subject.por.fl_str_mv Media representations
Advertising
Punk rock
Representações midiáticas
Publicidade
Punk
topic Media representations
Advertising
Punk rock
Representações midiáticas
Publicidade
Punk
description The objective is to analyze the social representations of punk rock in the media from two icons of this movement: Johnny Rotten (former lead singer of the late 1970’s punk band The Sex Pistols) and João Gordo (former lead singer of the Brazilian hardcore punk band Ratos de Porão). It starts with the premise that the punk rock subculture is likely to be, through advertising, retransmitted to the general audience within “politically correct” standards in comparison to what it is in its ideological essence. To try to understand the concept of “social representations” and also how the process of assigning meanings to certain elements that are “foreigners” to a culture is, a reflection shall be developed from Moscovici’s (2003) theory of social representations, among others authors.
publishDate 2016
dc.date.none.fl_str_mv 2016-09-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Pesquisa histórica; Revisão de literatura; Pesquisa documental
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistacmc.espm.br/revistacmc/article/view/1055
10.18568/cmc.v13i37.1055
url https://revistacmc.espm.br/revistacmc/article/view/1055
identifier_str_mv 10.18568/cmc.v13i37.1055
dc.language.iso.fl_str_mv por
eng
language por
eng
dc.relation.none.fl_str_mv https://revistacmc.espm.br/revistacmc/article/view/1055/pdf
https://revistacmc.espm.br/revistacmc/article/view/1055/pdf_1
dc.rights.driver.fl_str_mv Copyright (c) 2016 Comunicação Mídia e Consumo
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2016 Comunicação Mídia e Consumo
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Escola Superior de Propaganda e Marketing
publisher.none.fl_str_mv Escola Superior de Propaganda e Marketing
dc.source.none.fl_str_mv Comunicação Mídia e Consumo; Vol. 13 No. 37 (2016): Maio/Agosto; 76-97
Comunicação Mídia e Consumo; Vol. 13 Núm. 37 (2016): Maio/Agosto; 76-97
Comunicação Mídia e Consumo; v. 13 n. 37 (2016): Maio/Agosto; 76-97
1983-7070
10.18568/cmc.v13i37
reponame:Comunicação, Mídia e Consumo (Online)
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instname_str Escola Superior de Propaganda e Marketing (ESPM)
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reponame_str Comunicação, Mídia e Consumo (Online)
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repository.name.fl_str_mv Comunicação, Mídia e Consumo (Online) - Escola Superior de Propaganda e Marketing (ESPM)
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